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Author: Morgan Fisher Publisher: Walther Konig Verlag ISBN: Category : Art Languages : en Pages : 288
Book Description
For Morgan Fisher a form of appropriation, transformation, irony and lightness are also part of a reflection on the history and the techniques of seeing.This way of reading (art) history and autobiographical traits are characteristic of Morgan Fisher's long awaited writings. In it, Fisher has interwoven each of his works in a cosmos of intellectual figures, autobiographical and historical references.This 'autobiographical part' is complemented by articles on Carl Andre, Blinky Palermo and many more.
Author: Morgan Fisher Publisher: Walther Konig Verlag ISBN: Category : Art Languages : en Pages : 288
Book Description
For Morgan Fisher a form of appropriation, transformation, irony and lightness are also part of a reflection on the history and the techniques of seeing.This way of reading (art) history and autobiographical traits are characteristic of Morgan Fisher's long awaited writings. In it, Fisher has interwoven each of his works in a cosmos of intellectual figures, autobiographical and historical references.This 'autobiographical part' is complemented by articles on Carl Andre, Blinky Palermo and many more.
Author: Jean-Philippe Antoine Publisher: Les presses du réel ISBN: 2840669420 Category : Art Languages : en Pages : 192
Book Description
A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices. Positioned at the intersection of cinema, painting, installation, architecture, video, drawing and photography, the work of filmmaker Morgan Fisher remains to be explored, as is its influence on new generations of artists. This collection considers Morgan Fisher's filmography in relation to his other artistic practices, and investigates the very special temporality created by Fisher's structural interventions. The publication gathers researchers, artists and critics, to draw up the unprecedented profile of a work guided by the love of cinema, while going beyond it. Morgan Fisher, an artist and filmmaker, was born in Washington, D.C., in 1942. He received an A.B. in art history from Harvard College, then studied film production in Los Angeles. His early work was predominantly in film. His films have been shown at international film festivals (Berlin, Rotterdam, London, among others) and in one-person screenings or exhibitions at, among other places, Tate Modern, Museum of Modern Art, New York, Whitney Museum of American Art, and Museum of Contemporary Art, Los Angeles. In the early 1990s he started making works on paper, then paintings and sculptures. One-person exhibitions that included examples of such work were at Portikus, Raven Row, Museum Abteiberg, Generali Foundation, and Aspen Art Museum. More recently, he has exhibited photographs. He was in the 1985, 2004, and 2014 Whitney Biennials. A collection of his writings was published in 2012 by Walther König. He has been a visiting teacher at Brown University, California Institute of the Arts, and the University of California, Los Angeles. He lives and works in Los Angeles.
Author: Scott MacDonald Publisher: CUP Archive ISBN: 9780521388214 Category : Performing Arts Languages : en Pages : 230
Book Description
The past thirty years have seen the proliferation of forms of independent cinema that challenge the conventions of mass-market commercial movies from within the movie theatre. Avant-Garde Film examines fifteen of the most suggestive and useful films from this film tradition. The films discussed include No. 4 (Bottoms) by Yoko Ono, Wavelength by Michael Snow, Serene Velocity by Ernie Gehr, Print Generation by J. J. Murphy, Standard Gauge by Morgan Fisher, Zorns Lemma by Hollis Frampton, The Ties that Bind by Su Friedrich, From the Pole to the Equator by Yervant Gianikian and The Carriage Trade by Warren Sonbert. Through in-depth readings of these works, Scott MacDonald takes viewers on a critical circumnavigation of the conventions of movie going as seen by filmmakers who have rebelled against the conventions. MacDonald's discussions do not merely analyse the films; they provide a useful, accessible, jargon-free critical apparatus for viewing avant-garde film and communicate the author's pleasure in exploring 'impenetrable' works.
Author: Mike Watson Publisher: John Hunt Publishing ISBN: 1789049342 Category : Philosophy Languages : en Pages : 110
Book Description
The Frankfurt School meets Fisher in this critique of capitalism incorporating memes, mental illness and psychedelia into a proposed counterculture. Spring 2020 to 2021 was the year that did not take place. We witnessed a depression, not economically speaking, but in the psychological sense: A clinical depression of and by society itself. This depression was brought about not just by Covid isolation, but by the digital economy, fueled by social media and the meme. In the aftermath, this book revisits the main Frankfurt School theorists, Adorno, Horkheimer, Benjamin and Marcuse, who worked in the shadow of World War Two, during the rise of the culture industry. In examining their thoughts and drawing parallels with Fisher's Capitalist Realism, The Memeing of Mark Fisher aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age. Taking in the phenomena of QAnon, twitch streaming, and memes it argues that the dichotomy between culture and political praxis is a false one. Finally, as more people have access to the means for theoretical and cultural broadcasting, it is urged that the online left uses that access to build a real life cultural and political movement.
Author: Morgan Fisher Publisher: ISBN: Category : Art, American Languages : en Pages : 256
Book Description
American artist Morgan Fisher became prominent in the early 1970s as an experimental filmmaker in the structuralist milieu, whose main interest was not the content of that depicted but rather the analysis of the medium itself. This title explores Fisher's work.
Author: Marijke de Valck Publisher: Amsterdam University Press ISBN: 9053567682 Category : Performing Arts Languages : en Pages : 239
Book Description
They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as François Truffaut's Hitchcock; they happily subscribe to the Sundance Channel—they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, Cinephilia documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, Cinephilia breaks new ground for students and scholars alike.
Author: Morgan Fisher
Author: Morgan Fisher
Author: Jean-Philippe Antoine
Author: Morgan Fisher
Author: Scott MacDonald
Author: Mike Watson
Author: Morgan Fisher
Author: United States. National Labor Relations Board
Author: Morgan Fisher
Author: Marijke de Valck
Author: