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Author: Hans Janssen Publisher: ISBN: 9781909932142 Category : Cubism Languages : en Pages : 0
Book Description
Surveying a key period in Piet Mondrian's career, this catalogue illustrates Cubism's impact on the artist's pioneering path towards total abstraction.Drawn to the cubist work of Georges Braque and Pablo Picasso, Mondrian (1872-1944) spent two years in Pa
Author: Hans Janssen Publisher: ISBN: 9781909932142 Category : Cubism Languages : en Pages : 0
Book Description
Surveying a key period in Piet Mondrian's career, this catalogue illustrates Cubism's impact on the artist's pioneering path towards total abstraction.Drawn to the cubist work of Georges Braque and Pablo Picasso, Mondrian (1872-1944) spent two years in Pa
Author: Carel Blotkamp Publisher: Reaktion Books ISBN: 9781861891006 Category : Art Languages : en Pages : 270
Book Description
Piet Mondrian was one of the great pioneers of abstract art. This book looks at the relationship between his paintings and his theories on art.
Author: John Golding Publisher: Princeton University Press ISBN: 0691252947 Category : Art Languages : en Pages : 313
Book Description
A groundbreaking account of the meaning of abstract painting From Mondrian's bold geometric forms to Kandinsky's use of symbols to Pollock's "dripped paintings," the richly diverse movement of abstract painting challenges anyone trying to make sense of either individual works or the phenomenon as a whole. Applying his insights as an art historian and a painter, John Golding offers a unique approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its greatest practitioners. He re-creates the journey undertaken by each painter in his move from representational art to the abstract—a journey that in most cases began with cubism but led variously to symbolism, futurism, surrealism, theosophy, anthropology, Jungian analysis, and beyond. For each artist, spiritual quest and artistic experimentation became inseparable. And despite their different techniques and philosophies, these artists shared one goal: to break a path to a new, ultimate pictorial truth. The book first explores the works and concerns of three pioneering European abstract painters—Mondrian, Malevich, Kandinsky—and then those of their American successors—Pollock, Newman, Rothko, and Still. Golding shows how each painter sought to see the world and communicate his vision in the purest or most expressive form possible. For example, Mondrian found his way into abstraction through a spiritual response to the landscape of his native Holland, Malevich through his apprehension of the human body, Kandinsky through a blend of religious mysticism and symbolism. Line and color became the focus for many of their creative endeavors. In the 1940s and 50s, the Americans raised the level of pictorial innovation, beginning most notably with Pollock and his Jung-inspired concept of action. Golding makes a powerful case that at its best and most profound, abstract painting is heavily imbued with meaning and content. Through a blend of biography, art analysis, and cultural history, Paths to the Absolute offers remarkable insights into how a sense of purpose is achieved in painting, and how abstractionism engaged with the intellectual currents of its time. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Leah Dickerman Publisher: The Museum of Modern Art ISBN: 0870708287 Category : Art Languages : en Pages : 378
Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author: Wouter van Reek Publisher: ISBN: 9781592701193 Category : Abstraction Languages : en Pages : 0
Book Description
Winner of the Biennial of Illustrations Bratislava Golden Apple 2011, Coppernickel Goes Mondrian is a graphically sophisticated march into modernity.
Author: Publisher: BRILL ISBN: 9004372709 Category : History Languages : en Pages : 226
Book Description
This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.
Author: E. A. Carmean Publisher: ISBN: Category : Art Languages : en Pages : 116
Book Description
Major exhibition devoted to Dutch painter Piet Mondrian's classic diamond compositions that helped define the De Stijl movement in twentieth-century Dutch painting. Extensive documentation includes selected bibliography and chronology, 110 pages, with numerous black and white and color plates.
Author: Christine Poggi Publisher: Yale University Press ISBN: 9780300051094 Category : Art Languages : en Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Author: Hans Janssen
Author: Hans Janssen
Author: Carel Blotkamp
Author: John Golding
Author: Charles Harrison
Author: Galerie Gmurzynska-Bargera
Author: Leah Dickerman
Author: Wouter van Reek
Author: 
Author: E. A. Carmean
Author: Christine Poggi