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Author: Raymond Queneau Publisher: Deep Vellum Publishing ISBN: 1628974885 Category : Fiction Languages : en Pages : 159
Book Description
Pierrot Mon Ami, considered by many to be one of Raymond Queneau’s finest achievements, is a quirky coming-of-age novel concerning a young man’s initiation into a world filled with deceit, fraud, and manipulation. From his short-lived job at a Paris amusement park where he helps to raise women’s skirts to the delight of an unruly audience, to his frustrated and unsuccessful love of Yvonne, to his failed assignment to care for the tomb of the shadowy Prince Luigi of Poldevia, Pierrot stumbles about, nearly immune to the effects of duplicity. This “innocent” implies how his story, at almost every turn, undermines, upsets, and plays upon our expectations, leaving us with more questions than answers, and doing so in a gloriously skewed style (admirably re-created by Barbara Wright, Queneau’s principle translator).
Author: Raymond Queneau Publisher: Deep Vellum Publishing ISBN: 1628974885 Category : Fiction Languages : en Pages : 159
Book Description
Pierrot Mon Ami, considered by many to be one of Raymond Queneau’s finest achievements, is a quirky coming-of-age novel concerning a young man’s initiation into a world filled with deceit, fraud, and manipulation. From his short-lived job at a Paris amusement park where he helps to raise women’s skirts to the delight of an unruly audience, to his frustrated and unsuccessful love of Yvonne, to his failed assignment to care for the tomb of the shadowy Prince Luigi of Poldevia, Pierrot stumbles about, nearly immune to the effects of duplicity. This “innocent” implies how his story, at almost every turn, undermines, upsets, and plays upon our expectations, leaving us with more questions than answers, and doing so in a gloriously skewed style (admirably re-created by Barbara Wright, Queneau’s principle translator).
Author: Jordan Stump Publisher: U of Nebraska Press ISBN: 9780803242685 Category : Literary Criticism Languages : en Pages : 206
Book Description
Naming and Unnaming is a dazzling study that centers on the work of Raymond Queneau, one of the most influential French novelists of the twentieth century. Jordan Stump takes as his subject the many implications?epistemological, political, literary, sometimes even physical?of naming in Queneau?s remarkable novels. From the idea that the names of characters offer a more immediate and perhaps even a more intimate understanding of their souls than we might glean from their words and deeds has grown the broad field of inquiry known as literary onomastics. Stump argues that there is another approach to the literary proper name, one that concentrates not on the meaning of names but on the meaning of the use of those names?the ways in which the characters and narrator of a novel address or refer to others. Naming and Unnaming considers the literary and philosophical implications of names and naming. Stump examines four issues in Queneau?s novels?the nature of writing and of creation in general, the possibility or impossibility of knowledge, the relationship between the individual and the group, and the uses of power and control?in relation to which naming emerges as a force both powerful and utterly impotent. By exploring these forces and their evocation, Stump reveals the complexity of both the act of naming and the novels of Queneau.
Author: Francis Scott Fitzgerald Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 4301
Book Description
In 'Tender is the Night', Francis Scott Fitzgerald delves into the glamorous and turbulent world of the American expatriates in the 1920s. The novel follows the lives of Dick and Nicole Diver, exploring the complexities of marriage, mental health, and the destructive impact of wealth and status. Fitzgerald's beautiful prose captures the essence of the Jazz Age while simultaneously providing a poignant commentary on human nature and the effects of societal expectations. The novel's structure, with its non-linear narrative and intricate character development, showcases Fitzgerald's literary prowess and ability to create a vivid and immersive story. 'Tender is the Night' stands as a classic example of American literature, showcasing the author's keen insight into the human condition and skillful storytelling. Francis Scott Fitzgerald himself led a troubled life marked by personal struggles and the pursuit of societal success. His own experiences with wealth and excess likely informed the themes present in 'Tender is the Night', making the novel a deeply personal and introspective work. Fitzgerald's reputation as a literary giant of the 20th century further solidifies the importance of 'Tender is the Night' in the realm of American literature. I recommend 'Tender is the Night' to readers looking for a thought-provoking and emotionally resonant novel that explores the complexities of human relationships and societal expectations. Fitzgerald's masterful storytelling and profound insights make this novel a must-read for anyone interested in classic literature.
Author: F. Scott Fitzgerald Publisher: Tacet Books ISBN: Category : Fiction Languages : en Pages : 653
Book Description
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of F. Scott Fitzgerald which are The Great Gatsby and Tender Is the Night. American short-story writer and novelist F. Scott Fitzgerald is known for his turbulent personal life and his famous novel The Great Gatsby. Novels selected for this book: - The Great Gatsby - Tender Is the Night This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
Author: Annette Insdorf Publisher: University of Illinois Press ISBN: 0252036859 Category : Biography & Autobiography Languages : en Pages : 179
Book Description
American director Philip Kaufman is hard to pin down: a visual stylist who is truly literate, a San Franciscan who often makes European films, he is an accessible storyteller with a sophisticated touch. Celebrated for his vigorous, sexy, and reflective cinema, Kaufman is best known for his masterpiece The Unbearable Lightness of Being and the astronaut saga The Right Stuff. In this study, Annette Insdorf argues that Kaufman's cinema is both stylistically and philosophically rich and that his versatility is what distinguishes him as an auteur. She demonstrates Kaufman's skill at adaptation and how he finds the precise cinematic device for a story drawn from seemingly un-adaptable sources by using his cinematic eye to translate the authorial voice in many of the books that serve as inspiration for his films. Closely analyzing his films to date, Insdorf links Kaufman's versatile cinema by exploring the recurring and resonant themes of sensuality, artistic creation, and manipulation by authorities. She illustrates while there is no overarching label or bold signature that can be applied to his oeuvre, there is a consistency of themes, techniques, images, and preoccupations that permeates all of Kaufman's works.
Author: F. Scott Fitzgerald Publisher: DigiCat ISBN: Category : Fiction Languages : en Pages : 2509
Book Description
This carefully crafted ebook: "The Complete Books of F. Scott Fitzgerald" is formatted for your eReader with a functional and detailed table of contents. This eBook offers you the unique opportunity of exploring F. Scott Fitzgerald's work in a manner never before possible in digital print. The edition includes every Fitzgerald story collection (published in his lifetime), short story, with poems and non-fiction. Novels: This Side of Paradise (New York: Charles Sons, 1920) The Beautiful and Damned (New York: Scribners, 1922) The Great Gatsby (New York: Scribners, 1925) Tender Is the Night (New York: Scribners, 1934) The Love of the Last Tycoon – originally The Last Tycoon – (New York: Scribners, unfinished, published posthumously, 1941) Short story collections: Flappers and Philosophers (New York: Scribners, 1921) Tales of the Jazz Age (New York: Scribners, 1922) All the Sad Young Men (New York: Scribners, 1926) Taps at Reveille (New York: Scribners, 1935) Francis Scott Key Fitzgerald (1896 – 1940) was an American writer of novels and short stories, whose works have been seen as evocative of the Jazz Age, a term he himself allegedly coined. He is regarded as one of the greatest twentieth century writers. Fitzgerald was of the self-styled "Lost Generation," Americans born in the 1890s who came of age during World War I. He finished four novels, left a fifth unfinished, and wrote dozens of short stories that treat themes of youth, despair, and age. He was married to Zelda Fitzgerald.
Author: Francis Scott Fitzgerald Publisher: E-Kitap Projesi & Cheapest Books ISBN: 6059285260 Category : Fiction Languages : en Pages : 454
Book Description
Tender Is the Night is a novel by American writer F. Scott Fitzgerald. It was his fourth and final completed novel, and was first published in Scribner's Magazine between January and April 1934 in four issues. The title is taken from the poem "Ode to a Nightingale" by John Keats. In 1932, Fitzgerald's wife Zelda Sayre Fitzgerald was hospitalized for schizophrenia in Baltimore, Maryland. The author rented the La Paix estate in the suburb of Towson to work on this book, the story of the rise and fall of Dick Diver, a promising young psychoanalyst, and his wife, Nicole, who is also one of his patients. It was Fitzgerald's first novel in nine years, and the last that he would complete. The book reveals the detrimental days of Fitzgerald's past as he lives out his last remaining years with his wife, Zelda. The novel almost mirrors the events that take places as characters are pulled and put back into mental care, and the male figure, Dick Diver, starts his descent into alcoholism. While working on the book, several times he ran out of cash and had to borrow from his editor and agent and write short stories for commercial magazines. The early 1930s, when Fitzgerald was conceiving and working on the book, were the darkest years of his life and, accordingly, the novel has its very bleak elements that he experienced himself. On the pleasant shore of the French Riviera, about half way between Marseilles and the Italian border, stands a large, proud, rose-colored hotel. Deferential palms cool its flushed façade, and before it stretches a short dazzling beach. Lately it has become a summer resort of notable and fashionable people; a decade ago it was almost deserted after its English clientele went north in April. Now, many bungalows cluster near it, but when this story begins only the cupolas of a dozen old villas rotted like water lilies among the massed pines between Gausse's Hôtel des Étrangers and Cannes, five miles away. The hotel and its bright tan prayer rug of a beach were one. In the early morning the distant image of Cannes, the pink and cream of old fortifications, the purple Alp that bounded Italy, were cast across the water and lay quavering in the ripples and rings sent up by sea-plants through the clear shallows. Before eight a man came down to the beach in a blue bathrobe and with much preliminary application to his person of the chilly water, and much grunting and loud breathing, floundered a minute in the sea. When he had gone, beach and bay were quiet for an hour. Merchantmen crawled westward on the horizon; bus boys shouted in the hotel court; the dew dried upon the pines. In another hour the horns of motors began to blow down from the winding road along the low range of the Maures, which separates the littoral from true Provençal France. A mile from the sea, where pines give way to dusty poplars, is an isolated railroad stop, whence one June morning in 1925 a victoria brought a woman and her daughter down to Gausse's Hotel. The mother's face was of a fading prettiness that would soon be patted with broken veins; her expression was both tranquil and aware in a pleasant way. However, one's eye moved on quickly to her daughter, who had magic in her pink palms and her cheeks lit to a lovely flame, like the thrilling flush of children after their cold baths in the evening. Her fine forehead sloped gently up to where her hair, bordering it like an armorial shield, burst into lovelocks and waves and curlicues of ash blonde and gold. Her eyes were bright, big, clear, wet, and shining, the color of her cheeks was real, breaking close to the surface from the strong young pump of her heart. Her body hovered delicately on the last edge of childhood—she was almost eighteen, nearly complete, but the dew was still on her. As sea and sky appeared below them in a thin, hot line the mother said: "Something tells me we're not going to like this place." "I want to go home anyhow," the girl answered.
Author: Raymond Queneau
Author: Raymond Queneau
Author: Jordan Stump
Author: Charles Dickens
Author: Francis Scott Fitzgerald
Author: F. Scott Fitzgerald
Author: Annette Insdorf
Author: F. Scott Fitzgerald
Author: 
Author: 
Author: Francis Scott Fitzgerald