The Monochord in Ancient Greek Harmonic Science PDF Download

Author: David Creese
Publisher: Cambridge University Press
ISBN: 0521843243
Category : History
Languages : en
Pages : 427

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Book Description
Traces the history of the monochord from its earliest appearance to Claudius Ptolemy (mid-second century AD).

Author: Giannēs Ritsos
Publisher:
ISBN: 9781935635703
Category :
Languages : en
Pages : 0

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Book Description
Poetry. Translated from the Greek by Paul Merchant. "The poems in this volume were written in the village of Karlovasi on Samos at the rate of about ten a day in the summer of 1979, a first draft written August 1st through 26th, the second completed by September 1st. After becoming dangerously ill in 1968, Ritsos had been released from the prison island of Leros and sent to strict house arrest on Samos, where his wife had a medical practice. He was allowed to return to Athens and to publish again in 1971. He subsequently spent summers on Samos, for instance in 1972, 1975, and 1979, when these poems were composed."--Paul Merchant

Author: Johannes Ciconia
Publisher: U of Nebraska Press
ISBN: 9780803214651
Category : Music
Languages : en
Pages : 546

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Book Description
Johannes Ciconia (ca. 1370?1412) is well known today as a composer both of sacred and secular music, but his theoretical works, probably written in Padua during the first decade of the fifteenth century, have until now been available only in manuscript form. This is the first complete edition of both of Ciconia?s theoretical works: the Nova musica, with its attendant De tribus generibus melorum, and the shorter De proportionibus, itself a revision of the third book of the Nova musica. ø The Nova musica is unique as the only only large-scale speculative work of the period known to have been written by an accomplished composer. The purpose of the work, clearly stated by Ciconia in the prologue, is to return to the writings of earlier authors (through the eleventh century) and, with their material as a basis, to redefine the scope of the discipline of music so that is may be classified and may function as one of the literary arts, in addition to its usual standing as a mathematical discipline. ø The first three books consist largely of quotations from earlier authors, covering the topics of consonance (intervals and the scale), species (modes), and proportions. Much of this material parallels large sections of the famous Lucidarium of Marchetto of Padua. ø In the fourth and final book, Ciconia demonstrated how, by means of the material already presented, chants can be classified and declined or parsed according to the principles of grammar. This new view of music can be regarded as a clear indication of the new humanistic approach to the arts. ø Two plates and more than one hundred figures illustrate the edition. The plates provide representative and contrasting examples of the handwriting and format of the illustrations in two of the principal sources.

Author: J. Murray Barbour
Publisher: Courier Corporation
ISBN: 0486317358
Category : Music
Languages : en
Pages : 268

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Book Description
This classic chronicle of the longstanding challenges of tuning and temperament devotes a chapter to each principal theory, features a glossary and numerous tables, and requires only minimal background in music theory.

Author: Michael A. Lerner
Publisher: Harvard University Press
ISBN: 0674040090
Category : History
Languages : en
Pages : 361

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Book Description
In 1919, the United States made its boldest attempt at social reform: Prohibition. This "noble experiment" was aggressively promoted, and spectacularly unsuccessful, in New York City. In the first major work on Prohibition in a quarter century, and the only full history of Prohibition in the era's most vibrant city, Lerner describes a battle between competing visions of the United States that encompassed much more than the freedom to drink.

Author: Thomas Spencer Baynes
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 962

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Author: Hugh Carleton
Publisher:
ISBN:
Category :
Languages : en
Pages : 124

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Author: Oliver B. Ellsworth
Publisher: U of Nebraska Press
ISBN: 9780803218086
Category : Music
Languages : en
Pages : 332

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Book Description
Completed in Paris in 1375, this important manuscript combing several musical treatises was kept in private hands until the 1960s, when it was sold to the University of California at Berkeley and at last became readily accessible to scholars. This is the first complete edition and translation of the manuscript to be published, and extensive notes, a critical introduction, and indexes rerum et verborum augment the volume. Inasmuch as some of the treatises appear in later manuscripts located in Britain, Belgium, and Italy, full collations are provided. An appendix reviews more distantly related manuscripts. This edition will make widely available a collection of treatises that has already revised the history of music theory and practice. The treatises collected in the Berkeley Manuscript (olim Phillipps 4450) consider topics as fundamental and diverse as counterpoint, notation, tuning, chant, and speculative matters, for example, the history of the development of the scale. There is thorough coverage of the doctrine of coiuncta, which provides a means for accounting for chromatic accidentals in music, previously thought to be an invention of a century later. The discussion of tuning suggests the possibility of equal temperament some two centuries earlier than had been assumed. Two plates illustrate the edition. The first depicts musical instruments of the fourteenth century; the second provides a representative example of the handwritten manuscript.

Author: American Musical Instrument Society
Publisher:
ISBN:
Category : Musical instruments
Languages : en
Pages : 440

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Author:
Publisher: Medieval Institute Publications
ISBN: 1580442005
Category : History
Languages : en
Pages : 244

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Book Description
Music was central to the medieval church's public worship: it was the essential medium of the Mass and the Divine Office. In this new critical edition, T. J. H. McCarthy presents the Latin text and the first English translation of Aribo's musical treatise, De musica and Sententiae. Written between 1070 and 1078, it is concerned with the workings of the liturgical music that Aribo and his contemporaries called Gregorian chant, and builds off of and responds to several contemporary treatises by Abbot Bern of Reichenau and his pupil Herman, Abbot William of Hirsau, Frutolf of Michelsberg, and Theoger of Metz. In the first new edition of the treatise in over sixty years, McCarthy addresses not only new approaches to the study of music history but newly discovered manuscripts of the treatise, paying careful attention to the diagrams that are integral to the coherence of the treatise.