Author: Charles C. Eldredge
Publisher: Univ of California Press
ISBN: 0520380312
Category : Art
Languages : en
Pages : 327
Book Description
The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.
We Gather Together
Author: Charles C. Eldredge
Publisher: Univ of California Press
ISBN: 0520380312
Category : Art
Languages : en
Pages : 327
Book Description
The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.
Publisher: Univ of California Press
ISBN: 0520380312
Category : Art
Languages : en
Pages : 327
Book Description
The mutual history of art, agriculture, and American identity as told through the theme of the harvest. The harvest has traditionally been a productive season, both on American farms and in its artists’ studios. Before the early nineteenth century, the ideal of the Jeffersonian yeoman, singly cultivating a subsistence plot for family use, dominated the American imagination; after World War II, the advent of big agribusiness proved less immediately attractive for artists. In We Gather Together, Charles C. Eldredge examines the period in between—when many Americans were farmers and much of America was farmland. Organized in a series of case studies each devoted to a single crop, We Gather Together initially focuses on familiar commodity crops such as corn, wheat, and potatoes, and then expands to other yields by Native American harvesters and California floriculturists, as well as winter ice cutters and coastal seaweed gatherers. This novel history of agriculture and art traces parallel developments on land and canvas, highlighting breakthroughs in each field. Artists such as Winslow Homer, Doris Lee, and Georgia O’Keeffe are joined by innovators in agriculture, whether mechanical inventors such as Eli Whitney, John Deere, and Cyrus McCormick or genetic hybridizers such as Luther Burbank, W. Atlee Burpee, and Theodosia Shepherd. Surveying an astonishing amount of material and a wide range of paintings, prints, and other artworks from the nineteenth century to the mid-twentieth century, We Gather Together gorgeously demonstrates how the use of agricultural metaphors permeated American visual culture. The harvest, we see here, came to signify and dominate politics, poetry, and popular culture, ultimately representing a primary facet of American identity and nationhood.
A History of Zinnias
Author: Eric Grissell
Publisher: Purdue University Press
ISBN: 1557539073
Category : Nature
Languages : en
Pages : 322
Book Description
A History of Zinnias brings forward the fascinating adventure of zinnias and the spirit of civilization. With colorful illustrations, this book is a cultural and horticultural history documenting the development of garden zinnias—one of the top ten garden annuals grown in the United States today. The deep and exciting history of garden zinnias pieces together a tale involving Aztecs, Spanish conquistadors, people of faith, people of medicine, explorers, scientists, writers, botanists, painters, and gardeners. The trail leads from the halls of Moctezuma to a cliff-diving prime minister; from Handel, Mozart, and Rossini to Gilbert and Sullivan; from a little-known confession by Benjamin Franklin to a controversy raised by Charles Darwin; from Emily Dickinson, who writes of death and zinnias, to a twenty-year-old woman who writes of reanimated corpses; and from a scissor-wielding septuagenarian who painted with bits of paper to the “Black Grandma Moses” who painted zinnias and inspired the opera Zinnias. Zinnias are far more than just a flower: They represent the constant exploration of humankind’s quest for beauty and innovation.
Publisher: Purdue University Press
ISBN: 1557539073
Category : Nature
Languages : en
Pages : 322
Book Description
A History of Zinnias brings forward the fascinating adventure of zinnias and the spirit of civilization. With colorful illustrations, this book is a cultural and horticultural history documenting the development of garden zinnias—one of the top ten garden annuals grown in the United States today. The deep and exciting history of garden zinnias pieces together a tale involving Aztecs, Spanish conquistadors, people of faith, people of medicine, explorers, scientists, writers, botanists, painters, and gardeners. The trail leads from the halls of Moctezuma to a cliff-diving prime minister; from Handel, Mozart, and Rossini to Gilbert and Sullivan; from a little-known confession by Benjamin Franklin to a controversy raised by Charles Darwin; from Emily Dickinson, who writes of death and zinnias, to a twenty-year-old woman who writes of reanimated corpses; and from a scissor-wielding septuagenarian who painted with bits of paper to the “Black Grandma Moses” who painted zinnias and inspired the opera Zinnias. Zinnias are far more than just a flower: They represent the constant exploration of humankind’s quest for beauty and innovation.
American Gardening
Gardening
Bulletin of the Garden Club of America
Tangible Memories
Author: Harry M. Butte
Publisher: Xlibris Corporation
ISBN: 146910525X
Category : History
Languages : en
Pages : 477
Book Description
California may be the golden state but it is also a garden state. Innumerable gardens have been made since the Europeans first came, starting with the Franciscan missionaries.The gold rush was the defining period, leading to immense expenditures by newly rich miners. This book discusses many simple but beautiful gardens created by waves of immigrants. Gardens were necessary for food but also represented repose and leisure. The nature and style of domestic and private gardens shape the landscape of cities and towns just as much as large civic architectural achievements.
Publisher: Xlibris Corporation
ISBN: 146910525X
Category : History
Languages : en
Pages : 477
Book Description
California may be the golden state but it is also a garden state. Innumerable gardens have been made since the Europeans first came, starting with the Franciscan missionaries.The gold rush was the defining period, leading to immense expenditures by newly rich miners. This book discusses many simple but beautiful gardens created by waves of immigrants. Gardens were necessary for food but also represented repose and leisure. The nature and style of domestic and private gardens shape the landscape of cities and towns just as much as large civic architectural achievements.
The Weekly Florists' Review
The Pacific Rural Press
The Land of Sunshine
Ventura
Author: Glenda J. Jackson
Publisher: Arcadia Publishing
ISBN: 143963095X
Category : Antiques & Collectibles
Languages : en
Pages : 132
Book Description
The city of Ventura traces its heritage back to the founding of Mission San Buenaventura in March 1782. The intervening eras have seen cattle drives down Main Street, revival tents in the marshy area now known as Pierpont, and the days when the Ventura trolley was the quickest way around town. The attractive images in this postcard tour through bygone times also include the stately Schiappapietra Mansion on Santa Clara Street, which was sadly torn down in the mid-1950s. The county seat of Ventura County, the city of Ventura retains a picture-postcard ambiance, and these images illustrate how that charm always has been a part of Ventura heritage.
Publisher: Arcadia Publishing
ISBN: 143963095X
Category : Antiques & Collectibles
Languages : en
Pages : 132
Book Description
The city of Ventura traces its heritage back to the founding of Mission San Buenaventura in March 1782. The intervening eras have seen cattle drives down Main Street, revival tents in the marshy area now known as Pierpont, and the days when the Ventura trolley was the quickest way around town. The attractive images in this postcard tour through bygone times also include the stately Schiappapietra Mansion on Santa Clara Street, which was sadly torn down in the mid-1950s. The county seat of Ventura County, the city of Ventura retains a picture-postcard ambiance, and these images illustrate how that charm always has been a part of Ventura heritage.