Murillo in Focus PDF Download

Author: Xanthe Brooke
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Bartolomé Esteban Murillo
Publisher: National Museums & Galleries
ISBN:
Category : Art
Languages : en
Pages : 60

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Author: Xanthe Brooke
Publisher:
ISBN:
Category : Children
Languages : en
Pages : 168

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Author: John Murillo
Publisher:
ISBN: 9780981913148
Category : American poetry
Languages : en
Pages : 0

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Poetry. African American Studies. Latino/Latina Studies. "Up jumps the boogie. That's almost all one needs to say. Murillo is headbreakingly brilliant. I didn't have a favorite poet for this year: Now I do. But with this kind of verve and intelligence and ferocity Murillo just might be a favorite for many years to come."--Junot Díaz "The feel of now lives in John Murillo's UP JUMP THE BOOGIE, but it's tempered by bows to the tradition of soulful music and oral poetry. The lived dimensions embodied in this collection say that here's an earned street knowledge and a measured intellectual inquiry that dare to live side by side, in one unique voice. The pages of UP JUMP THE BOOGIE breathe and sing; the tributes and cultural nods are heartfelt, and in these honest poems no one gets off the hook."--Yusef Komunyakaa

Author: Mary Elizabeth Boone
Publisher: Yale University Press
ISBN: 9780300116533
Category : Art
Languages : en
Pages : 292

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In the decades following the American Civil War and leading up to the First World War, a definitive shift in power took place between Spain and the United States. This original book explores American artists’ perceptions of Spain during this period of turmoil and demonstrates how their responses to Spanish art helped to answer emerging, complex questions about American national identity. M. Elizabeth Boone focuses on works by Thomas Eakins, Mary Cassatt, William Merritt Chase, John Singer Sargent, Robert Henri, and other American artists who traveled to Spain to study the achievements of such great masters as Murillo, Velázquez, and Goya. The resulting American paintings, some well known and others now largely forgotten, provide intriguing insights not only into the 19th-century American struggle to define itself as an imperial power but also into the relations between the United States and the Spanish-speaking world today.

Author: Bartolomé Esteban Murillo
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Michael Shnayerson
Publisher: PublicAffairs
ISBN: 1610398416
Category : Art
Languages : en
Pages : 464

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The meteoric rise of the largest unregulated financial market in the world-for contemporary art-is driven by a few passionate, guileful, and very hard-nosed dealers. They can make and break careers and fortunes. The contemporary art market is an international juggernaut, throwing off multimillion-dollar deals as wealthy buyers move from fair to fair, auction to auction, party to glittering party. But none of it would happen without the dealers-the tastemakers who back emerging artists and steer them to success, often to see them picked off by a rival. Dealers operate within a private world of handshake agreements, negotiating for the highest commissions. Michael Shnayerson, a longtime contributing editor to Vanity Fair, writes the first ever definitive history of their activities. He has spoken to all of today's so-called mega dealers-Larry Gagosian, David Zwirner, Arne and Marc Glimcher, and Iwan Wirth-along with dozens of other dealers-from Irving Blum to Gavin Brown-who worked with the greatest artists of their times: Jackson Pollock, Andy Warhol, Cy Twombly, and more. This kaleidoscopic history begins in the mid-1940s in genteel poverty with a scattering of galleries in midtown Manhattan, takes us through the ramshackle 1950s studios of Coenties Slip, the hipster locations in SoHo and Chelsea, London's Bond Street, and across the terraces of Art Basel until today. Now, dealers and auctioneers are seeking the first billion-dollar painting. It hasn't happened yet, but they are confident they can push the price there soon.

Author: Kathy Cano Murillo
Publisher: Rockport Publishers
ISBN: 9781592533053
Category : Art
Languages : en
Pages : 156

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Book Description
Over 60 colorful craft projects, decorations, and shrines that celebrate "Latino Style". Kathy Cano Murillo, known as the Crafty Chica, launched her publishing career with two lively books: Making Shadow Boxes & Shrines and La Casa Loca, which means "the crazy house." All of the projects that she designed for those two books are now featured in this classy-meet-campy companion collection of Latino-American pop art. The projects include everything from party gear to home decorations; garden accessories to gifts; and shrines to jewelry. More than 60 fabulous ideas incorporate paint, fabric, collage, embellishments, and a heavy dose of glitter. A book that every hip crafty chick needs in her collection.

Author: Bartolomé Esteban Murillo
Publisher:
ISBN:
Category :
Languages : en
Pages : 47

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Author: Tom Nichols
Publisher: Routledge
ISBN: 1351555421
Category : Art
Languages : en
Pages : 471

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Book Description
Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.