Author: Centre Georges Pompidou
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
"Multiple Modernities posits a renewed an enlarged vision of modern art. For the first time, the Centre Pompidou delves into the riches of its collections to present a global history of art. Taking into account not only the various countries of the world but also the multiplicity of artists and aesthetics, this history transports us into the heart of the exceptional diversity of artistic forms created between 1905 and 1970. The contributing authors, curators, and scholars, uncover the major movements of multiple avant-gardes within the networks of exchanges and emulations characterstic of this period, with is profusion of inventions and re-examinations. They anayse the complex and dynamic relationship between universality and vernacular culture, purity and hybridity, extending throughout the adventure of modern art. Revealing the intersections and fusions of different arts, they also demonstrate the interaction of modern art with traditional practices and extra-artistic expression"--Back cover.
Multiple Modernities, 1905-1970
Author: Centre Georges Pompidou
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
"Multiple Modernities posits a renewed an enlarged vision of modern art. For the first time, the Centre Pompidou delves into the riches of its collections to present a global history of art. Taking into account not only the various countries of the world but also the multiplicity of artists and aesthetics, this history transports us into the heart of the exceptional diversity of artistic forms created between 1905 and 1970. The contributing authors, curators, and scholars, uncover the major movements of multiple avant-gardes within the networks of exchanges and emulations characterstic of this period, with is profusion of inventions and re-examinations. They anayse the complex and dynamic relationship between universality and vernacular culture, purity and hybridity, extending throughout the adventure of modern art. Revealing the intersections and fusions of different arts, they also demonstrate the interaction of modern art with traditional practices and extra-artistic expression"--Back cover.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
"Multiple Modernities posits a renewed an enlarged vision of modern art. For the first time, the Centre Pompidou delves into the riches of its collections to present a global history of art. Taking into account not only the various countries of the world but also the multiplicity of artists and aesthetics, this history transports us into the heart of the exceptional diversity of artistic forms created between 1905 and 1970. The contributing authors, curators, and scholars, uncover the major movements of multiple avant-gardes within the networks of exchanges and emulations characterstic of this period, with is profusion of inventions and re-examinations. They anayse the complex and dynamic relationship between universality and vernacular culture, purity and hybridity, extending throughout the adventure of modern art. Revealing the intersections and fusions of different arts, they also demonstrate the interaction of modern art with traditional practices and extra-artistic expression"--Back cover.
Re-envisioning the Contemporary Art Canon
Author: Ruth E Iskin
Publisher: Routledge
ISBN: 1317275039
Category : Art
Languages : en
Pages : 321
Book Description
Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.
Publisher: Routledge
ISBN: 1317275039
Category : Art
Languages : en
Pages : 321
Book Description
Re-envisioning the Contemporary Art Canon: Perspectives in a Global World seeks to dissect and interrogate the nature of the present-day art field, which has experienced dramatic shifts in the past 50 years. In discussions of the canon of art history, the notion of ‘inclusiveness’, both at the level of rhetoric and as a desired practice is on the rise and gradually replacing talk of ‘exclusion’, which dominated critiques of the canon up until two decades ago. The art field has dramatically, if insufficiently, changed in the half-century since the first protests and critiques of the exclusion of ‘others’ from the art canon. With increased globalization and shifting geopolitics, the art field is expanding beyond its Euro-American focus, as is particularly evident in the large-scale international biennales now held all over the globe. Are canons and counter-canons still relevant? Can they be re-envisioned rather than merely revised? Following an introduction that discusses these issues, thirteen newly commissioned essays present case studies of consecration in the contemporary art field, and three commissioned discussions present diverse positions on issues of the canon and consecration processes today. This volume will be of interest to instructors and students of contemporary art, art history, and museum and curatorial studies.
A Companion to Modern Art
Author: Pam Meecham
Publisher: John Wiley & Sons
ISBN: 1118639847
Category : Art
Languages : en
Pages : 568
Book Description
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more
Publisher: John Wiley & Sons
ISBN: 1118639847
Category : Art
Languages : en
Pages : 568
Book Description
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art’s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more
Critical Anthropological Engagements in Human Alterity and Difference
Author: Bjørn Enge Bertelsen
Publisher: Springer
ISBN: 331940475X
Category : Social Science
Languages : en
Pages : 316
Book Description
This book explores how one measures and analyzes human alterity and difference in an interconnected and ever-globalizing world. This book critically assesses the impact of what has often been dubbed ‘the ontological turn’ within anthropology in order to provide some answers to these questions. In doing so, the book explores the turn’s empirical and theoretical limits, accomplishments, and potential. The book distinguishes between three central strands of the ontological turn, namely worldviews, materialities, and politics. It presents empirically rich case studies, which help to elaborate on the potentiality and challenges which the ontological turn’s perspectives and approaches may have to offer.
Publisher: Springer
ISBN: 331940475X
Category : Social Science
Languages : en
Pages : 316
Book Description
This book explores how one measures and analyzes human alterity and difference in an interconnected and ever-globalizing world. This book critically assesses the impact of what has often been dubbed ‘the ontological turn’ within anthropology in order to provide some answers to these questions. In doing so, the book explores the turn’s empirical and theoretical limits, accomplishments, and potential. The book distinguishes between three central strands of the ontological turn, namely worldviews, materialities, and politics. It presents empirically rich case studies, which help to elaborate on the potentiality and challenges which the ontological turn’s perspectives and approaches may have to offer.
Edges of Global Transformation
Author: Håkon Fyhn
Publisher: Rowman & Littlefield
ISBN: 149858408X
Category : Social Science
Languages : en
Pages : 225
Book Description
Through nine ethnographic case-studies, Edges of Global Transformation explores situations where global transformations associated with neoliberalism meet local realities. The “edge” of transformation is characterized by uncertainty, as old patterns are consumed and new formed. The nine case studies from Africa, Europe and the Middle East shed light on how uncertainty plays an inevitable and essential role in the grey zone between macro-transformations and local responses. Despite the tremendous difference in precariousness between these cases, each contributor explores ways in which transformations are conceived and acted upon within the space of possibility that is opened and apprehended locally. The role of uncertainty as an active force is explored throughout the book. While in some cases, uncertainty has a clear restricting effect; other cases illustrate its potential as a productive force. As a contribution to understanding the dynamic of the local realities of global change, the book will be valuable reading for anyone interested in globalization and the neoliberal world order.
Publisher: Rowman & Littlefield
ISBN: 149858408X
Category : Social Science
Languages : en
Pages : 225
Book Description
Through nine ethnographic case-studies, Edges of Global Transformation explores situations where global transformations associated with neoliberalism meet local realities. The “edge” of transformation is characterized by uncertainty, as old patterns are consumed and new formed. The nine case studies from Africa, Europe and the Middle East shed light on how uncertainty plays an inevitable and essential role in the grey zone between macro-transformations and local responses. Despite the tremendous difference in precariousness between these cases, each contributor explores ways in which transformations are conceived and acted upon within the space of possibility that is opened and apprehended locally. The role of uncertainty as an active force is explored throughout the book. While in some cases, uncertainty has a clear restricting effect; other cases illustrate its potential as a productive force. As a contribution to understanding the dynamic of the local realities of global change, the book will be valuable reading for anyone interested in globalization and the neoliberal world order.
Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe
Author: Caterina Preda
Publisher: Taylor & Francis
ISBN: 1040222501
Category : Art
Languages : en
Pages : 339
Book Description
This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography. Contributors argue that this multiplicity is a defining feature of the region. At the same time, chapters employ the concept of “plural geographies” and call for an equal geography, based on solidarity and an equal distribution of capital, which could allow plural geographies to exist and be described. The “multiple geographies” of ECE consider the perspective of local conditions and emphasize how this region was part of successive empires with an important ethnic diversity and changing borders, giving it historical layers and multicultural characteristics. The book will be of interest to scholars working in art history, political studies, cultural studies, and geography.
Publisher: Taylor & Francis
ISBN: 1040222501
Category : Art
Languages : en
Pages : 339
Book Description
This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography. Contributors argue that this multiplicity is a defining feature of the region. At the same time, chapters employ the concept of “plural geographies” and call for an equal geography, based on solidarity and an equal distribution of capital, which could allow plural geographies to exist and be described. The “multiple geographies” of ECE consider the perspective of local conditions and emphasize how this region was part of successive empires with an important ethnic diversity and changing borders, giving it historical layers and multicultural characteristics. The book will be of interest to scholars working in art history, political studies, cultural studies, and geography.
Modernism: Evolution of an Idea
Author: Sean Latham
Publisher: Bloomsbury Publishing
ISBN: 1472529154
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
What exactly is “modernism”? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term “modernism” from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels.
Publisher: Bloomsbury Publishing
ISBN: 1472529154
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
What exactly is “modernism”? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term “modernism” from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels.
Collecting Prints, Posters, and Ephemera
Author: Ruth E. Iskin
Publisher: Bloomsbury Publishing USA
ISBN: 1501338501
Category : Art
Languages : en
Pages : 308
Book Description
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.
Publisher: Bloomsbury Publishing USA
ISBN: 1501338501
Category : Art
Languages : en
Pages : 308
Book Description
Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.
Engaging the Senses: Object-Based Learning in Higher Education
Author: Helen J. Chatterjee
Publisher: Routledge
ISBN: 1317143418
Category : Art
Languages : en
Pages : 245
Book Description
The use of museum collections as a path to learning for university students is fast becoming a new pedagogy for higher education. Despite a strong tradition of using lectures as a way of delivering the curriculum, the positive benefits of ’active’ and ’experiential learning’ are being recognised in universities at both a strategic level and in daily teaching practice. As museum artefacts, specimens and art works are used to evoke, provoke, and challenge students’ engagement with their subject, so transformational learning can take place. This unique book presents the first comprehensive exploration of ’object-based learning’ as a pedagogy for higher education in a broad context. An international group of authors offer a spectrum of approaches at work in higher education today. They explore contemporary principles and practice of object-based learning in higher education, demonstrating the value of using collections in this context and considering the relationship between academic discipline and object-based learning as a teaching strategy.
Publisher: Routledge
ISBN: 1317143418
Category : Art
Languages : en
Pages : 245
Book Description
The use of museum collections as a path to learning for university students is fast becoming a new pedagogy for higher education. Despite a strong tradition of using lectures as a way of delivering the curriculum, the positive benefits of ’active’ and ’experiential learning’ are being recognised in universities at both a strategic level and in daily teaching practice. As museum artefacts, specimens and art works are used to evoke, provoke, and challenge students’ engagement with their subject, so transformational learning can take place. This unique book presents the first comprehensive exploration of ’object-based learning’ as a pedagogy for higher education in a broad context. An international group of authors offer a spectrum of approaches at work in higher education today. They explore contemporary principles and practice of object-based learning in higher education, demonstrating the value of using collections in this context and considering the relationship between academic discipline and object-based learning as a teaching strategy.
Acrobatic Modernism from the Avant-garde to Prehistory
Author: Jed Rasula
Publisher:
ISBN: 0198833946
Category : Art
Languages : en
Pages : 473
Book Description
Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce's Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.
Publisher:
ISBN: 0198833946
Category : Art
Languages : en
Pages : 473
Book Description
Moving through a vast geographical, cultural, and artistic terrain and juxtaposing numerous modernist works, this volume explores the multiplicity of modernism and provides in-depth case studies, including of James Joyce's Finnegans Wake, the reception of jazz music in Europe, and the Cubist movement in the visual arts.