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Author: Iain Fenlon Publisher: Oxford University Press ISBN: 9780198164449 Category : History Languages : en Pages : 300
Book Description
Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.
Author: Iain Fenlon Publisher: Oxford University Press ISBN: 9780198164449 Category : History Languages : en Pages : 300
Book Description
Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.
Author: Tim Carter Publisher: ISBN: Category : Music Languages : en Pages : 296
Book Description
This book proposes new ways of exploring vocal and instrumental music in northern and central Italy in the sixteenth and early seventeenth centuries. The text focuses on the consolidation of the 'High Renaissance' style of Josquin Desprez and his contemporaries, and the subsequent transformation of this style under the pressure of new aesthetic and functional demands made upon music, and of shifting social, political and cultural circumstances as Italy moved into the period of the Counter-Reformation, and the arts moved through Mannerism into the Baroque. The effects of these changing contexts upon such masters as Giovanni Pierluigi da Palestrina and Claudio Monteverdi are fully documented here, but this is less a 'great composer' book than a study of secular, sacred and theatrical styles and genres, both within the musical market-place and in relation to music's sister arts. The author also attempts to view music, and indeed all the arts, as essentially political phenomena, conditioned by (but also conditioning) social and cultural constraints. There are copious music examples and an extensive bibliography; considerable space is also devoted to extracts from contemporary documents in translation to allow the reader first-hand experience of one of the most exciting periods in music history.
Author: Chriscinda Henry Publisher: Taylor & Francis ISBN: 1000875334 Category : Art Languages : en Pages : 411
Book Description
The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history. Chapter 15 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Virginia Cox Publisher: UCL Press ISBN: 1800084307 Category : Drama Languages : en Pages : 554
Book Description
Leonora Bernardi (1559-1616), a gentlewoman of Lucca, was a highly regarded poet, dramatist and singer. She was active in the brilliant courts of Ferrara and Florence at a time when creative women enjoyed exceptional visibility in Italy. Like many such figures, she has since suffered historical neglect. Drama, Poetry and Music in Late-Renaissance Italy presents the first ever study of Bernardi’s life, and modern edition of her recently discovered literary corpus, which mostly exists in manuscript. Her writings appear in the original Italian with new English translations, scholarly notes, critical essays and contributions by Eric Nicholson, Eugenio Refini and Davide Daolmi. Based on new archival research, the substantial opening section reconstructs Bernardi’s unusually colourful life. Bernardi’s works reveal her connections with some of the most pioneering poets, dramatists and musicians of the day, including her mentor Angelo Grillo and the first opera librettist Ottavio Rinuccini. The second major section presents her pastoral tragicomedy Clorilli, one of the earliest secular dramatic works by a woman. It was apparently performed in the early 1590s at a Medici villa near Florence, before Grandduke Ferdinando I de’ Medici, and his consort Christine of Lorraine, but now exists in an enigmatic Venetian manuscript. The third section presents Bernardi’s secular and religious verse, which engaged with new trends in lyric and poetry for music, and was set by various key composers across Italy.
Author: Julia Rombough Publisher: Harvard University Press - T ISBN: 0674297105 Category : History Languages : en Pages : 139
Book Description
An illuminating study of early modern efforts to regulate sound in women’s residential institutions, and how the noises of city life—both within and beyond their walls—defied such regulation. Amid the Catholic reforms of the sixteenth and seventeenth centuries, the number of women and girls housed in nunneries, reformatories, and charity homes grew rapidly throughout the city of Florence. Julia Rombough follows the efforts of legal, medical, and ecclesiastical authorities to govern enclosed women, and uncovers the experiences of the women themselves as they negotiated strict sensory regulations. At a moment when quiet was deeply entangled with ideals of feminine purity, bodily health, and spiritual discipline, those in power worked constantly to silence their charges and protect them from the urban din beyond institutional walls. Yet the sounds of a raucous metropolis found their way inside. The noise of merchants hawking their wares, sex workers laboring and socializing with clients, youth playing games, and coaches rumbling through the streets could not be contained. Moreover, enclosed women themselves contributed to the urban soundscape. While some embraced the pursuit of silence and lodged regular complaints about noise, others broke the rules by laughing, shouting, singing, and conversing. Rombough argues that ongoing tensions between legal regimes of silence and the inevitable racket of everyday interactions made women’s institutions a flashpoint in larger debates about gender, class, health, and the regulation of urban life in late Renaissance Italy. Attuned to the vibrant sounds of life behind walls of stone and sanction, A Veil of Silence illuminates a revealing history of early modern debates over the power of the senses.
Author: Lewis Lockwood Publisher: Oxford University Press ISBN: 0199703000 Category : Music Languages : en Pages : 425
Book Description
Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.
Author: James Haar Publisher: Princeton University Press ISBN: 1400864712 Category : Music Languages : en Pages : 408
Book Description
As a distinguished scholar of Renaissance music, James Haar has had an abiding influence on how musicology is undertaken, owing in great measure to a substantial body of articles published over the past three decades. Collected here for the first time are representative pieces from those years, covering diverse themes of continuing interest to him and his readers: music in Renaissance culture, problems of theory as well as the Italian madrigal in the sixteenth century, the figures of Antonfrancesco Doni and Giovanthomaso Cimello, and the nineteenth century's views of early music. In this collection, the same subject is seen from several angles, and thus gives a rich context for further exploration. Haar was one of the first to recognize the value of cultural study. His work also reminds us that the close study of the music itself is equally important. The articles contained in this book show the author's conviction that a good way to address large problems is to begin by focusing on small ones. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Tim Carter Publisher: Harvard University Press ISBN: 0674727932 Category : Biography & Autobiography Languages : en Pages : 314
Book Description
The Florentine musician Jacopo Peri (1561-1633) is known as the composer of the first operas--they include the earliest to survive complete, Euridice (1600), in which Peri sang the role of Orpheus. A large collection of recently discovered account books belonging to him and his family allows for a greater exploration of Peri's professional and personal life. Richard Goldthwaite, an economic historian, and Tim Carter, a musicologist, have done much more, however, than write a biography: their investigation exposes the remarkable value of such financial documents as a primary source for an entire period. This record of Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and also opens a completely new perspective on one of Europe's principal centers of capitalism. His economic circumstances reflect continuities and transformations in Florentine society, and the strategies for negotiating them, under the Medici grand dukes. At the same time they allow a reevaluation of Peri the singer and composer that elucidates the cultural life of a major artistic center even in changing times, providing a quite different view of what it meant to be a musician in late Renaissance Italy.
Author: Iain Fenlon
Author: Iain Fenlon
Author: Tim Carter
Author: Chriscinda Henry
Author: Virginia Cox
Author: Blake Wilson
Author: Julia Rombough
Author: Lewis Lockwood
Author: Maria Rika Maniates
Author: James Haar
Author: Tim Carter