Moving Body (le Corps Poetique). PDF Download

Author: Jacques Lecoq
Publisher:
ISBN: 9781474261142
Category :
Languages : en
Pages :

View

Book Description

Author: Jacques Lecoq
Publisher:
ISBN: 9780878301416
Category : Acting
Languages : en
Pages : 0

View

Book Description
Translated into English for the first time, this guide details Lecoq's unique philosophy of performance, improvisation, masks, movement, and gesture. Neutral mask, character masks, and other famous Lecoq techniques are included.

Author: Jacques Lecoq
Publisher: Methuen Drama
ISBN: 9780413771940
Category : Acting
Languages : en
Pages : 186

View

Book Description
Until his death in 1999, Jacques Lecoq taught indefatigably at the International Mime and Theatre school he founded in 1956. Here, for the first time in English, and in Lecoq's own words, are his philosophy and his teaching methods - probably the greatest influence on world theatre over the last thirty years. In chapters entitled Personal Journey, The World and its Movements, The Road to Creativity, & New Perspectives, Lecoq sets out his unique architecture of the body in space and explains his most famous techniques such as neutral mask, acrobatics, bouffons and the grotesque and play, and discusses the actor's approach to situation, character, environment, emotion, physical and vocal preparation and of course movement. "In life I want students to be alive, and on the stage I want them to be artists." Jacques Lecoq

Author: Jacques Lecoq
Publisher: Routledge
ISBN: 113424097X
Category : Performing Arts
Languages : en
Pages : 198

View

Book Description
Published in France in 1987, this is the book in which Lecoq first set out his philosophy of human movement, and the way it takes expressive form in a wide range of different performance traditions. He traces the history of pantomime, sets out his definition of the components of the art of mime, and discusses the explosion of physical theatre in the second half of the twentieth century. Interviews with major theatre practitioners Ariane Mnouchkine and Jean-Louis Barrault by Jean Perret, together with chapters by Perret on Étienne Decroux and Marcel Marceau, fill out the historical material written by Lecoq, and a final section by Alain Gautré celebrates the many physical theatre practitioners working in the 1980s.

Author: Jacques Lecoq
Publisher: Bloomsbury Publishing
ISBN: 1474244793
Category : Performing Arts
Languages : en
Pages : 229

View

Book Description
'In life, I want students to be alive and on stage I want them to be artists' Jacques Lecoq Jacques Lecoq was one of the most inspirational theatre teachers of our age. In The Moving Body, he shares with us first-hand his unique philosophy of performance, improvisation, masks, movement and gesture, which together form one of the greatest influences on contemporary theatre. Neutral mask, character mask and counter masks, bouffons, acrobatics, commedia, clowns and complicity: all the famous Lecoq techniques are covered in this book - techniques that have made their way into the work of former collaborators and students including Dario Fo, Ariane Mnouchkine, Yasmina Reza and Theatre de Complicite. The book contains a foreword by Simon McBurney, a critical introduction by Mark Evans and an afterword by Fay Lecoq, Director of the International Theatre School in Paris.

Author: Simon Murray
Publisher: Routledge
ISBN: 1351335499
Category : Performing Arts
Languages : en
Pages : 147

View

Book Description
This volume offers a concise guide to the teaching and philosophy of one of the most significant figures in twentieth century actor training. Jacques Lecoq's influence on the theatre of the latter half of the twentieth century cannot be overestimated. Now reissued Jacques Lecoq is the first book to combine: an historical introduction to his life and the context in which he worked an analysis of his teaching methods and principles of body work, movement, creativity, and contemporary theatre detailed studies of the work of Theatre de Complicite and Mummenschanz practical exercises demonstrating Lecoq's distinctive approach to actor training.

Author: Sears A. Eldredge
Publisher: Northwestern University Press
ISBN: 9780810113657
Category : Performing Arts
Languages : en
Pages : 238

View

Book Description
Because mask improvisation work is relatively new in American theater training, this book is designed not only to acquaint readers with the theory of mask improvisation but to instruct them in the techniques of method as well. Featuring dozens of improvisational exercises in the innovative spirit of Viola Spolin, and supplemented with practical appendices on mask design and construction, forms and checklists, and other classroom materials, this book is an invaluable tool for teacher and student alike, as well as compelling reading for anyone interested in acquiring a deeper understanding of masks as agents of transformation, creativity, and performance.

Author: Tadashi
Publisher: Theatre Communications Group
ISBN: 1559367873
Category : Performing Arts
Languages : en
Pages : 177

View

Book Description
A useful, provocative introduction to the influential director's philosophical and practical approaches to the stage.

Author: Eileen Blumenthal
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 252

View

Book Description
This traces Taymor's background & achievements in theater, opera, & film. Taymor herself provides notes on each of her projects, along with her original drawings for costumes & characters.

Author: Anne Bogart
Publisher: Theatre Communications Group
ISBN: 155936677X
Category : Performing Arts
Languages : en
Pages : 241

View

Book Description
The Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie, who broke down the two dominant issues performers deal with—space and time—into six categories. Since that time, directors Anne Bogart and Tina Landau have expanded her notions and adapted them for actors to function together spontaneously and intuitively and to generate bold, theatrical work. The Viewpoints are a set of names given to certain principles of movement through time and space—they constitute a language for talking about what happens on stage. Coupling this with Composition, which is the practice of selecting and arranging the separate components of theatrical language into a cohesive work of art, provides theatre artists with an important new tool for creating and understanding their art form. Primarily intended for the many theatre artists who, in the last several years, have become intrigued with Viewpoints yet have had no single source to refer to in their investigations. It can also be used by anyone with a general interest in collaboration and the creative process, whether in art, business or daily life. Anne Bogart is Artistic Director of the SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is the recipient of two OBIE Awards and a Bessie Award, and is an associate professor at Columbia University. Her recent works include Alice’s Adventures; Bobrauschenbergamerica; Small Lives, Big Dreams; Marathon Dancing; and The Baltimore Waltz. Tina Landau, noted director and playwright, whose original work includes Space (Time magazine 10 Best), Dream True (with composer Ricky Ian Gordon) and Floyd Collins (with composer Adam Guettel), which received the Lucille Lortel Award for Best Musical, an OBIE Award and seven Drama Desk nominations. She has been an ensemble member of the Steppenwolf Theatre Company since 1997.