Monteverdi, Creator of Modern Music PDF Download

Author: Mark Ringer
Publisher: Hal Leonard Corporation
ISBN: 9781574671100
Category : Music
Languages : en
Pages : 364

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"Includes full-length Harmonia Mundi CD"--Cover, p. 1.

Author: John Whenham
Publisher: Cambridge University Press
ISBN: 1139828223
Category : Music
Languages : en
Pages : 480

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Book Description
Claudio Monteverdi is one of the most important figures of 'early' music, a composer whose music speaks powerfully and directly to modern audiences. This book, first published in 2007, provides an authoritative treatment of Monteverdi and his music, complementing Paolo Fabbri's standard biography of the composer. Written by leading specialists in the field, it is aimed at students, performers and music-lovers in general and adds significantly to our understanding of Monteverdi's music, his life, and the contexts in which he worked. Chapters offering overviews of his output of sacred, secular and dramatic music are complemented by 'intermedi', in which contributors examine individual works, or sections of works in detail. The book draws extensively on Monteverdi's letters and includes a select discography/videography and a complete list of Monteverdi's works together with an index of first lines and titles.

Author: Nancy Kovaleff Baker
Publisher: Pendragon Press
ISBN: 9780945193296
Category : Music
Languages : en
Pages : 562

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Author: Leo Schrade
Publisher: Orion
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 390

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Book Description
Attempt is made to interpret Monteverdi's music as an integral unity in which many unique and favorable cultural and psychological factors converge.

Author: Leo Schrade
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 392

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Author: Bonnie Gordon
Publisher: Cambridge University Press
ISBN: 9780521845298
Category : Music
Languages : en
Pages : 260

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Author: Massimo Ossi
Publisher: University of Chicago Press
ISBN: 0226638839
Category : Music
Languages : en
Pages : 299

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Book Description
Claudio Monteverdi's historical position in music has been compared to that of Shakespeare in literature: almost exact contemporaries, each worked from traditional beginnings to transform nearly every genre he attempted. In this book, Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development, during the first years of the seventeenth century, of a new compositional style he called the seconda prattica or "second manner." Challenged in print for the unconventional aspects of his music, Monteverdi found himself at the center of a debate between defenders of Renaissance principles and the newest musical currents of the time. The principles of the seconda prattica, Ossi argues in this sophisticated analysis of Monteverdi's writings, music, and approaches to text-setting, were in fact much more significant to the course of Monteverdi's career than previously thought by modern scholars-not only did Monteverdi continue to pursue their aesthetic and theoretical implications for the rest of his life, but they also affected his dramatic compositions as well as his chamber vocal music and sacred works. Ossi "divines the oracle" of Monteverdi's ambiguous theoretical concepts in a clear way and in terms of pure music; his book will enhance our understanding of Monteverdi as one of the most significant figures in western music history.

Author: Glen Segell
Publisher: Glen Segell Publishers
ISBN: 1901414027
Category : Music
Languages : en
Pages : 41

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Book Description

Author: Susan Lewis
Publisher: Routledge
ISBN: 1135042926
Category : Music
Languages : en
Pages : 280

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Book Description
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

Author: Mauro Calcagno
Publisher: Univ of California Press
ISBN: 0520267680
Category : Literary Criticism
Languages : en
Pages : 342

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Book Description
"In this bold, highly original book, Mauro Calcagno ventures into areas where no other scholar has tread. He explores the Petrarchian view of the self over a century-long arc from the early madrigal to the beginnings of opera, with Monteverdi's masterpieces taking center stage. A brilliant tour de force, From Madrigal to Opera proffers a remarkable new way to look at music, performance, and reception that rings true not only for the early modern period but also for our own age. A must read for scholars, performers, and lovers of early music."—Jane A. Bernstein, author of Print Culture and Music in Sixteenth-Century Venice "The mini-renaissance of early modern music studies continues apace, and Mauro Calcagno's From Madrigal to Opera is its latest, particularly impressive installment. Drawing on methodological impulses from a variety of sources—linguistics, phenomenology, narratology, and, above all, performance studies—Calcagno pays close attention to the interplay of the abstract text and live performance in both early opera and late madrigal. Common strategies, rooted in Petrarch's poetic practice, indeed united the two genres. This book will shape the discussion of early modern vocal music in the coming years."—Karol Berger is the author of Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity. "In this pathbreaking study, Calcagno offers a new and dynamic interpretation of the relationship between Monteverdi's madrigals and operas based on perceptions of subjectivity expressed in Renaissance literature—the poetry of Petrarch in particular. Calcagno interprets Monteverdi's work as realizing a Petrarchan notion of the dialogical self, a concept that extends well beyond the early modern period to illuminate and enrich our own experience of virtually any vocal work in performance. This book should be required reading not only for those interested in music and text of the Early Modern period, but for anyone involved in performance studies."—Ellen Rosand, author of Monteverdi's Last Operas: A Venetian Trilogy.