Author: Bruce Edelstein
Publisher: Getty Publications
ISBN: 1606065890
Category : Art
Languages : en
Pages : 164
Book Description
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregnant. The painting is presented—for the first time—along with its highly finished preparatory drawing, which is squared for transfer to the larger surface of the panel. The combination of rigorous research and gorgeous reproductions reveals the painter’s creative process as never before. Other acclaimed paintings, including Portrait of a Halberdier and Portrait of Carlo Neroni, will also be shown alongside their preparatory drawings. Readers will encounter Pontormo both as a religious painter and a painter of portraits, in this original and nuanced account of the celebrated artist.
Miraculous Encounters
Author: Bruce Edelstein
Publisher: Getty Publications
ISBN: 1606065890
Category : Art
Languages : en
Pages : 164
Book Description
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregnant. The painting is presented—for the first time—along with its highly finished preparatory drawing, which is squared for transfer to the larger surface of the panel. The combination of rigorous research and gorgeous reproductions reveals the painter’s creative process as never before. Other acclaimed paintings, including Portrait of a Halberdier and Portrait of Carlo Neroni, will also be shown alongside their preparatory drawings. Readers will encounter Pontormo both as a religious painter and a painter of portraits, in this original and nuanced account of the celebrated artist.
Publisher: Getty Publications
ISBN: 1606065890
Category : Art
Languages : en
Pages : 164
Book Description
Jacopo Carucci, known as Pontormo (1494–1557), was the leading painter in mid sixteenth-century Florence and one of the most original and extraordinary Mannerist artists. His extremely personal style was much influenced by Michelangelo, though he also drew from northern art, especially the work of Albrecht Dürer. This catalogue brings together a small but important group of preparatory drawings and finished paintings that center on Pontormo’s great masterpiece, The Visitation, one of the most moving and mesmerizing works by the artist. The Visitation represents the intense moment of encounter between the Virgin Mary and her cousin Elizabeth, who reveal to each other that both are pregnant. The painting is presented—for the first time—along with its highly finished preparatory drawing, which is squared for transfer to the larger surface of the panel. The combination of rigorous research and gorgeous reproductions reveals the painter’s creative process as never before. Other acclaimed paintings, including Portrait of a Halberdier and Portrait of Carlo Neroni, will also be shown alongside their preparatory drawings. Readers will encounter Pontormo both as a religious painter and a painter of portraits, in this original and nuanced account of the celebrated artist.
The Renaissance Perfected
Author: D. Medina Lasansky
Publisher: Penn State Press
ISBN: 9780271023663
Category : Art
Languages : en
Pages : 432
Book Description
Mussolini&’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation&’s medieval and Renaissance heritage to satisfy the regime&’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today&’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed Palio of Siena) were all &“restored&” to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture. The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky&’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.
Publisher: Penn State Press
ISBN: 9780271023663
Category : Art
Languages : en
Pages : 432
Book Description
Mussolini&’s bold claims upon the monuments and rhetoric of ancient Rome have been the subject of a number of recent books. D. Medina Lasansky shows us a much less familiar side of the cultural politics of Italian Fascism, tracing its wide-ranging efforts to adapt the nation&’s medieval and Renaissance heritage to satisfy the regime&’s programs of national regeneration. Anyone acquainted with the beauties of Tuscany will be surprised to learn that architects, planners, and administrators working within Fascist programs fabricated much of what today&’s tourists admire as authentic. Public squares, town halls, palaces, gardens, and civic rituals (including the famed Palio of Siena) were all &“restored&” to suit a vision of the past shaped by Fascist notions of virile power, social order, and national achievement in the arts. Ultimately, Lasansky forces readers to question long-standing assumptions about the Renaissance even as she expands the parameters of what constitutes Fascist culture. The arguments in The Renaissance Perfected are based in fresh archival evidence and a rich collection of illustrations, many reproduced for the first time, ranging from photographs and architectural drawings to tourist posters and film stills. Lasansky&’s groundbreaking book will be essential reading for students of medieval, Renaissance, and twentieth-century Italy as well as all those concerned with visual culture, architectural preservation, heritage studies, and tourism studies.
Italian Renaissance Frames
Author: Timothy J. Newbery
Publisher: Metropolitan Museum of Art
ISBN: 0870995871
Category : Picture frames and framing
Languages : en
Pages : 113
Book Description
Published in conjunction with the exhibition at the Metropolitan Museum of Art, New York, June to September 1990. Includes a catalogue, an introductory essay, and a glossary without pronunciations. No index. Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870995871
Category : Picture frames and framing
Languages : en
Pages : 113
Book Description
Published in conjunction with the exhibition at the Metropolitan Museum of Art, New York, June to September 1990. Includes a catalogue, an introductory essay, and a glossary without pronunciations. No index. Annotation copyrighted by Book News, Inc., Portland, OR
The Medici: Portraits and Politics 1512–1570
Author: Keith Christiansen
Publisher: Metropolitan Museum of Art
ISBN: 1588397300
Category : Art
Languages : en
Pages : 332
Book Description
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
Publisher: Metropolitan Museum of Art
ISBN: 1588397300
Category : Art
Languages : en
Pages : 332
Book Description
Between 1512 and 1570, Florence underwent dramatic political transformations. As citizens jockeyed for prominence, portraits became an essential means not only of recording a likeness but also of conveying a sitter’s character, social position, and cultural ambitions. This fascinating book explores the ways that painters (including Jacopo Pontormo, Agnolo Bronzino, and Francesco Salviati), sculptors (such as Benvenuto Cellini), and artists in other media endowed their works with an erudite and self-consciously stylish character that made Florentine portraiture distinctive. The Medici family had ruled Florence without interruption between 1434 and 1494. Following their return to power in 1512, Cosimo I de’ Medici, who became the second Duke of Florence in 1537, demonstrated a particularly shrewd ability to wield culture as a political tool in order to transform Florence into a dynastic duchy and give Florentine art the central position it has held ever since. Featuring more than ninety remarkable paintings, sculptures, works on paper, and medals, this volume is written by a team of leading international authors and presents a sweeping, penetrating exploration of a crucial and vibrant period in Italian art.
Sixteenth-century Tuscan Drawings from the Uffizi
Author: Annamaria Petrioli Tofani
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 276
Book Description
This volume contains reproductions of 100 16th-century Master Drawings from the outstanding holding of the Uffizi Gallery in Florence. It provides a broad view of drawing styles and functions in Tuscany ranging from High Renaissance to Early Baroque, and includes works by such artists as Fra Bartolommeo, Vasari, and Michelangelo. The authors provide descriptive accompanying entries throughout.
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 276
Book Description
This volume contains reproductions of 100 16th-century Master Drawings from the outstanding holding of the Uffizi Gallery in Florence. It provides a broad view of drawing styles and functions in Tuscany ranging from High Renaissance to Early Baroque, and includes works by such artists as Fra Bartolommeo, Vasari, and Michelangelo. The authors provide descriptive accompanying entries throughout.
The National Union Catalog, Pre-1956 Imprints
Discoveries from the Cinquecento
Author: Clovis Whitfield
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 98
Book Description
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 98
Book Description
Andrea del Sarto
Author: Julian Brooks
Publisher: Getty Publications
ISBN: 160606438X
Category : Art
Languages : en
Pages : 238
Book Description
The great Renaissance artist Andrea del Sarto (1486–1530) rivals Leonardo da Vinci as one of history’s most accomplished draftsmen. Moving beyond the graceful elegance of his contemporaries, such as Raphael and Fra Bartolommeo, he brought unprecedented realism to his drawings through the rough and rustic use of chalk in his powerfully rendered life and compositional studies. With an immediacy few other Renaissance artists possess, del Sarto’s work has proven to be inspirational and compelling to later audiences, with admirers such as Degas and Redon. This lavishly illustrated book reveals del Sarto's dazzling inventiveness and creative process, presenting fifty core drawings on paper together with a handful of paintings. The first publication to look to del Sarto’s working practice through a close examination of his art from across all the world’s major collections, this volume analyzes new studies of his panel underdrawings as well. The depth and breadth of its research make this book an important contribution to the study of del Sarto and Florentine Renaissance workshop practice. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum from June 23 through September 13, 2015, and at the Frick Collection in New York from October 6, 2015, though January 10, 2016.
Publisher: Getty Publications
ISBN: 160606438X
Category : Art
Languages : en
Pages : 238
Book Description
The great Renaissance artist Andrea del Sarto (1486–1530) rivals Leonardo da Vinci as one of history’s most accomplished draftsmen. Moving beyond the graceful elegance of his contemporaries, such as Raphael and Fra Bartolommeo, he brought unprecedented realism to his drawings through the rough and rustic use of chalk in his powerfully rendered life and compositional studies. With an immediacy few other Renaissance artists possess, del Sarto’s work has proven to be inspirational and compelling to later audiences, with admirers such as Degas and Redon. This lavishly illustrated book reveals del Sarto's dazzling inventiveness and creative process, presenting fifty core drawings on paper together with a handful of paintings. The first publication to look to del Sarto’s working practice through a close examination of his art from across all the world’s major collections, this volume analyzes new studies of his panel underdrawings as well. The depth and breadth of its research make this book an important contribution to the study of del Sarto and Florentine Renaissance workshop practice. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum from June 23 through September 13, 2015, and at the Frick Collection in New York from October 6, 2015, though January 10, 2016.
X [i.e. Ten], a Decade of Collecting, 1965-1975
Author: Los Angeles County Museum of Art
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 268
Book Description
La manifattura toscana dei Ginori
Author: Mariagiulia Burresi
Publisher: Pacini Editore
ISBN:
Category : Art
Languages : it
Pages : 196
Book Description
Publisher: Pacini Editore
ISBN:
Category : Art
Languages : it
Pages : 196
Book Description