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Author: David Nugent Publisher: ISBN: 9780804729581 Category : History Languages : en Pages : 404
Book Description
Challenging much received wisdom about nation-states—how they form, what sustains them, why they fail—this study of subaltern social groups in the Chachapoyas region of Peru analyzes the emergence of the modern nation-state "from below." By approaching nation-state formation from the perspective of the subaltern, the book offers a critique of scholarship that sees coercion and the imposition of social and cultural forms as the core of nation-state expansion. This “coercive” view bears virtually no relation to the complex transformations in power, culture, and economy that resulted in the consolidation of national control in the Chachapoyas region. In Chachapoyas, subaltern social groups had long been subject to the abuses of a social order based on principles of aristocratic sovereignty. In the 1920's, these popular forces mobilized around an alternative vision of community that promised to deliver them from their aristocratic overlords—a national community, based on modernity and popular sovereignty. In 1930, the subaltern challenged the elite in an armed uprising, seized control of regional affairs, and established a new form of public culture. Because these newly ascendant popular groups regarded the nation-state as a powerful force for emancipation, they made national values and state institutions an integral part of public culture. In the process, they brought the nation-state into being in Chachapoyas.
Author: David Nugent Publisher: ISBN: 9780804729581 Category : History Languages : en Pages : 404
Book Description
Challenging much received wisdom about nation-states—how they form, what sustains them, why they fail—this study of subaltern social groups in the Chachapoyas region of Peru analyzes the emergence of the modern nation-state "from below." By approaching nation-state formation from the perspective of the subaltern, the book offers a critique of scholarship that sees coercion and the imposition of social and cultural forms as the core of nation-state expansion. This “coercive” view bears virtually no relation to the complex transformations in power, culture, and economy that resulted in the consolidation of national control in the Chachapoyas region. In Chachapoyas, subaltern social groups had long been subject to the abuses of a social order based on principles of aristocratic sovereignty. In the 1920's, these popular forces mobilized around an alternative vision of community that promised to deliver them from their aristocratic overlords—a national community, based on modernity and popular sovereignty. In 1930, the subaltern challenged the elite in an armed uprising, seized control of regional affairs, and established a new form of public culture. Because these newly ascendant popular groups regarded the nation-state as a powerful force for emancipation, they made national values and state institutions an integral part of public culture. In the process, they brought the nation-state into being in Chachapoyas.
Author: Isaac Ariail Reed Publisher: University of Chicago Press ISBN: 022668945X Category : Social Science Languages : en Pages : 283
Book Description
In Power in Modernity, Isaac Ariail Reed proposes a bold new theory of power that describes overlapping networks of delegation and domination. Chains of power and their representation, linking together groups and individuals across time and space, create a vast network of intersecting alliances, subordinations, redistributions, and violent exclusions. Reed traces the common action of “sending someone else to do something for you” as it expands outward into the hierarchies that control territories, persons, artifacts, minds, and money. He mobilizes this theory to investigate the onset of modernity in the Atlantic world, with a focus on rebellion, revolution, and state formation in colonial North America, the early American Republic, the English Civil War, and French Revolution. Modernity, Reed argues, dismantled the “King’s Two Bodies”—the monarch’s physical body and his ethereal, sacred second body that encompassed the body politic—as a schema of representation for forging power relations. Reed’s account then offers a new understanding of the democratic possibilities and violent exclusions forged in the name of “the people,” as revolutionaries sought new ways to secure delegation, build hierarchy, and attack alterity. Reconsidering the role of myth in modern politics, Reed proposes to see the creative destruction and eternal recurrence of the King’s Two Bodies as constitutive of the modern attitude, and thus as a new starting point for critical theory. Modernity poses in a new way an eternal human question: what does it mean to be the author of one’s own actions?
Author: Isaac Ariail Reed Publisher: University of Chicago Press ISBN: 022668959X Category : Social Science Languages : en Pages : 283
Book Description
In Power in Modernity, Isaac Ariail Reed proposes a bold new theory of power that describes overlapping networks of delegation and domination. Chains of power and their representation, linking together groups and individuals across time and space, create a vast network of intersecting alliances, subordinations, redistributions, and violent exclusions. Reed traces the common action of “sending someone else to do something for you” as it expands outward into the hierarchies that control territories, persons, artifacts, minds, and money. He mobilizes this theory to investigate the onset of modernity in the Atlantic world, with a focus on rebellion, revolution, and state formation in colonial North America, the early American Republic, the English Civil War, and French Revolution. Modernity, Reed argues, dismantled the “King’s Two Bodies”—the monarch’s physical body and his ethereal, sacred second body that encompassed the body politic—as a schema of representation for forging power relations. Reed’s account then offers a new understanding of the democratic possibilities and violent exclusions forged in the name of “the people,” as revolutionaries sought new ways to secure delegation, build hierarchy, and attack alterity. Reconsidering the role of myth in modern politics, Reed proposes to see the creative destruction and eternal recurrence of the King’s Two Bodies as constitutive of the modern attitude, and thus as a new starting point for critical theory. Modernity poses in a new way an eternal human question: what does it mean to be the author of one’s own actions?
Author: Gaku Iwai Publisher: Taylor & Francis ISBN: 1040022758 Category : Literary Criticism Languages : en Pages : 219
Book Description
D. H. Lawrence is renowned for his scathing criticism of the ruling class, industrialisation of the country and wartime patriotism. However, his texts bear the imprint of contemporary dominant ideologies and discourses of the period. Comparing Lawrence’s texts to various major and minor contemporary novels, journal articles, political pamphlets and history books, this book aims to demonstrate that Lawrence’s texts are ambivalent: his texts harbour the dynamism of conflicting power struggles between the subversive and the reactionary. For example, in some apparently apolitical texts such as The White Peacock and Movements in European History, reactionary ideologies and wartime propaganda are embedded. Some texts like Lady Chatterley’s Lover are intended to be a radical critique of the period wherein it was composed, but they also bear discernible traces of the contemporary frame of reference that they intend to subvert. Focusing on Lawrence’s stories and novels set in the mining countryside and the works composed under the impact of the First World War, this book establishes that Lawrence’s texts in fact consist of multiple layers that are often in conflict with each other, serving as a testimony to the age of modernity.
Author: Kristen Whissel Publisher: Duke University Press ISBN: 0822391457 Category : Performing Arts Languages : en Pages : 288
Book Description
In Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U.S. public understand the possibilities and perils of new forms of “traffic” produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U.S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories. Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous “white slave trade,” which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties “near” to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.
Author: Roy Bing Chan Publisher: University of Washington Press ISBN: 0295999004 Category : History Languages : en Pages : 234
Book Description
Reveals the historical impact of dream rhetoric on Chinese modernity and nation-building Realism and the rhetoric of dreams intersected in modern Chinese literature from the May Fourth Era in the early twentieth century through the period just following the end of the Cultural Revolution in 1976. The Edge of Knowing investigates this relationship, showing how writers’ attention to dreams demonstrates the multiple influences of Western psychology, utopian desire for revolutionary change, and the enduring legacy of traditional Chinese philosophy. At the same time, modern Chinese writers used their work to represent social reality for the purpose of nation building. Recent political usage of dream rhetoric in the People’s Republic of China attests to the continuing influence of dreams on the imagination of Chinese modernity. By employing a number of critical perspectives, The Edge of Knowing will appeal to readers seeking to understand the complicated relationship between literary form and Chinese history and politics.
Author: Ben Fallaw Publisher: University of Arizona Press ISBN: 0816540381 Category : History Languages : en Pages : 361
Book Description
State Formation in the Liberal Era offers a nuanced exploration of the uneven nature of nation making and economic development in Peru and Mexico. Zeroing in on the period from 1850 to 1950, the book compares and contrasts the radically different paths of development pursued by these two countries. Mexico and Peru are widely regarded as two great centers of Latin American civilization. In State Formation in the Liberal Era, a diverse group of historians and anthropologists from the United States, the United Kingdom, and Latin America compare how the two countries advanced claims of statehood from the dawning of the age of global liberal capitalism to the onset of the Cold War. Chapters cover themes ranging from foreign banks to road building and labor relations. The introductions serve as an original interpretation of Peru’s and Mexico’s modern histories from a comparative perspective. Focusing on the tensions between disparate circuits of capital, claims of statehood, and the contested nature of citizenship, the volume spans disciplinary and geographic boundaries. It reveals how the presence (or absence) of U.S. influence shaped Latin American history and also challenges notions of Mexico’s revolutionary exceptionality. The book offers a new template for ethnographically informed comparative history of nation building in Latin America.
Author: Mark Quigley Publisher: Fordham Univ Press ISBN: 0823245446 Category : Literary Criticism Languages : en Pages : 265
Book Description
Traces development of Irish literary modernism from the 1920s to the 1990s through the writings of James Joyce, John Millington Synge, Samuel Beckett, Sean O'Faolain, Frank McCourt, and the Blasket Island autobiographers, Tomas O'Crohan and Maurice O'Sullivan. Considers Irish literature in relation to Irish nationalism and aftermath of British empire.
Author: Ravi Sundaram Publisher: Routledge ISBN: 1134130511 Category : Language Arts & Disciplines Languages : en Pages : 471
Book Description
Using Delhi’s contemporary history as a site for reflection, Pirate Modernity moves from a detailed discussion of the technocratic design of the city by US planners in the 1950s, to the massive expansions after 1977, culminating in the urban crisis of the 1990s. As a practice, pirate modernity is an illicit form of urban globalization. Poorer urban populations increasingly inhabit non-legal spheres: unauthorized neighborhoods, squatter camps and bypass legal technological infrastructures (media, electricity). This pirate culture produces a significant enabling resource for subaltern populations unable to enter the legal city. Equally, this is an unstable world, bringing subaltern populations into the harsh glare of permanent technological visibility, and attacks by urban elites, courts and visceral media industries. The book examines contemporary Delhi from some of these sites: the unmaking of the citys modernist planning design, new technological urban networks that bypass states and corporations, and the tragic experience of the road accident terrifyingly enhanced by technological culture. Pirate Modernity moves between past and present, along with debates in Asia, Africa and Latin America on urbanism, media culture, and everyday life. This pioneering book suggests cities have to be revisited afresh after proliferating media culture. Pirate Modernity boldly draws from urban and cultural theory to open a new agenda for a world after media urbanism.
Author: Duanfang Lu Publisher: Routledge ISBN: 1136895485 Category : Architecture Languages : en Pages : 305
Book Description
This set of essays challenge interpretations of the development of modernist architecture in Third World countries during the Cold War. The topics look at modernism’s part in the transnational development of building technologies and the construction of national and cultural identity.
Author: David Nugent
Author: David Nugent
Author: Isaac Ariail Reed
Author: Isaac Ariail Reed
Author: Gaku Iwai
Author: Kristen Whissel
Author: Roy Bing Chan
Author: Ben Fallaw
Author: Mark Quigley
Author: Ravi Sundaram
Author: Duanfang Lu