Author: Tom Johnson
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 20
Book Description
Movements for wind quintet
Author: Tom Johnson
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 20
Book Description
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 20
Book Description
Five movements for wind quintet
Author: Clint Needham
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 62
Book Description
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 62
Book Description
Three Movements for Wind Quintet and Guitar
Author: Christopher Dickson
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 98
Book Description
Movement for Wind Quintet (flute,oboe,B\ Clarinet, Horn InF, Bassoon)
Author: Charles Wuorinen
Publisher:
ISBN:
Category : Wind quintets
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category : Wind quintets
Languages : en
Pages : 8
Book Description
Movement for Wind Quintet
Primavera
Author: Rhian Samuel
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 72
Book Description
Four movements for woodwind quintet, op. 2
Author: Eric Delson
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category : Wind quintets (Bassoon, clarinet, flute, horn, oboe)
Languages : en
Pages : 38
Book Description
Three Movements for Wind Quintet
The Literature of the Woodwind Quintet
Author: Harry B. Peters
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 184
Book Description
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Music
Languages : en
Pages : 184
Book Description
Three Woodwind Quintets
Author: Henri Brod
Publisher: A-R Editions, Inc.
ISBN: 9780895796325
Category : Music
Languages : en
Pages : 204
Book Description
N50ISBN 0-89579-632-5(2008) xii + 182 pp.$165.00 ISBN 978-0-89579-632-5 (13-digit) N50P1Parts (fl., ob., cl., hn., bn.) Quintet no. 1 $25.00N50P2Parts (fl., ob., cl., hn., bn.) Quintet no. 2 $22.00N50P3Parts (fl., ob., cl., hn., bn.) Quintet no. 3.$22.00Henri Brod (1799-1839) was a French oboist, instrument-maker, and composer active throughout the early nineteenth century. He studied oboe under Gustave Vogt at the Paris Conservatory, ultimately becoming teacher there himself in 1832. He also played second oboe next to Vogt at the Paris Opéra, where Fétis found Brod¿s tone sweeter than that of his teacher. Brod became interested in the construction of the oboe and was perhaps the first builder to add octave keys to the instrument. His Méthode pour le hautbois (Paris, 1835-36) provides valuable technical information concerning the oboe and remains a useful resource for modern players. Brod¿s three woodwind quintets most likely date from the second decade of the nineteenth century and were printed by two separate publishers, Pacini and Schonenberger, both of Paris. All three quintets feature a four-movement format: a longer first movement in sonata form, a slow movement, a minuet, and a quick-tempo finale. As a whole, the quintets form a nice complement to those of Danzi, Reicha, and somewhat later, Franz Lachner. Brod remains the only actual woodwind player among these early composers of wind quintets. While not very well known today, Brod¿s contributions to the wind quintet literature are significant and worthy of greater attention; this is particularly true in view of the paucity of wind quintets throughout the nineteenth century. It is to be hoped that through this critical edition, Brod¿s importance to the early development of the wind quintet will be recognized and his beautiful works heard more often..ContentsWoodwind Quintet No. 1 in E-flat Major[I] Introduction: Adagio; Allegro vivace[II] Andante[III] Minuetto: Allegro[IV] PrestoWoodwind Quintet No. 2 in F Major[I] Introduction: Lento; Allegro[II] Andante[III] Minuetto[IV] Finale: PrestoWoodwind Quintet No. 3 in C Major[I] Allegretto[II] Andante non troppo[III] Minuetto: Allegro[IV] Allegro
Publisher: A-R Editions, Inc.
ISBN: 9780895796325
Category : Music
Languages : en
Pages : 204
Book Description
N50ISBN 0-89579-632-5(2008) xii + 182 pp.$165.00 ISBN 978-0-89579-632-5 (13-digit) N50P1Parts (fl., ob., cl., hn., bn.) Quintet no. 1 $25.00N50P2Parts (fl., ob., cl., hn., bn.) Quintet no. 2 $22.00N50P3Parts (fl., ob., cl., hn., bn.) Quintet no. 3.$22.00Henri Brod (1799-1839) was a French oboist, instrument-maker, and composer active throughout the early nineteenth century. He studied oboe under Gustave Vogt at the Paris Conservatory, ultimately becoming teacher there himself in 1832. He also played second oboe next to Vogt at the Paris Opéra, where Fétis found Brod¿s tone sweeter than that of his teacher. Brod became interested in the construction of the oboe and was perhaps the first builder to add octave keys to the instrument. His Méthode pour le hautbois (Paris, 1835-36) provides valuable technical information concerning the oboe and remains a useful resource for modern players. Brod¿s three woodwind quintets most likely date from the second decade of the nineteenth century and were printed by two separate publishers, Pacini and Schonenberger, both of Paris. All three quintets feature a four-movement format: a longer first movement in sonata form, a slow movement, a minuet, and a quick-tempo finale. As a whole, the quintets form a nice complement to those of Danzi, Reicha, and somewhat later, Franz Lachner. Brod remains the only actual woodwind player among these early composers of wind quintets. While not very well known today, Brod¿s contributions to the wind quintet literature are significant and worthy of greater attention; this is particularly true in view of the paucity of wind quintets throughout the nineteenth century. It is to be hoped that through this critical edition, Brod¿s importance to the early development of the wind quintet will be recognized and his beautiful works heard more often..ContentsWoodwind Quintet No. 1 in E-flat Major[I] Introduction: Adagio; Allegro vivace[II] Andante[III] Minuetto: Allegro[IV] PrestoWoodwind Quintet No. 2 in F Major[I] Introduction: Lento; Allegro[II] Andante[III] Minuetto[IV] Finale: PrestoWoodwind Quintet No. 3 in C Major[I] Allegretto[II] Andante non troppo[III] Minuetto: Allegro[IV] Allegro