Author: Carolyn Gage Publisher: Lulu.com ISBN: 1387819852 Category : Acting Languages : en Pages : 130
Book Description
This is Carolyn Gage's second volume of monologues and scenes for lesbian actors. Some of her characters are historical, and not always lesbian: actresses Nance O'Neil and Henrietta Vinton Davis, Alcoholics Anonymous pioneer Marty Mann, lighting designer Jean Rosenthal... and Lizzie Borden's maid! A fascinating companion to her first volume.
Author: Carolyn Gage Publisher: ISBN: Category : Drama Languages : en Pages : 230
Book Description
Finally! A book for lesbians who are tired of "passing" at auditions and in acting classes and workshops! Here at last, from one of the most talented and inventive contemporary playwrights, is a book of more than twenty monologues and more than forty scenes by, for, and about lesbians. Here are dramatic portrayals of our coming-out stories, our strategies of resistance, our rescue of survivors of sexual abuse, our passions, our torture, our triumphs. The settings are historic and contemporary, ranging from the goddess temples of Lesbos to the locker rooms of a softball team.
Author: Carolyn Gage Publisher: ISBN: 9780557626434 Category : Languages : en Pages : 284
Book Description
Finally! A book for lesbians who are tired of 'passing' at auditions and in acting classes and workshops! Here at last, from one of the most talented and inventive contemporary playwrights, is a book of thirty-two monologues and sixty scenes by, for, and about lesbians. This collection includes scenes with characters taken from lesbian history: Jane Addams, Charlotte Cushman, Joan of Arc, Calamity Jane, Sappho, Babe Didrikson, Benedetta Carlini, Renée Vivien, Natalie Barney, and Eva LeGallienne. It also includes women from history whose sexual orientation may or may not have been documented, but whose survival strategies resonate with strategies of lesbians. These strategies include the separatism of Hildegard von Bingen, the confrontation of sexual violation in the art of Artemisia Gentileschi, the liberation struggle of Harriet Tubman, the repression and denial of Louisa May Alcott, the resistance of Mary Mallon ('Typhoid Mary').Click on "View Back Cover" for endorsements.
Author: Carolyn Gage Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 228
Book Description
Finally! A book for lesbians who are tired of passing at auditions and in acting classes and workshops! Here at last, from one of the most talented and inventive contemporary playwrights, are twenty-five monologues and forty-five scenes by, for, and about lesbians.
Author: Alisha Gaddis Publisher: Hal Leonard Corporation ISBN: 1495082830 Category : Performing Arts Languages : en Pages : 158
Book Description
(Applause Acting Series). The first and only book of its kind, this cutting-edge and incredibly hysterical monologue book is specifically for actors auditioning for LGBTQ roles. LGBTQ Comedic Monologues That Are Actually Funny features works by LGBT writers and comics (and their allies) who have written and/or performed for Comedy Central, Backstage magazine, NBC, the Huffington Post , the Onion , Second City, E!, and many more. This collection is the go-to source for the comedic monologue needs of actors seeking LGBT material, as well as a paean to LGBT characters and artists.
Author: Ed Hooks Publisher: ISBN: 9780823077717 Category : Drama Languages : en Pages : 272
Book Description
Preparing for an audition and unsure of what you want to do?The Ultimate Scene and Monologue Sourcebookis the book you've been waiting for. Unlike “scene books” that reprint 50 to 75 monologues excerpted from plays but don't include any background information, this annotated guide tells you what you really need to know about audition material from more than 300 contemporary plays. Here is how the book works. Suppose that you're looking for a dramatic male/female scene. When you scan “Part One: Play Synopses and Analyses,” you come across an entry forThe Middle of the Nightby Paddy Chayefsky. This is what you see: The Middle of the Night by Paddy Chayefsky (Samuel French) Synopsis: A kindly 53-year-old widower falls in love with a 23-year-old woman who is unhappily married to a musician. No one in their circle of acquaintances approves of this union, but their love is true. Analysis: Excellent human drama, frequently touching. Actors who play the widower need to have a good feel for New York City/Brooklyn speech patterns. This sensitivity isn't as essential for the part of the woman. All levels. Scenes/Monologues: Male Monologues (1), Female/Female Scenes (1), Male/Female Scenes (2) In addition to basic information about the play (author and publisher), the entry provides you with the story line, a critique of the play, and the number of audition-worthy monologues and scenes it contains. If the description of this particular play piques your interest, your next step is to turn to “Part Six: Male/Female Scenes” for specifics about the selection. This is what you'll see there: The Middle of the Night by Paddy Chayefsky (Samuel French) Drama: Act II, Scene 2, pp. 40-44; The Manufacturer (53) and The (23). After an unsatisfactory attempt at lovemaking, The Manufacturer feels awful that he wasn’t able to perform ually. The is very understanding. He then asks her to marry him. The actor playing The Manufacturer must have a good feel for regional New York speech patterns. This skill is less critical for the actress playing The . Start, The Manufacturer: “I’m sorry, Betty.” End, The Manufacturer: “Oh, my sweet , I love you so much you don’t know. If you change your mind tomorrow, I won’t be angry with you. I won’t lie to you, Betty. I’m afraid.” This entry tells you what type of scene this is (dramatic), where you'll find the selection (act, scene, and page numbers), the length of the scene, the names and ages of the characters, the context in which the characters are speaking, and the first and last lines of the scene. If the material seems appropriate, all you have to do is get a copy of the play and get to work. BecauseThe Ultimate Scene and Monologue Sourcebookenables you to make informed decisions about the suitability of more than 1,000 monologues and scenes-which you can find easily through the book's extensive cross indexes—you’ll gain a critical edge in the auditioning process.
Author: Ed Hooks Publisher: Back Stage Books ISBN: 0823099490 Category : Performing Arts Languages : en Pages : 338
Book Description
All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. This unique format is ideal for acting teachers who want their students to understand each monologue in context. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book also includes the author’s own assessment of each monologue.
Author: Lynn C. Miller Publisher: Univ of Wisconsin Press ISBN: 9780299184247 Category : Biography & Autobiography Languages : en Pages : 348
Book Description
Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed. The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers--Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah--tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.
Author: Carolyn Gage
Author: Carolyn Gage
Author: Carolyn Gage
Author: Carolyn Gage
Author: Tori Haring-Smith
Author: Alisha Gaddis
Author: Ed Hooks
Author: A'liyah Spinner
Author: Ed Hooks
Author: Lynn C. Miller