Author: Thomas Wright
Publisher: BoD – Books on Demand
ISBN: 3385209560
Category : Fiction
Languages : en
Pages : 382
Book Description
Reprint of the original, first published in 1873.
The Works of James Gillray the Caricaturist
Author: Thomas Wright
Publisher: BoD – Books on Demand
ISBN: 3385209560
Category : Fiction
Languages : en
Pages : 382
Book Description
Reprint of the original, first published in 1873.
Publisher: BoD – Books on Demand
ISBN: 3385209560
Category : Fiction
Languages : en
Pages : 382
Book Description
Reprint of the original, first published in 1873.
Icons - Texts - Iconotexts
Author: Peter Wagner
Publisher: Walter de Gruyter
ISBN: 3110882590
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
Publisher: Walter de Gruyter
ISBN: 3110882590
Category : Literary Criticism
Languages : en
Pages : 428
Book Description
The Gin Lane Gazette
Author: Adrian Teal
Publisher: Unbound Publishing
ISBN: 1908717769
Category : Humor
Languages : en
Pages : 129
Book Description
Many of us think of the ill-behaved celebrity and the tabloid splash as modern inventions, but the antics of footballers and soap stars are as nothing when set alongside the hell-raising of the 18th century celebs. The Gin Lane Gazette is stuffed with true stories of boozy MPs who settled their political differences with duels in Hyde Park; peers of the realm who sat the unburied corpses of their cherished mistresses at their dinner tables; entertainers who rode horses standing upright in the saddle, while wearing a mask of bees; and famous courtesans who ate 1,000-guinea banknotes stuffed into sandwiches, simply to make a point. Before it was dashed from their lips by the Victorian party-poopers, our Georgian forebears drank deep from the cup of life.
Publisher: Unbound Publishing
ISBN: 1908717769
Category : Humor
Languages : en
Pages : 129
Book Description
Many of us think of the ill-behaved celebrity and the tabloid splash as modern inventions, but the antics of footballers and soap stars are as nothing when set alongside the hell-raising of the 18th century celebs. The Gin Lane Gazette is stuffed with true stories of boozy MPs who settled their political differences with duels in Hyde Park; peers of the realm who sat the unburied corpses of their cherished mistresses at their dinner tables; entertainers who rode horses standing upright in the saddle, while wearing a mask of bees; and famous courtesans who ate 1,000-guinea banknotes stuffed into sandwiches, simply to make a point. Before it was dashed from their lips by the Victorian party-poopers, our Georgian forebears drank deep from the cup of life.
Mr. Gillray, the Caricaturist
Author: Draper Hill
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 290
Book Description
Om den engelske karikaturtegner James Gillray (1756-1815)
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 290
Book Description
Om den engelske karikaturtegner James Gillray (1756-1815)
Historical and Descriptive Account of the Caricatures of James Gillray
Author: Thomas Wright
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 524
Book Description
Paradigms for a Metaphorology
Author: Hans Blumenberg
Publisher: Cornell University Press
ISBN: 080147695X
Category : Philosophy
Languages : en
Pages : 161
Book Description
What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. "Absolute metaphors" answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.
Publisher: Cornell University Press
ISBN: 080147695X
Category : Philosophy
Languages : en
Pages : 161
Book Description
What role do metaphors play in philosophical language? Are they impediments to clear thinking and clear expression, rhetorical flourishes that may well help to make philosophy more accessible to a lay audience, but that ought ideally to be eradicated in the interests of terminological exactness? Or can the images used by philosophers tell us more about the hopes and cares, attitudes and indifferences that regulate an epoch than their carefully elaborated systems of thought? In Paradigms for a Metaphorology, originally published in 1960 and here made available for the first time in English translation, Hans Blumenberg (1920-1996) approaches these questions by examining the relationship between metaphors and concepts. Blumenberg argues for the existence of "absolute metaphors" that cannot be translated back into conceptual language. "Absolute metaphors" answer the supposedly naïve, theoretically unanswerable questions whose relevance lies quite simply in the fact that they cannot be brushed aside, since we do not pose them ourselves but find them already posed in the ground of our existence. They leap into a void that concepts are unable to fill. An afterword by the translator, Robert Savage, positions the book in the intellectual context of its time and explains its continuing importance for work in the history of ideas.
The Art of Controversy
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Love, Intrigue and Chicanery
Author: Tony Rothwell
Publisher:
ISBN: 9780578908243
Category : Art
Languages : en
Pages : 60
Book Description
James Gillray was a British caricaturist and printmaker active from 1779 to 1811. He became famous in his own lifetime for his unmerciful satires on politicians, high society and the Royal family during the scandal-rich Regency period, earning him the contemporary description of 'a caterpillar on the green leaf of reputation'. Today, he is arguably the most influential caricaturist the world has known. But while he is credited with being the father of the political cartoon, he also dabbled in the world outside the high and mighty, satirizing everyday social situations from ideas often provided by friends. As I delved into his work, I became familiar with those prints also, some of which had no known background descriptions in either contemporary books or the British Museum's archives. I thought it would be fun to remedy that situation which was the inspiration for the stories in this book.
Publisher:
ISBN: 9780578908243
Category : Art
Languages : en
Pages : 60
Book Description
James Gillray was a British caricaturist and printmaker active from 1779 to 1811. He became famous in his own lifetime for his unmerciful satires on politicians, high society and the Royal family during the scandal-rich Regency period, earning him the contemporary description of 'a caterpillar on the green leaf of reputation'. Today, he is arguably the most influential caricaturist the world has known. But while he is credited with being the father of the political cartoon, he also dabbled in the world outside the high and mighty, satirizing everyday social situations from ideas often provided by friends. As I delved into his work, I became familiar with those prints also, some of which had no known background descriptions in either contemporary books or the British Museum's archives. I thought it would be fun to remedy that situation which was the inspiration for the stories in this book.
Romanticism and Caricature
Author: Ian Haywood
Publisher: Cambridge University Press
ISBN: 1107044219
Category : Art
Languages : en
Pages : 241
Book Description
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Publisher: Cambridge University Press
ISBN: 1107044219
Category : Art
Languages : en
Pages : 241
Book Description
A lively, richly illustrated study of iconic caricatures, showing the interrelationship between art, satire and politics in the Romantic period.
Fashionable Contrasts
Author: Draper Hill
Publisher: Hennessey & Ingalls
ISBN: 9780912158433
Category :
Languages : en
Pages :
Book Description
Publisher: Hennessey & Ingalls
ISBN: 9780912158433
Category :
Languages : en
Pages :
Book Description