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Author: Richard Taruskin Publisher: ISBN: 9780198162506 Category : Music Languages : en Pages : 808
Book Description
During his career, Stravinsky underplayed his Russian past in favour of a European cosmopolitanism. This study defines Stravinsky's relationship to the musical and artistic traditions of his native land and provides a dramatic new picture of one of the major figures in the history of music.
Author: Richard Taruskin Publisher: ISBN: 9780198162506 Category : Music Languages : en Pages : 808
Book Description
During his career, Stravinsky underplayed his Russian past in favour of a European cosmopolitanism. This study defines Stravinsky's relationship to the musical and artistic traditions of his native land and provides a dramatic new picture of one of the major figures in the history of music.
Author: Günter Berghaus Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110800926 Category : Literary Criticism Languages : en Pages : 604
Book Description
The first part of the yearbook contains ten essays on Futurist art and literature in Italy, France, Russia, Poland, Portugal and the former colony of Goa. Among other things, early Futurist publishing and propaganda initiatives by means of manifestos, press releases, and newssheets are examined, as well as Athos Casarini's artistic and political work undertaken in Italy and the USA. Articles in the second part deal with the 30th anniversary of the international Academy of Zaum as well as various conferences, exhibitions and publications celebrating the centenary of Zenitism in Serbia and Croatia. Critical responses to exhibitions, conferences and publications as well as a bibliographical section with information on 139 recent book publications on Futurism conclude the yearbook.
Author: Marisa Linton Publisher: OUP Oxford ISBN: 0191057002 Category : History Languages : en Pages : 334
Book Description
Choosing Terror: Virtue, Friendship and Authenticity in the French Revolution examines the leaders of the French Revolution - Robespierre and his fellow Jacobins - and particularly the gradual process whereby many of them came to 'choose terror'. These men led the Jacobin Club between 1789 and 1794, and were attempting to establish new democratic politics in France. Exploring revolutionary politics through the eyes of these leaders, and against a political backdrop of a series of traumatic events, wars, and betrayals, Marisa Linton portrays the Jacobins as complex human beings who were influenced by emotions and personal loyalties, as well as by their revolutionary ideology. The Jacobin leaders' entire political careers were constrained by their need to be seen by their supporters as 'men of virtue', free from corruption and ambition, and concerned only with the public good. In the early stages of the Revolution, being seen as 'men of virtue' empowered the Jacobin leaders, and aided them in their efforts to forge their political careers. However, with the onset of war, there was a growing conviction that political leaders who feigned virtue were 'the enemy within', secretly conspiring with France's external enemies. By Year Two, the year of the Terror, the Jacobin identity had become a destructive force: in order to demonstrate their own authenticity, they had to be seen to act virtuously, and be prepared, if the public good demanded it, to denounce and destroy their friends, and even to sacrifice their own lives. This desperate thinking resulted in the politicians' terror, one of the most ruthless of all forms of terror during the Revolution. Choosing Terror seeks neither to cast blame, nor to exonerate, but to understand the process whereby such things can happen.
Author: Gustav A. Beckmann Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110764547 Category : Foreign Language Study Languages : en Pages : 1068
Book Description
This ambitious study of all proper names in the Chanson de Roland is based for the first time on a systematic survey of the whole geographical and historical literature from antiquity to after 1100 for the Geographica, and on working through (almost) the entire documentary tradition of France and its neighbouring regions from 778 to the early 12th century for the personal names. The overall result is clear: the surviving song is more tightly and profoundly structured, even in smaller scenes, than generally assumed, it is also richer in depicting reality, and it has a very long prehistory, which can be traced in outline, albeit with decreasing certainty, (almost) back to the Frankish defeat of 778. Here are some individual results: for the first time, a detailed (and ultimately simple!) explanation not only of the ‘pagan’ catalogue of peoples, but also of the overarching structure of Baligant’s empire, the organisation of North Africa, the corpus of the Twelve Anti-Pairs as well as the ‘pagan’ gods are given, and individual names such as Bramimunde and Jurfaret, toponyms such as Marbrise and Marbrose are explained. From Roland’s Spanish conquests (v. 196–200), the course of the elapsed set anz toz pleins is reconstructed. Even the names of the weapons prove to be a small structured group, in that they are very discreetly adapted to their respective ‘pagan’ or Christian owner. On the Christian side, the small list of relics in Roland’s sword is also carefully devised, not least in what is left out: a relic of the Lord; this is reserved for Charlemagne’s Joiuse. The author explains for example, why from the archangel triad only Michael and Gabriel descend to the dying Roland, whereas ‘the’ angel Cherubin descends in Rafael’s place. Munjoie requires extensive discussion, because here a (hitherto insufficiently recorded) toponym has been secondarily charged by the poet with traditional theological associations. The term Ter(e) major is attested for the first time in reality, namely in the late 11th century in Norman usage. For the core of France, the fourth cornerstone – along with Besançon, Wissant and Mont-Saint-Michel – is Xanten, and its centre is Aachen. The poet’s artful equilibration of Charles’s ten eschieles and their leaders is traced. The "Capetian barrier" emerges as a basic fact of epic geography. Approximatively, the last quarter of the study is devoted to the prehistory of the song, going backwards in time: still quite clearly visible is an Angevin Song of Roland from around 1050, in which Marsilĭe, Olivier, Roland, Ganelon, Turpin and Naimes already have roles similar to those in the preserved Song. Behind it, between about 970 and shortly after 1000, is the Girart de Vienne from the Middle Rhône, already recognised by Aebischer, with the newly invented Olivier contra Roland. Finally, in faint outlines, an oldest attainable, also Middle Rhône adaptation of the Roland material from shortly after 870 emerges. For the Chanson de Roland, Gaston Paris and Joseph Bédier were thus each right on the main point that was close to their hearts: the surviving song has both the thoroughly sophisticated structure of great art that Bédier recognised in it, and the imposingly long prehistory that Paris conjectured.
Author: Richard Taruskin
Author: Richard Taruskin
Author: Günter Berghaus
Author: Great exhibition, 1851
Author: Marisa Linton
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Author: Ellen J. Millington
Author: Mrs. Oliphant (Margaret)
Author: Gustav A. Beckmann
Author: mrs. oliphant
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