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Author: Ram Nath Publisher: ISBN: Category : Architecture Languages : en Pages : 124
Book Description
The Book Studies Inlay Art That Developed In Mughal Architecture Indigenously, From Humayun To Shah Jehan (C. 1535 To 1658 Ad). Mughal Inlay Is Architectural And To Brand It Pietra-Dura , Which Was A Florentine Picture-Art Used On Wooden Furniture, Is A Misnomer. This Book Also Reveals That Orpheus Plaques Which Led The Colonial Historians To Florence To Trace The Origin Of Mughal Inlay Were Imported Ready-Made And There Is No Other Example Of Florentine Pietra-Dura.
Author: Ram Nath Publisher: ISBN: Category : Architecture Languages : en Pages : 124
Book Description
The Book Studies Inlay Art That Developed In Mughal Architecture Indigenously, From Humayun To Shah Jehan (C. 1535 To 1658 Ad). Mughal Inlay Is Architectural And To Brand It Pietra-Dura , Which Was A Florentine Picture-Art Used On Wooden Furniture, Is A Misnomer. This Book Also Reveals That Orpheus Plaques Which Led The Colonial Historians To Florence To Trace The Origin Of Mughal Inlay Were Imported Ready-Made And There Is No Other Example Of Florentine Pietra-Dura.
Author: Prof R Nath Publisher: ISBN: Category : Languages : en Pages : 112
Book Description
This is study of the INLAY art as it developed in Mughal Architecture, from Humayun to Shah Jehan (c. AD 1535-1658) indigenously, and independent of any extraneous inspiration or influence, landmark examples whereof have been cited with illustrations (64 b&w and 16 colour plates). It is wrong to brand it: pietra-dura or pietre-dure which misnomer was pasted upon it by nineteenth and early twentieth century colonial historians who suffered by a sense of inherent superiority of European culture and art, and who could not believe that the Indian people, whom Macaulay fondly called 'semi-savage' could develop such a fine and exquisite art as this, which even the classical Greeks and the Romans, who also worked in marbles, could not do!
Author: Ajay Nath Agarwal Publisher: ISBN: 9781983137259 Category : Languages : en Pages : 230
Book Description
Like the Mughal INLAY Art (v. Pachchīkārī; Per. Parchīnkārī) (for full details whereof, see Prof R.Nath, Mughal Inlay Art, Amazon.com, Mughal JĀLĪ Art is a STONE ART which was developed to perfection, indigenously, by the Imperial Mughals (from Akbar to Shah Jehan, 1556 to 1658 A.D.). And, like their Inlay Art, their Jālī Art is also unique in the whole range of architectural ornamental schemes of ancient and medieval civilizations of the world, so much so that such wonderful jālīs are not available anywhere else!Mughal jālīs have been carved in stone (both in red sandstone and in white marble) in infinite variety of designs (in different shapes and forms, composed of stars, trigons, squares, pentagons, hexagons, octagons, decagons and other motifs), in incalculable numbers, with precise spatial adaptability, unprecedented fineness and exquisite aesthetic effect.With thorough historical background, both from indigenous and exotic sources, the Mughal jālīs have been studied here with 200 illustrations which have been selected from 800 digital images. I believe, this shall be of use and interest, not only for students, scholars, historians and architects, academically, but also for builders and artisans of handicrafts, practically.Though Jālī (from Sanskrit "Jāla' and "Jālaka') has been described in ancient architectural texts, it owes its growth and development, to this magnificent scale and stature, to the Mughals and it belongs to the 16th and 17th century stone-art of India. It is an essential element of Mughal Architecture.In fact, there is no equivalent word in English and "perforated screen‟ is just a workable substitute used by English authors like Percy Brown. Jālī is not lattice.Red sandstone and white marble jālīs have been universally used in Mughal monuments, on edges of platforms, causeways and terraces (as railings, with balusters), and also on the edges of the projecting chhajjas, jharokhas and gaukhs (balconies); and along with chhatris. Jālīs are also used gorgeously to close window and door openings for purdah (veil) and for effect. While they admit free air, they temper sunlight and eliminate its glare. Jālīs are used as excellent ventilators in private inner rooms, toilets and on drains. Essentially a useful architectural accessory, the Mughals made it a work of art.The Mughals have mostly used geometrical jālīs, both with straight and curved lines. Mughal artist‟s ingenuity knew no bounds and the number of Mughal jālīs is legion and variety unlimited. They have also used floral, arabesque and stylized designs.Jālīs have been used in different shapes and forms, and are square, rectangular, circular, triangular and arched. The arched form, owing to its unusual effect, is most popularly used. Jālīs have been used vertically as well as horizontally, the distinction being almost imperceptible.The space on which jālī is used is as important as is its design. The meaning and purpose, as much as its artistic effect, can not be fully understood and appreciated without knowing the place where it is used, like a gem in its casket. Exquisitely carved jālīs, beautifully placed on appropriate space, create an atmosphere of mystery and grace.As jālīs in Mughal Architecture are mostly in geometrical designs, a study of Mughal geometric workmanship, with a thorough historical background, is essentially needed, in this context. (A Chapter is here on this subject)
Author: R. Nath Publisher: Abhinav Publications ISBN: 9788170172970 Category : Architecture Languages : en Pages : 672
Book Description
This Volume Of The Author S 5-Vol Series History Of Mughal Architecture Studies Such Aspects Of The Architecture Of Jehangir S Age (1605-27 A.D.) As Public Works (Roads-And-Sarais), Gardens And Garden-Pavilions, Palatial Mansions And Shikargahs, Picture Wall Of Lahore Fort And Tombs, Each In A Separate Chapter. It Covers 43 Monuments, Extending From Kabul To Allahabad, And Kashmir To Burhanpur, And The Scope Of This Volume Is Much Wider Than The Earlier Ones.That Public Works As Roads, Kos-Minars, Bridges, Sarais, Wells, Baolis And Porters Walls Were Built And Maintained At Government Expense Testifies That The; Mughal State Was Fully Alive To The Welfare Of Its Subjects. Four Masonry Bridges Have Been Specifically Studied. Jehangir Was Greatly Interested In Gardens, And Garden-Craft Received A Distinct Form Under His Patronage. Palaces Were Built Amidst Gardens, Mostly On The Riverbank, With Characteristic Idioms Of The Age. A Unique Building Complex, Which Developed Under Him, Was Shikargah (Hunting Lodge) And Four Representative Examples Have Been Studied. The Glazed-Tiled Picture Wall Of The Lahore Fort Is Unique In Respect Of Its Scale, Scheme And Subjects. Originally, It Covered An Immense Mural Area 500 Yards In Length And 16 Yards In Height, By An Ingenious System Of Panelling Which, Besides Stylized Florals, Arabesques And Geometricals, Depicted Beautiful Figurative Compositions. Architect, Potter, Painter And Glazed-Tiler Collaborated On This Grand Project Which Has No Parallel In The World.Domeless Tomb With A Barahdari With Chaukhandi Roof Or A Plain Chabutarah Was Also A Unique Growth Of This Age And The Most Notable Tombs Of This Class, As Those Of Akbar, I Timad-Ud-Daulah And Jehangir, Have Been Studied In Detail. Development Of Such Distinctive Architectural Features As Dado , Gateway And Minar Also Belongs To This Period, During Which Unprecedented Emphasis Was Given On Ornamentation, Which Is Why This Art-Epoch Is Noted For Colour And Design . This Study Has Been Made In The Context Of, And With Reference To, The Cultural Milieu Which Produced It And This Is Not Only A History Of Jehangir S Architecture But Also A History Of Jehangir S Age And History Of Jehangir S India. It Is A History Of Those Tender Feelings, Sublime Thoughts And Subtle Ideas Which Go To Make A Civilization, Not Of Those Political Intrigues And Feuds, And Military Conflicts Which Destroy It.
Author: Ebba Koch Publisher: ISBN: Category : Art Languages : en Pages : 358
Book Description
The Eleven Studies In This Book Offer A Fresh And Unique Interpretation Of Mughal Art And Architecture And Its Heterogeneous Sources-Central Asian Timurid, Indian, Persian And European-Fused Creatively To Express An Imperial Ideology Of Universal Aspirations.
Author: Barrett Williams Publisher: Barrett Williams ISBN: Category : Crafts & Hobbies Languages : en Pages : 103
Book Description
Discover the timeless elegance and meticulous craft of metal inlay and overlay with "The Art of Metal Inlay and Overlay," an essential guide for both novice artisans and experienced metalworkers. Unlock the secrets behind this exquisite art form through a comprehensive exploration that spans historical context to contemporary applications. Begin your journey by diving into Chapter 1, where you'll uncover the rich history and versatile applications of metal inlay across various cultures and periods. As you move forward, gain expert knowledge on selecting the perfect type of metal (Chapter 2) that best suits your creative vision, and gather insights into the essential tools and materials required for your projects (Chapter 3). With an emphasis on safety (Chapter 4), this guide ensures that you master the craft responsibly. From basic techniques for beginners (Chapter 5) to advanced methods for seasoned craftsmen (Chapter 6), each chapter builds your expertise, guiding you through step-by-step processes for preparing surfaces, cutting, shaping, and securing metal inlays with precision. Expand your design prowess with principles that help balance intricacy and simplicity (Chapter 7), and learn how to work with various base materials including wood, stone, and ceramic (Chapter 8). Explore the delicate art of metal leaf inlay (Chapter 9) and gain proficiency in preparing and overlaying metal sheets (Chapter 10). Master the fundamentals of soldering (Chapter 11), and discover techniques for chemical etching and applying patinas to achieve stunning effects (Chapter 12). Sharpen your engraving skills (Chapter 13), and ensure flawless finishes with buffing, polishing, and protective coatings (Chapter 14). Face challenges head-on with practical solutions to common problems (Chapter 15), and draw inspiration from classic case studies and interviews with master craftsmen (Chapter 16). Venture into the business side of metal inlay (Chapter 17), and connect with vibrant inlay communities both online and offline (Chapter 18). Finally, explore metal inlay's place in contemporary art (Chapter 19) and continue expanding your skills with advanced resources and workshops (Chapter 20). "The Art of Metal Inlay and Overlay" is your definitive guide to mastering this intricate and rewarding craft, providing you with the knowledge and inspiration to elevate your artistry to new heights.
Author: Elizabeth Mann Publisher: Mikaya Press ISBN: 1931414440 Category : Mogul Empire Languages : en Pages : 23
Book Description
The well-illustrated story of the building of the Taj Mahal, one of the world's most beautiful monuments, and the Mughal dynasty in India whose 5th emperor built it.
Author: Shanti Swarup Publisher: ISBN: Category : Art Languages : en Pages : 216
Book Description
For the first time a book on Mughal Handicrafts is brought out, and superbly so. After a general discussion on the social, political and economic conditions in Mughal India, the author goes on to expound the sources of Mughal decorative arts and the designs of decoration and finally describes the various forms of Mughal handicrafts illustrating them with works found on archaeological sites in India and select objects preserved in museums and private collection all over the world.
Author: Ram Nath
Author: Ram Nath
Author: Prof R Nath
Author: Ajay Nath Agarwal
Author: R. Nath
Author: Ananda Kentish Coomaraswamy
Author: Ebba Koch
Author: Barrett Williams
Author: Manuel Keene
Author: Elizabeth Mann
Author: Shanti Swarup