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Author: Joanne Stuhr Publisher: University of Arizona Press ISBN: Category : Art Languages : en Pages : 96
Book Description
Reproductions of 75 of the finest pieces of pottery from the Casas Grandes civilization of Chihuahua, accompanied by interpretive essays that provide an overview of Casas Grande culture, its link to other cultures in the southwestern U.S. and western Mexico, social structures and artistic production at Paquime, and the Charles di Peso excavations.
Author: Joanne Stuhr Publisher: University of Arizona Press ISBN: Category : Art Languages : en Pages : 96
Book Description
Reproductions of 75 of the finest pieces of pottery from the Casas Grandes civilization of Chihuahua, accompanied by interpretive essays that provide an overview of Casas Grande culture, its link to other cultures in the southwestern U.S. and western Mexico, social structures and artistic production at Paquime, and the Charles di Peso excavations.
Author: Vanesa Rodríguez-Galindo Publisher: Manchester University Press ISBN: 1526144387 Category : Art Languages : en Pages : 427
Book Description
Madrid on the move illustrates print culture and the urban experience in nineteenth-century Spain. It provides a fresh account of modernity by looking beyond its canonical texts, artworks, and locations and explores what being modern meant to people in their daily lives. Rather than shifting the loci of modernity from Paris or London to Madrid, this book decentres the concept and explains the modern experience as part of a more fluid, global phenomenon. Meanings of the modern were not only dictated by linguistic authorities and urban technocrats; they were discussed, lived, and constructed on a daily basis. Cultural actors and audiences displayed an acute awareness of what being modern entailed and explored the links between the local and the global, two concepts and contexts that were being conceived and perceived as inseparable.
Author: Dorota Heneghan Publisher: Purdue University Press ISBN: 1612494315 Category : Literary Criticism Languages : en Pages : 170
Book Description
The importance of fashion in the construction and representation of gender and the formation of modern society in nineteenth-century Spanish narrative is the focus of Dorota Heneghan's Striking Their Modern Pose. The study moves beyond traditional interpretations that equate female passion for finery with symptoms of social ambition and the decline of the Spanish nation, and brings to light the manners in which nineteenth-century Spanish novelists drew attention to the connection between the complexities of fashionable female protagonists and the shifting limits of conventional womanhood to address the need to reformulate customary ideals of gender as a necessary condition for Spain to advance in the process of modernization. The project also sheds light on an area largely unexplored by previous studies: men's pursuit of fashion. Through the analysis of the richness of sartorial subtleties in Benito Pérez Galdós's and Emilia Pardo Bazán's portraits of their male characters, this book brings forward these writers' exposure of the much-denied bourgeois men's love for self-adornment and the incoherencies and contradictions in the allegedly monolithic, stable concept of nineteenth-century Spanish masculinity. While highlighting the ways in which the art of dressing smartly provided nineteenth-century Spanish novelists with effective means to voice their critique of conventional gender order, the book also lends insight into these authors' methods of manipulating sartorial signs to explore and to envision (as in the case of Pardo Bazán and Jacinto Octavio Picón) alternative models of masculinity and femininity. Threading through all chapters of the study is the idea propagated by all three of these writers that Spain's full integration into modernity required not only the redefinition of the feminine role, but the reconfiguration of the masculine one as well.
Author: Holly Eva Ryan Publisher: Taylor & Francis ISBN: 1317527291 Category : Science Languages : en Pages : 157
Book Description
Recent global events, including the ‘Arab Spring’ uprisings, Occupy movements and anti-austerity protests across Europe have renewed scholarly and public interest in collective action, protest strategies and activist subcultures. We know that social movements do not just contest and politicise culture, they create it too. However, scholars working within international politics and social movement studies have been relatively inattentive to the manifold political mediations of graffiti, muralism, street performance and other street art forms. Against this backdrop, this book explores the evolving political role of street art in Latin America during the twentieth and early twenty-first centuries. It examines the use, appropriation and reconfiguration of public spaces and political opportunities through street art forms, drawing on empirical work undertaken in Brazil, Bolivia and Argentina. Bringing together a range of insights from social movement studies, aesthetics and anthropology, the book highlights some of the difficulties in theorising and understanding the complex interplay between art and political practice. It seeks to explore 'what art can do' in protest, and in so doing, aims to provide a useful point of reference for students and scholars interested in political communication, culture and resistance. It will be of interest to students and scholars working in politics, international relations, political and cultural geography, Latin American studies, art, sociology and anthropology.
Author: Mey-Yen Moriuchi Publisher: Penn State Press ISBN: 0271081546 Category : Art Languages : en Pages : 179
Book Description
The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo. In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity. Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi’s study is a provocative art-historical examination of costumbrismo’s lasting impact on Mexican identity and history. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Author: Jennifer Smith Publisher: Rutgers University Press ISBN: 1684480329 Category : Literary Criticism Languages : en Pages : 249
Book Description
This volume brings together cutting-edge research on modern Spanish women as writers, activists, and embodiments of cultural change, and honors Maryellen Bieder's invaluable scholarly contributions. The critical analyses are situated within their specific socio-historical context, and shed new light on nineteenth- and early twentieth-century Spanish literature, history, and culture.
Author: Rudolfo Anaya Publisher: Grand Central Publishing ISBN: 1538772205 Category : Fiction Languages : en Pages : 283
Book Description
Full of “sensual dreams [and] unexplained phenomena,” this "best-known and most-respected" coming-of-age classic from the godfather of Chicano literature follows a young boy growing up in the llano, or plains, of post-World War II New Mexico, and the generous curandera who introduces him to the sacred side of life (New York Times). A PBS Great American Read · Winner of the Premio Quinto Sol Award · Recipient of the National Humanities Medal · With a new Foreword by author, playwright, and stage director Denise Chavez; a new Afterword by award-winning journalist and author Carmela Padilla; and a new essay by Manuel Muñoz, a Macarthur Fellow and winner of the Joyce Carol Oates Prize. “I pulled this baby into the light of life . . . Only I will know his destiny.” Antonio Marez is six years old when the woman who helped usher him into the world comes to stay with his family in New Mexico. Venerated by some as a miracle-worker—and disparaged by others as a bruja—Ultima, a curandera, or healer, opens Tony’s eyes to the spiritual roots of his culture, and introduces him to a magical, if sometimes frightening, new world: a realm in which she operates as a shaman. Suddenly, the ordinary challenges and triumphs of childhood become extraordinary. As Ultima shows Tony how to cure ailments, reverse curses, and restore peace to those who have lost it, he embarks on a singular quest, one in which he probes the family ties that bind and rend him, questions the Catholicism that shaped him, and explores the Spanish, Mexican, and Native American influences that informed not only his heritage, but his very sense of self. And at each life turn there is Ultima, who was there the day he was born . . . and will nurture the birth of his soul. A rich and wondrous story that reveals universal truths about the human condition and celebrates the beauty of Chicano culture. Includes a Reading Group Guide.
Author: Noël Valis Publisher: Duke University Press ISBN: 0822384280 Category : Social Science Languages : en Pages : 423
Book Description
Not easily translated, the Spanish terms cursi and cursilería refer to a cultural phenomenon widely prevalent in Spanish society since the nineteenth century. Like "kitsch," cursi evokes the idea of bad taste, but it also suggests one who has pretensions of refinement and elegance without possessing them. In The Culture of Cursilería, Noël Valis examines the social meanings of cursi, viewing it as a window into modern Spanish history and particularly into the development of middle-class culture. Valis finds evidence in literature, cultural objects, and popular customs to argue that cursilería has its roots in a sense of cultural inadequacy felt by the lower middle classes in nineteenth- and early-twentieth-century Spain. The Spain of this era, popularly viewed as the European power most resistant to economic and social modernization, is characterized by Valis as suffering from nostalgia for a bygone, romanticized society that structured itself on strict class delineations. With the development of an economic middle class during the latter half of the nineteenth century, these designations began to break down, and individuals across all levels of the middle class exaggerated their own social status in an attempt to protect their cultural capital. While the resulting manifestations of cursilería were often provincial, indeed backward, the concept was—and still is—closely associated with a sense of home. Ultimately, Valis shows how cursilería embodied the disparity between old ways and new, and how in its awkward manners, airs of pretension, and graceless anxieties it represents Spain's uneasy surrender to the forces of modernity. The Culture of Cursilería will interest students and scholars of Latin America, cultural studies, Spanish literature, and modernity.
Author: Pawel Kazmierczak Publisher: Cambridge Scholars Publishing ISBN: 152752373X Category : Education Languages : en Pages : 295
Book Description
Mark Twain, the great American writer of the South whose characters struggle with difficult choices, famously said: “Always do what is right. It will gratify half of mankind and astound the other.” Taking Twain’s phrase as a starting point, this book considers how literature and art explore different systems of values and principles of conduct, and how they can teach us to cope at times of trial. Morality remains one of the most contested areas of thought and ethics in the modern world, due to numerous misapprehensions and the move away from solidarity, from what we share and hold in common, particularly our inherent pursuit of virtue and consideration of principles concerning the distinction between right and wrong, good and bad. Featuring essays by scholars from countries which have seen traditions of virtue and character formation perish in the course of tragic social experiments, this book highlights the role of literature and arts in educating about virtues and character, in both a regional and global context. The volume offers philosophical analysis of moral education and engages with the literary canon, discussing the ways in which virtue was taught and can still be taught with Aristotle as one of the regained “tools of learning.” The essays span countries from England, Spain, Italy and Belgium to the USA, Costa Rica, ancient China and Israel, with Poland, the Polish-Lithuanian Commonwealth and Central Europe receiving considerable coverage. They address themes of virtue and character formation from the Bronze Age to the present and serve as inspiring reading for educators, literary scholars, historians, ethicists, artists and active readers.
Author: Joanne Stuhr
Author: Joanne Stuhr
Author: Vanesa Rodríguez-Galindo
Author: Dorota Heneghan
Author: Holly Eva Ryan
Author: Mey-Yen Moriuchi
Author: Jennifer Smith
Author: Rudolfo Anaya
Author: Noël Valis
Author: Lilian Calles Barger
Author: Pawel Kazmierczak