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Author: Carole Bourne-Taylor Publisher: Peter Lang ISBN: 9783039114092 Category : Modernism (Aesthetics). Languages : en Pages : 412
Book Description
From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.
Author: Carole Bourne-Taylor Publisher: Peter Lang ISBN: 9783039114092 Category : Modernism (Aesthetics). Languages : en Pages : 412
Book Description
From the first stirrings of modernism to contemporary poetics, the modernist aesthetic project could be described as a form of phenomenological reduction that attempts to return to the invisible and unsayable foundations of human perception and expression, prior to objective points of view and scientific notions. It is this aspect of modernism that this book brings to the fore. The essays presented here bring into focus the contemporary face of ongoing debates about phenomenology and modernism. The contributors forcefully underline the intertwining of modernism and phenomenology and the extent to which the latter offers a clue to the former. The book presents the viewpoints of a range of internationally distinguished critics and scholars, with diverse but closely related essays covering a wide range of fields, including literature, architecture, philosophy and musicology. The collection addresses critical questions regarding the relationship between phenomenology and modernism, with reference to thinkers such as Edmund Husserl, Maurice Merleau-Ponty, Martin Heidegger, Michel Henry and Paul Ricoeur. By examining the contemporary philosophical debates, this cross-disciplinary body of research reveals the pervasive and far-reaching influence of phenomenology, which emerges as a heuristic method to articulate modernist aesthetic concerns.
Author: Ariane Mildenberg Publisher: Springer ISBN: 134959251X Category : History Languages : en Pages : 194
Book Description
Braiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cézanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.
Author: Jennifer Anna Gosetti-Ferencei Publisher: Penn State Press ISBN: 0271045833 Category : Philosophy Languages : en Pages : 280
Book Description
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.
Author: Ariane Mildenberg Publisher: Bloomsbury Publishing USA ISBN: 150130271X Category : Literary Criticism Languages : en Pages : 343
Book Description
Understanding Merleau-Ponty, Understanding Modernism brings into dialogue Maurice Merleau-Ponty's phenomenology with modernist art, literature, music, film and neurophysiological discoveries, opening up the complexities of the philosopher's phenomenology of perception to a broader audience across the arts. An important resource for anyone interested in the links between modernism and philosophy, Understanding Merleau-Ponty, Understanding Modernism offers close readings of Merleau-Ponty's key texts, explores modernist works in light of his thought, and provides an extended glossary of Merleau-Ponty's central terms and concepts.
Author: Philippe P. Haensler Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110652471 Category : Philosophy Languages : en Pages : 7
Book Description
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.
Author: Jorge Otero-Pailos Publisher: ISBN: Category : Architecture Languages : en Pages : 372
Book Description
Architecture's Historical Turn traces the hidden history of architectural phenomenology, a movement that reflected a key turning point in the early phases of postmodernism and a legitimating source for those architects who first dared to confront history as an intellectual problem and not merely as a stylistic question. Jorge Otero-Pailos shows how architectural phenomenology radically transformed how architects engaged, theorized, and produced history. In the first critical intellectual account of the movement, Otero-Pailos discusses the contributions of leading members, including Jean Labatut, Charles Moore, Christian Norberg-Schulz, and Kenneth Frampton. For architects maturing after World War II, Otero-Pailos contends, architectural history was a problem rather than a given. Paradoxically, their awareness of modernism's historicity led some of them to search for an ahistorical experiential constant that might underpin all architectural expression. They drew from phenomenology, exploring the work of Bachelard, Merleau-Ponty, Heidegger, and Ricoeur, which they translated for architectural audiences. Initially, the concept that experience could be a timeless architectural language provided a unifying intellectual basis for the stylistic pluralism that characterized postmodernism. It helped give theory--especially the theory of architectural history--a new importance over practice. However, as Otero-Pailos makes clear, architectural phenomenologists could not accept the idea of theory as an end in itself. In the mid-1980s they were caught in the contradictory and untenable position of having to formulate their own demotion of theory. Otero-Pailos reveals how, ultimately, the rise of architectural phenomenology played a crucial double role in the rise of postmodernism, creating the antimodern specter of a historical consciousness and offering the modern notion of essential experience as the means to defeat it.
Author: Maria-Ana Tupan Publisher: Cambridge Scholars Publishing ISBN: 152750493X Category : Philosophy Languages : en Pages : 148
Book Description
Born at the intersection of literary analysis and cultural history, the present book collects evidence in support of the idea that, far from being decadent, in the sense of perverse pursuit of gratuitous refinement and aesthetic relief from historical apathy, the art at the turn of the twentieth century was energised by a desire for meaningful form, grounded in current epistemology, especially of the science maîtresse of the time, psychology, and other kindred disciplines – psychological phenomenology and phenomenological existentialism. The circle of influencers has been broadened to include figures of the latter half of the nineteenth century and the beginning of the twentieth, such as Washington Allston, H. L. Mansel, Wilhelm Wundt, Alexander Bain, Alfred Binet, Alfred Adler, and Sándor Ferenczi, whose shadows are shown to be looming behind modernist texts by T. S. Eliot, James Joyce, Virginia Woolf, Thomas Wolfe, Wallace Stevens, T. E. Hulme, Flann O’Brien, Mircea Eliade, amongst others. A less-discussed subject, literary genre in modernism, is redefined in light of psychology-based modernist aesthetics.
Author: Ulrika Maude Publisher: A&C Black ISBN: 0826497144 Category : Literary Criticism Languages : en Pages : 450
Book Description
A collection of research by leading international scholars on Beckett and phenomenology - both comparing and contrasting his work with key figures in phenomenology and analysing phenomenological themes and their dramatization in Beckett's work.
Author: Charles Altieri Publisher: ISBN: 9780801478727 Category : Phenomenology in literature Languages : en Pages : 0
Book Description
Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.
Author: Carole Bourne-Taylor
Author: Carole Bourne-Taylor
Author: Ariane Mildenberg
Author: Paul Crowther
Author: Jennifer Anna Gosetti-Ferencei
Author: Ariane Mildenberg
Author: Philippe P. Haensler
Author: Jorge Otero-Pailos
Author: Maria-Ana Tupan
Author: Ulrika Maude
Author: Charles Altieri