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Author: Jay Douglas Steinmetz Publisher: Lexington Books ISBN: 1498556817 Category : Political Science Languages : en Pages : 217
Book Description
In Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907–1927, Jay Douglas Steinmetz provides an original and detailed account of the political developments that shaped the American Film Industry in the silent years. In the 1900s and 1910s, the American film industry often embraced the arguments of film free speech and extolled the virtues of propagandistic cinema—the visual art of persuasion seen as part and parcel of deliberative democracy. The development of American cinema in these years was formatively shaped by conflicts with another industry of cultural consumption: liquor. Exhibitors battled with their competitors, the ubiquitous saloon, while film producers often attacked the immorality of drink with explosive propaganda on the screen. But the threat of censorship and economic regulation necessitated control and mastery over the social power of the cinema (its capacity to influence the public through the visualization of ideas) not an open medium of expression or an explicitly political instrument of molding public opinion. By the early 1920s, big producer-distributors based in Southern California sidelined arguments for film free speech and tamped down the propagandistic possibilities of the screen. Through their trade association, the Motion Picture Producers and Distributors of America, headed by Republican insider Will H. Hays, the emerging moguls of Hollywood negotiated government regulation, prohibition, and the insurgency of the Ku Klux Klan in the turbulent 1920s. A complex and interconnected work of political history, this volume also uncovers key aspects in the development of modern free speech, propaganda in American political culture, the modern Republican Party, cultural developments leading up to prohibition, and the rise and fall of the Ku Klux Klan in the 1920s. This work will be of particular interest to film and political historians interested in social movements, economic development, regulation, and the evolution of consumer capitalism in the early 20th century.
Author: Jay Douglas Steinmetz Publisher: Lexington Books ISBN: 1498556817 Category : Political Science Languages : en Pages : 217
Book Description
In Beyond Free Speech and Propaganda: The Political Development of Hollywood, 1907–1927, Jay Douglas Steinmetz provides an original and detailed account of the political developments that shaped the American Film Industry in the silent years. In the 1900s and 1910s, the American film industry often embraced the arguments of film free speech and extolled the virtues of propagandistic cinema—the visual art of persuasion seen as part and parcel of deliberative democracy. The development of American cinema in these years was formatively shaped by conflicts with another industry of cultural consumption: liquor. Exhibitors battled with their competitors, the ubiquitous saloon, while film producers often attacked the immorality of drink with explosive propaganda on the screen. But the threat of censorship and economic regulation necessitated control and mastery over the social power of the cinema (its capacity to influence the public through the visualization of ideas) not an open medium of expression or an explicitly political instrument of molding public opinion. By the early 1920s, big producer-distributors based in Southern California sidelined arguments for film free speech and tamped down the propagandistic possibilities of the screen. Through their trade association, the Motion Picture Producers and Distributors of America, headed by Republican insider Will H. Hays, the emerging moguls of Hollywood negotiated government regulation, prohibition, and the insurgency of the Ku Klux Klan in the turbulent 1920s. A complex and interconnected work of political history, this volume also uncovers key aspects in the development of modern free speech, propaganda in American political culture, the modern Republican Party, cultural developments leading up to prohibition, and the rise and fall of the Ku Klux Klan in the 1920s. This work will be of particular interest to film and political historians interested in social movements, economic development, regulation, and the evolution of consumer capitalism in the early 20th century.
Author: Thomas Mann Publisher: McFarland ISBN: 1476614091 Category : Performing Arts Languages : en Pages : 185
Book Description
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central character, although in some cases melodramas, thrillers, and film noir books having crime as a plot element are included. Science fiction and fantasy works, and others having outre aspects, are also within scope. With a few exceptions, the cut-off date for inclusion in the catalog is the year 1970. In an entertaining introductory essay the author reflects on the attractions of assembling such a collection, analyzes aspects of the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisements, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories. Included in an appendix is the complete text of "The Gorilla," a short story version of a lost First National Film, reprinted from a rare issue of Moving Picture Stories from 1927.
Author: Raymond Fielding Publisher: McFarland ISBN: 147660794X Category : Language Arts & Disciplines Languages : en Pages : 253
Book Description
For fifty years, the newsreel was a fixture in American movie theaters. Released twice a week, less than ten minutes long, each had news footage that combined journalism with entertainment. With the advent of television news programs after World War II, newsreels began to be obsolete, but they remain the first instances of moving image photographic journalism and were for decades a unique source of information--and misinformation. This history details the full span of the American newsreel from 1911 to 1967, discussing the European forerunners, changes in the American version over time, and the ethical and unethical use of newsreels in present-day television documentaries. Photographs, bibliography and index.
Author: Nick Browne Publisher: Routledge ISBN: 1135020221 Category : Social Science Languages : en Pages : 309
Book Description
This work brings together writings on television published in Quarterly Review of Film and Video, from essays by Nick Browne and Beverle Houston to the latest historical and critical research. It considers television's economics, technologies, forms and audiences from a cultural perspective that links history, theory and criticism. The authors address several key issues: the formative period in American television history; the relation between television's political economy and its cultural forms; gender and melodrama; and new technologies such as video games and camcorders. Originally published in 1993.
Author: Jeff Codori Publisher: McFarland ISBN: 0786449691 Category : Performing Arts Languages : en Pages : 302
Book Description
Colleen Moore (1899-1988) was one of the most popular and beloved stars of the American silent screen. Remembered primarily as a comedienne in such films as Ella Cinders (1926) and Orchids and Ermine (1927), Moore's career was also filled with dramatic roles that often reflected societal trends. A trailblazing performer, her legacy was somewhat overshadowed by the female stars that followed her, notably Louise Brooks and Clara Bow. An in-depth examination of Moore's early life and film career, the book reveals the ways in which her family and the times in which she lived influenced the roles she chose. Included are forewords written by film historian Joseph Yranski, a friend of the actress, and by Moore's stepdaughter, Judith Hargrave Coleman.
Author: Kevin L. Stoehr Publisher: McFarland ISBN: 1476670099 Category : Performing Arts Languages : en Pages : 339
Book Description
King Vidor (1894-1982) had the longest career of any Hollywood director, and his works include some of the most dramatic, sublime moments in the history of American cinema. Regarded by many film historians as one of the greatest of silent era filmmakers--especially for masterworks The Big Parade, The Crowd, and Show People--Vidor is nonetheless one of the most underrated of Hollywood's "old masters" in terms of his overall career. His sound era films include Hallelujah, Street Scene, The Champ, The Stranger's Return, Our Daily Bread, Stella Dallas, The Citadel, Northwest Passage, Duel in the Sun, Beyond the Forest, The Fountainhead, Ruby Gentry and War and Peace. He also helped to establish the Screen Directors Guild and served as its first president. This book charts the ways in which Vidor's vast, complex body of work ranges over diverse genres and styles while also expressing his recurring personal interests in spirituality (especially Christian Science), aesthetics, metaphysics, social realism, and the myth of America. The first book since 1988 to give a comprehensive view of Vidor's career, it discusses his artistic evolution in a way that appeals to the general reader as well as to the film scholar.
Author: Eric Hoyt Publisher: Univ of California Press ISBN: 0520402774 Category : Performing Arts Languages : en Pages : 424
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. This groundbreaking collection of essays from leading film historians features original research on movie magazines published in China, France, Germany, India, Iran, Latin America, South Korea, the U.S., and beyond. Vital resources for the study of film history and culture, movie magazines are frequently cited as sources, but rarely centered as objects of study. Global Movie Magazine Networks does precisely that, revealing the hybridity, heterogeneity, and connectivity of movie magazines and the important role they play in the intercontinental exchange of information and ideas about cinema. Uniquely, the contributors in this book have developed their critical analysis alongside the collaborative work of building digital resources, facilitating the digitization of more than a dozen of these historic magazines on an open-access basis.
Author: John C. Tibbetts Publisher: Popular Press ISBN: 9780879722890 Category : Performing Arts Languages : en Pages : 300
Book Description
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
Author: Jay Douglas Steinmetz
Author: Jay Douglas Steinmetz
Author: Thomas Mann
Author: Raymond Fielding
Author: Nick Browne
Author: Jeff Codori
Author: Kevin L. Stoehr
Author: Vicki Callahan
Author: Eric Hoyt
Author: John C. Tibbetts
Author: