Modern Woodcuts and Lithographs by British and French Artists PDF Download

Author: Malcolm Charles Salaman
Publisher: London : "The Studio"
ISBN:
Category : Graphic Arts, British
Languages : en
Pages : 220

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Author: Chazen Museum of Art
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154

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Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.

Author: Peter Brooker
Publisher: Oxford University Press on Demand
ISBN: 0199211159
Category : Art
Languages : en
Pages : 974

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The first full study of the role of 'little magazines' and their contribution to the making of artistic modernism. A major scholarly achievement of immense value to teachers, researchers and students interested in the material culture of the first half of the 20th century and the relation of the arts to social modernity.

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 96

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Author: Hall Thorpe
Publisher: ETT Imprint
ISBN: 1925416909
Category : Art
Languages : en
Pages : 103

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A catalogue of Hall Thorpe coloured woodcuts, including a Foreword by Richard King, Introduction (Hall Thorpe: A Consideration of His Work) by Robert and Ingrid Holden, and 'On Colour in the Cottage' by Hall Thorpe, R.B.A., reproduced from The Studio Year-Book of Decorative Art 1919.

Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 516

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Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1008

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Author: Karen Eva Carr
Publisher: Reaktion Books
ISBN: 1789145775
Category : Sports & Recreation
Languages : en
Pages : 456

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A deep dive into the history of aquatics that exposes centuries-old tensions of race, gender, and power at the root of many contemporary swimming controversies. Shifting Currents is an original and comprehensive history of swimming. It examines the tension that arose when non-swimming northerners met African and Southeast Asian swimmers. Using archaeological, textual, and art-historical sources, Karen Eva Carr shows how the water simultaneously attracted and repelled these northerners—swimming seemed uncanny, related to witchcraft and sin. Europeans used Africans’ and Native Americans’ swimming skills to justify enslaving them, but northerners also wanted to claim water’s power for themselves. They imagined that swimming would bring them health and demonstrate their scientific modernity. As Carr reveals, this unresolved tension still sexualizes women’s swimming and marginalizes Black and Indigenous swimmers today. Thus, the history of swimming offers a new lens through which to gain a clearer view of race, gender, and power on a centuries-long scale.

Author: Frances Carey
Publisher:
ISBN:
Category : Avant garde art
Languages : en
Pages : 260

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Book Description
"This study, the first devoted primarily to the non-commercial printmaking of the period, begins with the earliest abstract prints by artists such as Edward Wadsworth and David Bomberg. Outstanding among the achievements of the 1920s and 1930s are the spare linocuts of Ben Nicholson, the striking evocations of speed and modernity by Claude Flight and Cyril Power, the adventurous blueprints of John Banting, and the Surrealist engravings of Stanley Hayter, while the 1940s and 1950s saw the monotypes of Robert Colquhoun, Alan Davie and William Gear, the etchings of Lucian Freud and Richard Hamilton, and the remarkable variety of work produced by the St. Ives group. The survey draws to a close with the experimental screenprints and lithographs of the sculptors Reg Butler, Eduardo Paolozzi, William Turnbull and Michael Sandle. Over 230 prints are discussed and illustrated, and biographies and bibliographical information given for each of the 65 artists represented". -Back cover.

Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1140

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