Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Museum of Fine Arts, Boston Bulletin: vols. XXV-XXVIII, 1927-1930
Author: Museum of Fine Arts, Boston
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 502
Book Description
Catalogue of the Library of the Peabody Museum of Archaeology and Ethnology, Harvard University
Author: Peabody Museum of Archaeology and Ethnology. Library
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 570
Book Description
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 570
Book Description
MFA Bulletin
Nagarjunakonda A Cultural Study
Author: K. Krishna Murthy
Publisher: Concept Publishing Company
ISBN:
Category : Andhra Pradesh (India)
Languages : en
Pages : 412
Book Description
Publisher: Concept Publishing Company
ISBN:
Category : Andhra Pradesh (India)
Languages : en
Pages : 412
Book Description
Catalogue of the Library of the Peabody Museum of Archaeology and Ethnology, Harvard University: Deut to Eust
Author: Peabody Museum of Archaeology and Ethnology. Library
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 578
Book Description
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 578
Book Description
Early American Silver in The Metropolitan Museum of Art
Author: Wees, Beth Carver
Publisher: Metropolitan Museum of Art
ISBN: 1588394913
Category : Antiques & Collectibles
Languages : en
Pages : 344
Book Description
Nothing provided
Publisher: Metropolitan Museum of Art
ISBN: 1588394913
Category : Antiques & Collectibles
Languages : en
Pages : 344
Book Description
Nothing provided
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394344
Category : History
Languages : en
Pages : 450
Book Description
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Publisher: Metropolitan Museum of Art
ISBN: 1588394344
Category : History
Languages : en
Pages : 450
Book Description
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Masterworks of Five Centuries
Author: San Francisco (Calif.). Golden gate international exposition, 1939. Department of Fine Arts
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 156
Book Description
English Domestic Needlework of the XVI, XVII, and XVIII Centuries
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 82
Book Description
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 82
Book Description
The Invention of the American Art Museum
Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.