Author: Sheryl ConkeltonPublisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 182
Book Description
* Chronicles the myth and relationships of the artists of the "Northwest School"
Northwest Mythologies
Author: Sheryl ConkeltonPublisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 182
Book Description
* Chronicles the myth and relationships of the artists of the "Northwest School"
Painters of the Northwest
Author: John E. ImpertPublisher:
ISBN: 9780806160344
Category : Landscape painting, American
Languages : en
Pages : 0
Book Description
In this groundbreaking work, John Impert introduces readers to the rich and varied array of artists and works of art that defined the region's artistic transition from a nature-bound impressionism to the arrival of modernism.
Paul Hayden Kirk and the Rise of Northwest Modern
Author: Dale KutzeraPublisher:
ISBN: 9781736855164
Category :
Languages : en
Pages :
Book Description
The Pacific Northwest was far from the centers of modern architecture, but in the middle of the last century a group of architects designed for the region's land, climate, and abundance of wood. Paul Hayden Kirk was an unlikely leader of this movement, yet his work has inspired generations of architects. Illustrated with hundreds of photos and drawings, "Paul Hayden Kirk and the Rise of Northwest Modern" tells the story of modern design in a rugged landscape.
Pietro Belluschi
Author: Meredith L. ClausenPublisher: MIT Press
ISBN: 9780262531672
Category : Architecture
Languages : en
Pages : 508
Book Description
Meredith Clausen reveals the enormous power that Belluschi wielded as an arbiter of taste and decision-maker in the 1950s and 1960s; his role in shaping the policy of the State Department in its overseas building program; and his role in securing major commissions for favored architects such as I.M. Pei. Equally important is Clausen's discussion of Belluschi's role in the development of regionalism in the Pacific Northwest and its impact on the definition of modernism as it was emerging in the United States.
Kenjiro Nomura, American Modernist
Author: Barbara JohnsPublisher:
ISBN: 9780998911236
Category :
Languages : en
Pages : 192
Book Description
Born in Japan, acclaimed Seattle artist Kenjiro Nomura (1896?1956) came to the United States as a child of ten, received artistic recognition by age twenty, and in the 1930s became the best-known artist of Japanese descent in the Northwest, his artwork widely exhibited regionally and nationally. Along with more than one hundred thousand Japanese Americans from the West Coast Nomura was incarcerated during the war but continued to paint, leaving a visual record grounded in place and circumstance. In postwar years he developed a new abstract style that brought him recognition once again. In Kenjiro Nomura, American Modernist, Barbara Johns presents Nomura?s life and artistic achievement within their historical context. Her account depicts Seattle as stronghold of prewar Issei artistic activity, and Nomura?s work as providing a meaningful contribution to the history of American art. The book is generously illustrated with artwork tracing Nomura?s entire career. David F. Martin, curator of the Cascadia Art Museum, expands the context of Nomura?s accomplishment with an account of the artists with whom Nomura associated.
Sketchbook
Author: William CummingPublisher: University of Washington Press
ISBN: 9780295985602
Category : Art
Languages : en
Pages : 292
Book Description
William Cumming began as a self-taught artist who grew up in Tukwila, a small town outside Seattle. In 1937, at the age of twenty, he met Morris Graves, who was at that time working in Seattle for the Federal Art project of the Works Progress Administration. Through Graves he soon became part of the circle of friends who came to be known as the Northwest School of artists: Mark Tobey, then nearing fifty, the patriarchal leader of the group; Kenneth Callahan and his wife Margaret, a writer and critic who became Cumming's particular mentor; Guy Anderson, Lubin Petric, and others. He has taught for many years at the Art Institute of Seattle and Cornish College of the Arts. "Bill Cumming is at once an exceptional and successful regional artist and one of the most erudite, perceptive, and entertainingly cantankerous characters in this part of the world. [He] tells what it was like to be an artist in the Great Depression, tells tales out of school about such international luminaries as Mark Tobey and Morris Graves, tells how the Northwest School (of which he was the youngest member) developed, tells about the early success -- and ultimate failure -- of the Communist movement in the Far West, and shows how the political, economic, and cultural events of a half-century affected the life of a region and of its creative minority. Cumming is a natural raconteur, equipped with more literary wit and charm than most professional writers." -- Tom Robbins "Besides being one of the Northwest's best painters, Bill Cumming has certainly had a knack for being, historically speaking, in the right place at the right time. Beyond being good local history, hisSketchbookis a moving, sometimes chillingly perceptive, and certainly fascinating glimpse into the nature of artists themselves." -- Wesley Wehr
A Thriving Modernism
Author: Grant HildebrandPublisher:
ISBN: 9780295984339
Category : Architecture
Languages : en
Pages : 165
Book Description
A Thriving Modernism celebrates the remarkable careers of architects Wendell Lovett and Arne Bystrom and their contributions to modernism and to the architectural legacy of the Pacific Northwest. This illustrated book sets forth the extraordinary work of these two architects. It will appeal to practicing architects, as it will to any reader interested in a vital tale of architects and architecture helping to define the cultural history of the American Northwest.
Long Island Modernism 1930 To 1980
Author: Caroline Rob ZaleskiPublisher: National Geographic Books
ISBN: 0393733157
Category : Architecture
Languages : en
Pages : 0
Book Description
Chronicles a rich and little-known array of architecture on the island, a hotbed of modernism from the thirties on. An essential reference for architecture buffs, historians, and everyone who lives on or visits Long Island today, this unique resource—the first illustrated history of Long Island’s modern architecture—is based on a survey conducted for the Society for the Preservation of Long Island Antiquities (SPLIA). It highlights the work within Suffolk and Nassau counties of a roster of twenty-five internationally renowned architects—among them Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Edward Durell Stone, Richard Neutra, William Lescaze, Gordon Chadwick for George Nelson, Ludwig Mies van der Rohe, Philip Johnson, Paul Rudolph, and Richard Meier. Caroline Rob Zaleski’s research on the work of key figures in twentieth-century architecture; the relatively unknown aspects of their production; and their associations with clients, artists, and politicians is complemented by more than three hundred striking archival photographs, specially commissioned new photography, and plans. Zaleski documents the development of exurbia and the rise of visionary structures: residences for commuters and weekenders, public housing, houses of worship, universities, shopping centers, and office complexes. In this part architectural, part social history, she explains why modernism was embraced by Long Island’s civic, cultural, and business leaders—as well as by those who wanted to settle away from the city—during an epoch when open space was prime for development. An inventory of important architects, with their Long Island commissions by date and location, complements the main text.
Art and Politics Now
Author: Susan Noyes PlattPublisher:
ISBN: 9781877675799
Category : Art
Languages : en
Pages : 0
Book Description
This is a critical analysis of contemporary politically engaged art.
Modernism and American Mid-20th Century Sacred Architecture
Author: Anat GevaPublisher: Routledge
ISBN: 1351665332
Category : Architecture
Languages : en
Pages : 667
Book Description
Mid-20th century sacred architecture in America sought to bridge modernism with religion by abstracting cultural and faith traditions and pushing the envelope in the design of houses of worship. Modern architects embraced the challenges of creating sacred spaces that incorporated liturgical changes, evolving congregations, modern architecture, and innovations in building technology. The book describes the unique context and design aspects of the departure from historicism, and the renewal of heritage and traditions with ground-breaking structural features, deliberate optical effects and modern aesthetics. The contributions, from a pre-eminent group of scholars and practitioners from the US, Australia, and Europe are based on original archival research, historical documents, and field visits to the buildings discussed. Investigating how the authority of the divine was communicated through new forms of architectural design, these examinations map the materiality of liturgical change and communal worship during the mid-20th century.