Author: Anatole France
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 160
Book Description
CHAPTER I Monsieur Bergeret was seated at table taking his frugal evening meal. Riquet lay at his feet on a tapestry cushion. Riquet had a religious soul; he rendered divine honours to mankind. He regarded his master as very good and very great. But it was chiefly when he saw him at table that he realized the sovereign greatness and goodness of Monsieur Bergeret. If, to Riquet, all things pertaining to food were precious and impressive, those pertaining to the food of man were sacred. He venerated the dining-room as a temple, the table as an altar. During meals he kept his place at his master’s feet, in silence and immobility. “It’s a spring chicken,” said old Angélique as she placed the dish upon the table. “Good. Be kind enough to carve it, then,” said Monsieur Bergeret, who was a poor hand with weapons and quite hopeless as a carver. “Willingly,” said Angélique, “but carving isn’t woman’s work, it’s the gentlemen who ought to carve poultry.” “I don’t know how to carve.” “Monsieur ought to know.” This dialogue was by no means new. Angélique and her master exchanged similar remarks every time that game or poultry came to the table. It was not flippantly, it was certainly not to save herself trouble, that the old servant persisted in offering her master the carving-knife as a token of the respect which was due to him. In the peasant class from which she had sprung and also in the little middle-class households where she had been in service, it was a tradition that it was the master’s duty to carve. The faithful old soul’s respect for tradition was profound. She did not think it right that Monsieur Bergeret should fall short of it, that he should delegate to her the performance of so authoritative a function, that he should fail to carve at his own table, since he was not grand enough to employ a butler to do it for him, like the Brécés, the Bonmonts and other such folk in town or country. She knew the obligations which honour imposes on a citizen who dines at home, and she never failed to impress them upon Monsieur Bergeret.
Monsieur Bergeret in Paris
Author: Anatole France
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 160
Book Description
CHAPTER I Monsieur Bergeret was seated at table taking his frugal evening meal. Riquet lay at his feet on a tapestry cushion. Riquet had a religious soul; he rendered divine honours to mankind. He regarded his master as very good and very great. But it was chiefly when he saw him at table that he realized the sovereign greatness and goodness of Monsieur Bergeret. If, to Riquet, all things pertaining to food were precious and impressive, those pertaining to the food of man were sacred. He venerated the dining-room as a temple, the table as an altar. During meals he kept his place at his master’s feet, in silence and immobility. “It’s a spring chicken,” said old Angélique as she placed the dish upon the table. “Good. Be kind enough to carve it, then,” said Monsieur Bergeret, who was a poor hand with weapons and quite hopeless as a carver. “Willingly,” said Angélique, “but carving isn’t woman’s work, it’s the gentlemen who ought to carve poultry.” “I don’t know how to carve.” “Monsieur ought to know.” This dialogue was by no means new. Angélique and her master exchanged similar remarks every time that game or poultry came to the table. It was not flippantly, it was certainly not to save herself trouble, that the old servant persisted in offering her master the carving-knife as a token of the respect which was due to him. In the peasant class from which she had sprung and also in the little middle-class households where she had been in service, it was a tradition that it was the master’s duty to carve. The faithful old soul’s respect for tradition was profound. She did not think it right that Monsieur Bergeret should fall short of it, that he should delegate to her the performance of so authoritative a function, that he should fail to carve at his own table, since he was not grand enough to employ a butler to do it for him, like the Brécés, the Bonmonts and other such folk in town or country. She knew the obligations which honour imposes on a citizen who dines at home, and she never failed to impress them upon Monsieur Bergeret.
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 160
Book Description
CHAPTER I Monsieur Bergeret was seated at table taking his frugal evening meal. Riquet lay at his feet on a tapestry cushion. Riquet had a religious soul; he rendered divine honours to mankind. He regarded his master as very good and very great. But it was chiefly when he saw him at table that he realized the sovereign greatness and goodness of Monsieur Bergeret. If, to Riquet, all things pertaining to food were precious and impressive, those pertaining to the food of man were sacred. He venerated the dining-room as a temple, the table as an altar. During meals he kept his place at his master’s feet, in silence and immobility. “It’s a spring chicken,” said old Angélique as she placed the dish upon the table. “Good. Be kind enough to carve it, then,” said Monsieur Bergeret, who was a poor hand with weapons and quite hopeless as a carver. “Willingly,” said Angélique, “but carving isn’t woman’s work, it’s the gentlemen who ought to carve poultry.” “I don’t know how to carve.” “Monsieur ought to know.” This dialogue was by no means new. Angélique and her master exchanged similar remarks every time that game or poultry came to the table. It was not flippantly, it was certainly not to save herself trouble, that the old servant persisted in offering her master the carving-knife as a token of the respect which was due to him. In the peasant class from which she had sprung and also in the little middle-class households where she had been in service, it was a tradition that it was the master’s duty to carve. The faithful old soul’s respect for tradition was profound. She did not think it right that Monsieur Bergeret should fall short of it, that he should delegate to her the performance of so authoritative a function, that he should fail to carve at his own table, since he was not grand enough to employ a butler to do it for him, like the Brécés, the Bonmonts and other such folk in town or country. She knew the obligations which honour imposes on a citizen who dines at home, and she never failed to impress them upon Monsieur Bergeret.
Monsieur Bergeret in Paris
Author: Anatole France
Publisher:
ISBN:
Category : French fiction
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : French fiction
Languages : en
Pages : 302
Book Description
A.L.A. Catalog, 1926
Author: Isabella Mitchell Cooper
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1302
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1302
Book Description
The Amethyst Ring
Author: Anatole France
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 191
Book Description
DigiCat Publishing presents to you this special edition of "The Amethyst Ring" by Anatole France. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 191
Book Description
DigiCat Publishing presents to you this special edition of "The Amethyst Ring" by Anatole France. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
A Mummer's Tale
Author: Anatole France
Publisher: London : J.Lane
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Publisher: London : J.Lane
ISBN:
Category :
Languages : en
Pages : 256
Book Description
Clio
A.L.A. Catalog
Author: American Library Association
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1304
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 1304
Book Description
Cultural Techniques
Author: Bernhard Siegert
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
Publisher: Fordham Univ Press
ISBN: 0823263770
Category : Social Science
Languages : en
Pages : 287
Book Description
In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.
The Garden of Epicurus
Author: Anatole France
Publisher:
ISBN:
Category : Short stories, French
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Short stories, French
Languages : en
Pages : 246
Book Description
The Bookman's Journal with which is Incorporated The Print Collector
Author: Wilfred Partington
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 268
Book Description