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Author: Bhagwan Das Garga Publisher: ISBN: Category : Film posters Languages : en Pages : 328
Book Description
`So Many Cinemas` Is A Kaleidoscopic And Captivating Overview Of The History Of Cinema In India, Authored By The Eminent Documentary Film Maker, B D Garga, Who Is Reputed As A Pioneering Historian And Commentator Of Indian Films. The Book Has A Comprehensively Researched Text Of Over A Hundred Thousand Words, Enhanced By Touches Of Satire And Humour. It Is Sumptuously Illustrated With Over 400 Rare Photographs, Working Stills, Post Cards, Advertisements, Film Booklets And Other Film Memorabilia, Most Of Which Are From The Author`S Enviable Personal Collection.
Author: Bhagwan Das Garga Publisher: ISBN: Category : Film posters Languages : en Pages : 328
Book Description
`So Many Cinemas` Is A Kaleidoscopic And Captivating Overview Of The History Of Cinema In India, Authored By The Eminent Documentary Film Maker, B D Garga, Who Is Reputed As A Pioneering Historian And Commentator Of Indian Films. The Book Has A Comprehensively Researched Text Of Over A Hundred Thousand Words, Enhanced By Touches Of Satire And Humour. It Is Sumptuously Illustrated With Over 400 Rare Photographs, Working Stills, Post Cards, Advertisements, Film Booklets And Other Film Memorabilia, Most Of Which Are From The Author`S Enviable Personal Collection.
Author: Omar Ahmed Publisher: Liverpool University Press ISBN: 0993238491 Category : Performing Arts Languages : en Pages : 370
Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
Author: Scott MacKenzie Publisher: University of California Press ISBN: 0520377478 Category : Performing Arts Languages : en Pages : 674
Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Author: Rohit K. Dasgupta Publisher: Rowman & Littlefield ISBN: 1442277998 Category : Performing Arts Languages : en Pages : 283
Book Description
Although the motion picture industry in India is one of the oldest and largest in the world—with literally thousands of productions released each year—films from that country have not been as well received as those from other countries. Known for their impressive musical numbers, melodramatic plots, and nationally beloved stars, Indian films have long been ignored by the West but are now at the forefront of cinema studies. With the prolific number of films available, it can be difficult to know what to watch. In 100 Essential Indian Films, Rohit K. Dasgupta and Sangeeta Datta identify and discuss significant works produced since the 1930s. Examining the output of different regional film industries throughout India, this volume offers a balance of box-office blockbusters, critical successes, and less-recognized cult classics. From early films by Satyajit Ray to contemporary classics such as Salaam Bombay and Lagaan, each entry includes comprehensive details about the film and situates the work in the context and history of the Indian canon.In addition to these notable productions, this book also examines key film directors and the work of major film stars in the industry. While many studies of Indian films focus on a single language’s contributions, this encyclopedia offers a comprehensive guide to productions from across the country in various languages, including Hindi, Bengali, Tamil, Malayalam, Assamese, Punjabi, Marathi, and English. 100 Essential Indian Films is an engaging volume that will appeal to both cinema scholars and those looking for an introduction to a vital component of world cinema.
Author: Rini Bhattacharya Mehta Publisher: Routledge ISBN: 1317669932 Category : Social Science Languages : en Pages : 238
Book Description
This book presents an examination of fictional representations, in books and films, of the 1947 Partition that led to the creation of the sovereign nation-states of India and Pakistan. While the process of representing the Partition experience through words and images began in the late 1940s, it is only in the last few decades that literary critics and film scholars have begun to analyse the work. The emerging critical scholarship on the Partition and its aftermath has deepened our understanding of the relationship between historical trauma, collective memory, and cultural processes, and this book provides critical readings of literary and cinematic texts on the impact of the Partition both in the Punjab and in Bengal. The collection assembles studies on Anglophone writings with those on the largely unexplored vernacular works, and those which have rarely found a place in discussions on the Partition. It looks at representations of women’s experiences of gendered violence in the Partition riots, and how literary texts have filled in the lack of the ‘human dimension’ in Partition histories. The book goes on to highlight how the memory of the Partition is preserved, and how the creative arts’ relation to public memory and its place within the public sphere has changed through time. Collectively, the essays present a nuanced understanding of how the experience of violence, displacement, and trauma shaped postcolonial societies and subjectivities in the Indian subcontinent. Mapping the diverse topographies of Partition-related uncertainties and covering both well-known and lesser-known texts on the Partition, this book will be a useful contribution to studies of South Asian History, Asian Literature and Asian Film.
Author: Michael Curtin Publisher: Univ of California Press ISBN: 0520290852 Category : Business & Economics Languages : en Pages : 337
Book Description
Precarious Creativity examines the seismic changes confronting media workers in an age of globalization and corporate conglomeration. This pathbreaking anthology peeks behind the hype and supposed glamor of screen media industries to reveal the intensifying pressures and challenges workers face. The authors take on crucial issues and provide insightful case studies of workplace dynamics regarding creativity, collaboration, exploitation, and cultural difference. Furthermore, they investigate working conditions and organizing efforts on all six continents, offering comprehensive analysis of contemporary screen media labor in places such as Lagos, Prague, Hollywood, and Hyderabad, across a range of job categories that includes visual effects, production services, and adult entertainment. With contributions from John Caldwell, Vicki Mayer, Herman Gray, Tejaswini Ganti, and others, this collection offers timely critiques of media globalization and broader debates about labor, creativity, and precarity.
Author: Dhamu Pongiyannan Publisher: Film Cultures ISBN: 9783034315517 Category : Charisma (Personality trait) Languages : en Pages : 0
Book Description
This book is one of the comprehensive studies about the South Indian state of Tamil Nadu, where all the Chief Ministers since 1967 have been former actors. By problematising the popular misconception that Bollywood is a synecdoche of Indian cinema, this book explores the cultural history of South India through the prism of films.
Author: Raminder Kaur Publisher: SAGE ISBN: 9780761933212 Category : Business & Economics Languages : en Pages : 348
Book Description
Providing a critique of a common scholarly tendency in the field of popular Indian cinema, this text argues that Indian cinema cannot be understood in terms of a national paradigm, but must instead be considered as a field of visual and cultural production that interlinks diverse sites, in India and beyond.
Author: Giulia Battaglia Publisher: Routledge ISBN: 1351375636 Category : Social Science Languages : en Pages : 425
Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Bhagwan Das Garga
Author: Bhagwan Das Garga
Author: Omar Ahmed
Author: Eugene Irving Way
Author: Scott MacKenzie
Author: Rohit K. Dasgupta
Author: Rini Bhattacharya Mehta
Author: Michael Curtin
Author: Dhamu Pongiyannan
Author: Raminder Kaur
Author: Giulia Battaglia