Author: Giorgio Morandi
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 472
Book Description
Museo Morandi
Museo Morandi
Author: Giorgio Morandi
Publisher:
ISBN: 9788882154820
Category : Art
Languages : en
Pages : 575
Book Description
Giorgio Morandi was one of the most admired Italian painters of the 20th century and is considered the quintessential 'artist's artist'. This volume is published to accompany a detailed exhibition that gives an incite into the mind of an enigmatic, almost obsessive and highly respected artist.
Publisher:
ISBN: 9788882154820
Category : Art
Languages : en
Pages : 575
Book Description
Giorgio Morandi was one of the most admired Italian painters of the 20th century and is considered the quintessential 'artist's artist'. This volume is published to accompany a detailed exhibition that gives an incite into the mind of an enigmatic, almost obsessive and highly respected artist.
Morandi. [Reproductions. With an Introduction by C. Gnudi.].
Giorgio Morandi : on the occasion of the exhibition at: Tate Modern, London, 22 May to 12 August 2001 ...]
Author: Giorgio Morandi
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Published to accompany an exhibition at Tate Modern, London, 22 May - 12 August 2001 and Musee de l'Art Moderne de la Ville de Paris, 4 October 2001 - 6 January 2002.
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Published to accompany an exhibition at Tate Modern, London, 22 May - 12 August 2001 and Musee de l'Art Moderne de la Ville de Paris, 4 October 2001 - 6 January 2002.
Albers and Morandi: Never Finished
Author: Josef Albers
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Publisher: David Zwirner Books
ISBN: 9781644230596
Category : Art
Languages : en
Pages : 144
Book Description
An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.
Studios of Their Own
Author: Alex Johnson
Publisher:
ISBN: 0711293783
Category : Art
Languages : en
Pages : 194
Book Description
Studios of Their Own travels around the world, examining the unique spaces in which famous artists created their most notable works.
Publisher:
ISBN: 0711293783
Category : Art
Languages : en
Pages : 194
Book Description
Studios of Their Own travels around the world, examining the unique spaces in which famous artists created their most notable works.
Museo Morandi
Morandi
Author: Giorgio Morandi
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 168
Book Description
I Blame Duchamp
Author: Edmund Capon
Publisher: Lantern Books
ISBN: 9781920989620
Category : Art
Languages : en
Pages : 385
Book Description
'My musings on art could be described as a benign diatribe; one inspired by a genuine if watchful passion.' In this sweeping collection of essays, Edmund Capon describes his lifelong fascination with art and the artists who, over centuries, have enlightened us and challenged the way we see the world. He shares his passion for topics as diverse as the art of China and the Renaissance Old Masters, talks of personal encounters with artists such as Henry Moore and Sidney Nolan, and tells the stories behind some of his controversial acquisitions as the long-time director of the Art Gallery of New South Wales, including Cy Twombly's Three Studies from the Temeraire. Driven by curiosity and his love of the unorthodox, Capon applies the same level of passion to his discussion of football as to the ideas of Confucius. He sharpens his wit on the contemporary art world, where conceptual art - much of it devoid of beauty (and sometimes a concept) - reigns supreme. For this, says Capon, Duchamp, and his infamous Fountain, are at least partly to blame. Featuring more than fifty beautiful reproductions of paintings and drawings from collections around the world, this collection is a fascinating insight into the mind of the liveliest and most generous thinkers of our generation.
Publisher: Lantern Books
ISBN: 9781920989620
Category : Art
Languages : en
Pages : 385
Book Description
'My musings on art could be described as a benign diatribe; one inspired by a genuine if watchful passion.' In this sweeping collection of essays, Edmund Capon describes his lifelong fascination with art and the artists who, over centuries, have enlightened us and challenged the way we see the world. He shares his passion for topics as diverse as the art of China and the Renaissance Old Masters, talks of personal encounters with artists such as Henry Moore and Sidney Nolan, and tells the stories behind some of his controversial acquisitions as the long-time director of the Art Gallery of New South Wales, including Cy Twombly's Three Studies from the Temeraire. Driven by curiosity and his love of the unorthodox, Capon applies the same level of passion to his discussion of football as to the ideas of Confucius. He sharpens his wit on the contemporary art world, where conceptual art - much of it devoid of beauty (and sometimes a concept) - reigns supreme. For this, says Capon, Duchamp, and his infamous Fountain, are at least partly to blame. Featuring more than fifty beautiful reproductions of paintings and drawings from collections around the world, this collection is a fascinating insight into the mind of the liveliest and most generous thinkers of our generation.
Giorgio Morandi 1890-1964
Author: Giorgio Morandi
Publisher: Skira Editore
ISBN:
Category : Architecture
Languages : en
Pages : 376
Book Description
An exceptional selection of works documenting the entire creative career of the Italian painter, from his powerful beginnings through his Metaphysical painting phase and into the hazy atmospheres of his later works. It includes 116 masterpieces arranged into self-portraits, still-lifes, landscapes and flowers, the four major themes that characterise his work. The collection represents all the various expressive techniques used by Giorgio Morandi over the years: paint, etching, drawing and watercolour. The works have been obtained from major American museums such as the MoMA of New York, the National Gallery of Washington, the Phillips Collection and the Hirshorn Museum and Sculpture Garden in Washington, the Fogg Art Museum in Cambridge (Massachusetts), the Iowa Museum of Art and the Smith College Museum of Art in Northampton, as well as from famous private collections such as those of Roberto Longhi, Cesare Brandi, Lamberto Vitali, James Trall Soby, and John Rewald.
Publisher: Skira Editore
ISBN:
Category : Architecture
Languages : en
Pages : 376
Book Description
An exceptional selection of works documenting the entire creative career of the Italian painter, from his powerful beginnings through his Metaphysical painting phase and into the hazy atmospheres of his later works. It includes 116 masterpieces arranged into self-portraits, still-lifes, landscapes and flowers, the four major themes that characterise his work. The collection represents all the various expressive techniques used by Giorgio Morandi over the years: paint, etching, drawing and watercolour. The works have been obtained from major American museums such as the MoMA of New York, the National Gallery of Washington, the Phillips Collection and the Hirshorn Museum and Sculpture Garden in Washington, the Fogg Art Museum in Cambridge (Massachusetts), the Iowa Museum of Art and the Smith College Museum of Art in Northampton, as well as from famous private collections such as those of Roberto Longhi, Cesare Brandi, Lamberto Vitali, James Trall Soby, and John Rewald.