Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Moshe Gips. July 8, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Moshe Gips. February 15 (legislative Day, February 8), 1954. -- Ordered to be Printed
Author: Rabbi Eugene Feigelstock. July 8, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Jozo Mandic. July 8, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Anthony N. Goraieb. July 8, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Rev. Ishai Ben Asher. July 8, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Szyga (Saul) Morgenstern. July 8, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Report
Author: United States. Congress. HousePublisher:
ISBN:
Category : United States
Languages : en
Pages : 2402
Book Description
Glicerio M. Ebuna. July 21, 1954. -- Committed to the Committee of the Whole House and Ordered to be Printed
Author: Historical Painting Techniques, Materials, and Studio Practice
Author: Arie WallertPublisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.