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Author: Erkki Huhtamo Publisher: MIT Press ISBN: 0262547546 Category : Social Science Languages : en Pages : 461
Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Author: Erkki Huhtamo Publisher: MIT Press ISBN: 0262547546 Category : Social Science Languages : en Pages : 461
Book Description
Tracing the cultural, material, and discursive history of an early manifestation of media culture in the making. Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved—hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.
Author: Hudson River Museum Publisher: Hudson River Museum ISBN: 0943651433 Category : Art Languages : en Pages : 202
Book Description
Havell s work, (who also created many of the landscapes for Audubon s famous birds) includes panoramic publications and paintings of the Hudson River and the Thames like other artists in this exhibition such as Thomas Cole (Father of the Hudson River School), and noted artists Jasper Cropsey and John Kensett, who favored the chain of cities, suburbs, and countryside along these two rivers, where horizontal planes and historical associations gave form to both artistic and cultural expression. The Panoramic River features major loans from more than two dozen museums, galleries, and private collections. Museums lending paintings include: The Metropolitan Museum of Art; The New-York Historical Society; Museum of Fine Arts, Boston; Baltimore Museum of Art; Fenimore Art Museum; The Frances Lehman Loeb Art Center at Vassar College; Maryland State Archives; West Point Museum; Williams College Museum of Art; Princeton University Art Museum; and the Yale Center for British Art.
Author: Fanny Parkes Parlby Publisher: Prabhat Prakashan ISBN: Category : Young Adult Nonfiction Languages : en Pages : 96
Book Description
Grand Moving Diorama of Hindostan by Fanny Parkes Parlby: Step into the vivid and enchanting world of India through the eyes of Fanny Parkes Parlby in "Grand Moving Diorama of Hindostan." This travelogue takes you on a journey through 19th-century India, offering rich descriptions of its culture, landscapes, and people. Fanny Parkes Parlby's keen observations provide a captivating glimpse into the India of her time. Key Aspects of the Book "Grand Moving Diorama of Hindostan": Travel Exploration: Fanny Parkes Parlby's travelogue offers a fascinating exploration of India during the 19th century, providing valuable historical and cultural insights. Descriptive Prose: The author's descriptive prose brings India's diverse landscapes and vibrant culture to life, allowing readers to immerse themselves in its beauty and complexity. Personal Perspective: Gain a personal perspective on India through the eyes of an intrepid female traveler in an era when such journeys were rare. Fanny Parkes Parlby was a British travel writer and memoirist who lived during the 19th century. She traveled extensively throughout India with her husband, a British colonial officer, and her writings, including "Grand Moving Diorama of Hindostan," provide valuable historical records of her experiences in India. Her work continues to be studied for its insights into British colonial life and 19th-century India.
Author: Dorothy B. Richardson Publisher: ISBN: 9781934844168 Category : Drama Languages : en Pages : 456
Book Description
A Trip to Niagara; or, Travellers in America, a three-act comedy, opened at New York's Bowery Theatre on November 28, 1828, for a long run. Scripted and later published by William Dunlap (1766-1839), the so-called "father of the American stage," this play offers a bounty to theater historians, dramatic critics, and all those interested in the American culture during Dunlap's lifetime. This study explores the Bowery, the play's moving diorama, the text, and the playwright, and emphasizes their interrelationships. This analysis of A Trip to Niagara as a theatrical event joins hands with dramatic criticism. An annotated transcript of the play is helpfully provided in the appendix of the book. This study contends that had there been no moving diorama, there would have been no play. Since William Dunlap called his text a "running accompaniment," it should be analyzed in terms of this function. The play's few critics have failed to do this. Hence, the interplay of the moving diorama (and conventional scenic backdrops) with the plot and characters comprises another significant segment of this study. This book makes significant contributions to studies of antebellum American theater, the Nationalist Period in American culture, and William Dunlap.
Author: Michael Dobson Publisher: Oxford University Press, USA ISBN: 0198855230 Category : Drama Languages : en Pages : 385
Book Description
A handy yet authoritative guide to all Shakespeare's extant works (with information about those known to be lost), this volume provides cast lists, scene-by-scene plot synopses, and contextual information for Shakespeare's plays, and thorough entries on his poems. It is a perfect primer for anyone wishing to be better acquainted with Shakespeare.
Author: Edwin Barnard Publisher: National Library Australia ISBN: 0642277508 Category : History Languages : en Pages : 186
Book Description
Panoramas, whether painted or photographed, were the nineteenth-century equivalent of IMAX or Google maps. These wide-angled views of landscapes and cities fascinated viewers, who had never before seen such far-reaching perspectives on the world around them. Based on the National Library of Australia¿s extensive collections, Capturing Time: Panoramas of Old Australia looks back on our nation through the magic of panoramas to the streets of Sydney when it was the convict capital, to the gold rushes of Melbourne and to Perth, struggling to establish a toehold on the continent¿s western frontier. Dating from 1810 to the 1920s, the paintings and photographs include historic views of all of Australia¿s capital cities, plus some country towns. Not only can readers imagine what it might have been like to stand on Sydney¿s Observatory Hill in 1820, for example, but also what it would have been like to stand there with a companion able to point out landmarks and tell the sorts of interesting stories that only locals know.
Author: William Shakespeare Publisher: Penguin ISBN: 110114226X Category : Drama Languages : en Pages : 321
Book Description
Featuring the rise of King Henry V, this history play chronicles England's underdog victory over the French at the Battle of Agincourt during the Hundred Years' War. This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, John Russell Brown • Selections from Raphael Holinshed's Chronicles of England, Scotland, and Ireland, the source from which Shakespeare derived Henry V • Dramatic criticism from William Hazlitt, W. B. Yeats, E.M.W. Tillyard, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more...
Author: Mimi Colligan Publisher: Melbourne University Publish ISBN: 9780522850192 Category : Art Languages : en Pages : 278
Book Description
Long before cinema was invented, people went to picture shows. In the eighteenth and nineteenth centuries in Britain, Europe and America they were treated to dramatic pictorial spectacles. Audiences might be encircled by vast 360-degree canvases, or seated before continuous images drawn across a proscenium, or gathered in amusement parks to watch painted 3-D structures come 'alive' with the explosion of fireworks overhead. The sense of realism was enhanced by back-lighting, running commentaries and props such as real sand and trees. Canvas Documentaries captures the artistic, civic and social preoccupations of the times. Generously illustrated with paintings, etchings, engravings, mechanical drawings, architectural plans, photographs and advertising material, this beautiful book is a window on the vibrant popular culture of the Victorian era.
Author: Alison Griffiths Publisher: Columbia University Press ISBN: 0231129890 Category : Performing Arts Languages : en Pages : 392
Book Description
From the architectural spectacle of the medieval cathedral and the romantic sublime of the nineteenth-century panorama to the techno-fetishism of today's London Science Museum, humans have gained a deeper understanding of the natural world through highly illusionistic representations that engender new modes of seeing, listening, and thinking. What unites and defines many of these wondrous spaces is an immersive view-an invitation to step inside the virtual world of the image and become a part of its universe, if only for a short time. Since their inception, museums of science and natural history have mixed education and entertainment, often to incredible, eye-opening effect. Immersive spaces of visual display and modes of exhibition send "shivers" down our spines, engaging the distinct cognitive and embodied mapping skills we bring to spectacular architecture and illusionistic media. They also force us to reconsider traditional models of film spectatorship in the context of a mobile and interactive spectator. Through a series of detailed historical case studies, Alison Griffiths masterfully explores the uncanny and unforgettable visceral power of the medieval cathedral, the panorama, the planetarium, the IMAX theater, and the science museum. Examining these structures as exemplary spaces of immersion and interactivity, Griffiths reveals the sometimes surprising antecedents of modern media forms, suggesting the spectator's deep-seated desire to become immersed in a virtual world. Shivers Down Your Spine demonstrates how immersive and interactive museum display techniques such as large video displays, reconstructed environments, and touch-screen computer interactives have redefined the museum space, fueling the opposition between public and private, science and spectacle, civic and corporate interests, voice and text, and life and death. In her remarkable study of sensual spaces, Griffiths explains why, for centuries, we keep coming back for more.
Author: Erkki Huhtamo
Author: Erkki Huhtamo
Author: Hudson River Museum
Author: Fanny Parkes Parlby
Author: Dorothy B. Richardson
Author: Michael Dobson
Author: Edwin Barnard
Author: William Shakespeare
Author: Mimi Colligan
Author: Roger A. Hall
Author: Alison Griffiths