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Author: Robert Squillace Publisher: Bucknell University Press ISBN: 9780838753644 Category : Literary Criticism Languages : en Pages : 236
Book Description
This book delineates the unique role of Arnold Bennett in the transformation of the British novel from the aesthetic, psychological, and sociopolitical assumptions of modernity to those of modernism. Early in his career, Bennett believed that the rejection of inherited traditions and authorities that was promulgated by such champions of modernity as Darwin, Marx, and even Herbert Spencer, would culminate in an assertion of personal autonomy. Bennett eventually assimilated the modernist critique of modernity, which discovered (with the help of Freud and the First World War) an intractable human irrationality that expressed itself in the most apparently reasonable schemes for human improvement.
Author: Robert Squillace Publisher: Bucknell University Press ISBN: 9780838753644 Category : Literary Criticism Languages : en Pages : 236
Book Description
This book delineates the unique role of Arnold Bennett in the transformation of the British novel from the aesthetic, psychological, and sociopolitical assumptions of modernity to those of modernism. Early in his career, Bennett believed that the rejection of inherited traditions and authorities that was promulgated by such champions of modernity as Darwin, Marx, and even Herbert Spencer, would culminate in an assertion of personal autonomy. Bennett eventually assimilated the modernist critique of modernity, which discovered (with the help of Freud and the First World War) an intractable human irrationality that expressed itself in the most apparently reasonable schemes for human improvement.
Author: Gregory Castle Publisher: Cambridge University Press ISBN: 1107034957 Category : Literary Criticism Languages : en Pages : 549
Book Description
A History of the Modernist Novel reassesses the modernist canon and produces a wealth of new comparative analyses that radically revise the novel's history. It also considers the novel's global reach while suggesting that the epoch of modernism is not yet finished.
Author: Chris Baldick Publisher: OUP Oxford ISBN: 0191537128 Category : Literary Criticism Languages : en Pages : 496
Book Description
The Oxford English Literary History is the new century's definitive account of a rich and diverse literary heritage that stretches back for a millennium and more. Each of these groundbreaking volumes offers a leading scholar's considered assessment of the authors, works, cultural traditions, events, and the ideas that shaped the literary voices of their age. The series will enlighten and inspire not only everyone studying, teaching, and researching in English Literature, but all serious readers. This exciting new volume provides a freshly inclusive account of literature in England in the period before, during, and after the First World War. Chris Baldick places the modernist achievements of Virginia Woolf, T. S. Eliot, and James Joyce within the rich context of non-modernist writings across all major genres, allowing 'high' literary art to be read against the background of 'low' entertainment. Looking well beyond the modernist vanguard, Baldick highlights the survival and renewal of realist traditions in these decades of post-Victorian disillusionment. Ranging widely across psychological novels, war poems, detective stories, satires, and children's books, The Modern Movement provides a unique survey of the literature of this turbulent time.
Author: Emma Short Publisher: Springer ISBN: 3030221296 Category : Literary Criticism Languages : en Pages : 223
Book Description
This book considers the complex ways in which the hotel functions to express the shifting experiences of modernity in the works of such authors as Anthony Trollope, Wilkie Collins, Arnold Bennett, H.G. Wells, and Elizabeth Bowen. The text contributes to the critical debates on nineteenth- and twentieth-century literature concerning space, movement, and mobility, arguing that the hotel reconfigures boundaries of modernist, middlebrow, and popular fiction. Drawing on a range of interdisciplinary theoretical and analytical perspectives, the book provides a critical and cultural history of the hotel in British literature, charting its changing nature and usage from the mid-nineteenth century up until the interwar period.
Author: Yoonjoung Choi Publisher: Cambridge Scholars Publishing ISBN: 1443883514 Category : Art Languages : en Pages : 290
Book Description
We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions,
Author: R. Hawkes Publisher: Springer ISBN: 1137283432 Category : Literary Criticism Languages : en Pages : 208
Book Description
Ford Madox Ford is a major modernist writer, yet many of his works do not conform to our assumptions about modernism. Examining ways in which he, alongside other 'misfit moderns', undermines 'stabilities' we expect from novels and memoirs, this book poses questions about the nature of narrative and the distinction between modernism and modernity.
Author: Sean Latham Publisher: Bloomsbury Publishing ISBN: 1472529154 Category : Literary Criticism Languages : en Pages : 273
Book Description
What exactly is “modernism”? And how and why has its definition changed over time? Modernism: Evolution of an Idea is the first book to trace the development of the term “modernism” from cultural debates in the early twentieth century to the dynamic contemporary field of modernist studies. Rather than assuming and recounting the contributions of modernism's chief literary and artistic figures, this book focuses on critical formulations and reception through topics such as: - The evolution of “modernism” from a pejorative term in intellectual arguments, through its condemnation by Pope Pius X in 1907, and on to its subsequent centrality to definitions of new art by T. S. Eliot, Laura Riding and Robert Graves, F. R. Leavis, Edmund Wilson, and Clement Greenberg - New Criticism and its legacies in the formation of the modernist canon in anthologies, classrooms, and literary histories - The shifting conceptions of modernism during the rise of gender and race studies, French theory, Marxist criticism, postmodernism, and more - The New Modernist Studies and its contemporary engagements with the politics, institutions, and many cultures of modernism internationally With a glossary of key terms and movements and a capacious critical bibliography, this is an essential survey for students and scholars working in modernist studies at all levels.
Author: David Scott Kastan Publisher: Oxford University Press ISBN: 0199725314 Category : Literary Criticism Languages : en Pages : 2656
Book Description
From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant. An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers. For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
Author: Mary Hammond Publisher: Routledge ISBN: 1351906461 Category : Literary Criticism Languages : en Pages : 358
Book Description
Between 1880 and 1914, England saw the emergence of an unprecedented range of new literary forms from Modernism to the popular thriller. Not coincidentally, this period also marked the first overt references to an art/market divide through which books took on new significance as markers of taste and class. Though this division has received considerable attention relative to the narrative structures of the period's texts, little attention has been paid to the institutions and ideologies that largely determined a text's accessibility and circulated format and thus its mode of address to specific readerships. Hammond addresses this gap in scholarship, asking the following key questions: How did publishing and distribution practices influence reader choice? Who decided whether or not a book was a 'classic'? In a patriarchal, class-bound literary field, how were the symbolic positions of 'author' and 'reader' affected by the increasing numbers of women who not only bought and borrowed, but also wrote novels? Using hitherto unexamined archive material and focussing in detail on the working practices of publishers and distributors such as Oxford University Press and W.H. Smith and Sons, Hammond combines the methodologies of sociology, literary studies and book history to make an original and important contribution to our understanding of the cultural dynamics and rhetorics of the fin-de-siècle literary field in England.
Author: Robert Squillace
Author: Robert Squillace
Author: Gregory Castle
Author: Chris Baldick
Author: Emma Short
Author: Yoonjoung Choi
Author: R. Hawkes
Author: Olga R. R. Broomfield
Author: Sean Latham
Author: David Scott Kastan
Author: Mary Hammond