Monet's Cathedral PDF Download

Author: Joachim Pissarro
Publisher: Pavilion Books, Limited
ISBN:
Category : Cathedrals in art
Languages : en
Pages : 102

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Book Description

Author: Joachim Pissarro
Publisher: Alfred A. Knopf
ISBN:
Category : Art
Languages : en
Pages : 104

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Book Description
Now, for the first time, all 33 paintings in this series--which has never yet been exhibited or reproduced completely, are brought together. Each is presented in full color on a double spread and shows the magnificent Rouen Cathedral at a different time of day--in different lights, weathers and moods.

Author: Elizabeth Emery
Publisher: SUNY Press
ISBN: 9780791451243
Category : Literary Criticism
Languages : en
Pages : 252

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Book Description
Through an analysis of political, art historical, and literary discourse, this book considers French fascination with the Gothic cathedral.

Author: Mark Crilley
Publisher: Watson-Guptill
ISBN: 0399581251
Category : Art
Languages : en
Pages : 162

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Book Description
From the best-selling artist and YouTube art instructor, this book features step-by-step lessons that show you how to draw professional-quality portraits, landscapes, travel sketches, and animals using only two ordinary pencils. Great art doesn't have to be expensive. For the cost of a regular graphite writing pencil and an equally ordinary black colored pencil, you can create drawings worthy of framing and displaying. In this straightforward, aspiring artist's guide to rendering a variety of popular subjects with only two pencils, artist and art instructor Mark Crilley presents a direct, approachable, and achievable method for drawing just about anything. The Two-Pencil Method breaks down Crilley's techniques across six chapters of five lessons each. In each lesson, you'll learn how the two-pencil method can add depth and shading, allowing you to create bold and distinctive drawings that go beyond mere sketchbook doodles. The book moves from a primer on drawing basics to step-by-step examples of still lifes, landscapes, animals, travel sketches, and portraits. With each chapter, Crilley's confident and encouraging voice and expert insights demonstrate how to achieve stunning artistic results from the simplest of art materials.

Author: Ronald R. Bernier
Publisher: Bucknell University Press
ISBN: 0838756719
Category : Art
Languages : en
Pages : 113

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Book Description
By the end of the nineteenth century, a mode of painting captured instantaneity had come to be seen as an appropriate and characteristically Impressionist means of depictin its subject, when that subject was understood to be our variable perception in nature. In May of 1895, however, capriciously it seemed to some, to the facade of a Gothic cathedral. Struck by the curious choice a medieval monument as subject matter, critics, used to about instantaneity, continued to lay emphasis on a theme of temporality, and this was addressed in two but related ways. First, there was the matter of perception - the temporality that is involved in engaging visually with near impenetrable surfaces of individual canvases...

Author: Paul Hayes Tucker
Publisher: Yale University Press
ISBN: 0300049137
Category : Art
Languages : en
Pages : 348

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Book Description
Monografie over de impressionistische schilder Claude Monet (1840-1926).

Author: Christoph Heinrich
Publisher: Taschen
ISBN: 9783822859728
Category : Art
Languages : en
Pages : 108

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Book Description
Monet was the most typical and the most individual Impressionist painter. But while the painter was faithful and persevering in the pursuit of his motifs, his personal life followed a more restless course. Parisian by birth, he discovered painting as a youth in the provinces, where one of his homes, Argenteuil, has come to represent the artistic flowering and official establishment of Impressionism as a movement.

Author: David S. Herrstrom
Publisher: Rowman & Littlefield
ISBN: 1683933648
Category : Literary Criticism
Languages : en
Pages : 389

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Book Description
In Light as Experience and Imagination from Medieval to Modern Times, David S. Herrstrom synthesizes and interprets the experience of light as revealed in a wide range of art and literature from medieval to modern times. The true subject of the book is making sense of the individual’s relationship with light, rather than the investigation of light’s essential nature, while telling the story of light “seducing” individuals from the Middle Ages to our modern times. Consequently, it is not concerned with the “progress” of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions as reflected in art, architecture, and literature. Instead of its evolution, this book celebrates the complexity of our relation to light’s character. No individual experience of light being “truer” than any other.

Author: Georges Clemenceau
Publisher:
ISBN: 9781946011008
Category :
Languages : en
Pages :

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Book Description
"In 1928, the former French Prime Minister Georges Clemenceau published Claude Monet : les nymphéas (The water-lilies), a memoir of his longtime friend. Bruce Michelson has produced a new English translation, presented here with useful notes and illustrations. Michelson's translations of three short essays on art by Clemenceau, originally published by La justice in the late XIX c., are included as appendices"--

Author: Nina Athanassoglou-Kallmyer
Publisher: Taylor & Francis
ISBN: 1000953041
Category : Art
Languages : en
Pages : 271

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Book Description
This is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “Monism” emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.