Modern Society As Artifice PDF Download

Author: Harry Dahms
Publisher: Routledge
ISBN: 9780415791298
Category :
Languages : en
Pages : 248

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Author: Harry F. Dahms
Publisher: Lund Humphries Publishers
ISBN: 9781409433071
Category :
Languages : en
Pages : 240

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Book Description
Examining the work of Marx, Durkheim and Weber, Modern Society as Artifice reveals that from the outset, theoretical sociology was oriented toward the development of a dynamic theory of modern society, concerned with the study of changing forms of social, political, cultural and economic life. Owing, however, to the tension between its widespread reliance on static tools (such as methods, concepts, and perspectives) and the analytical, descriptive, and theoretical challenges that go hand in hand with the increasingly important role of change in modern societies, sociology has struggled to provide a theoretical account of society as a dynamic system. This book explores the work of three classical sociologists, granting insights into the manner in which, with different emphases, their theoretical endeavours were directed at delineating the mindset needed to move towards a dynamic theory of modern societies. Examining the affinities between their theories when read as efforts to confront the challenge of dynamic theorizing, in comparison with the explicitly dynamic projects of Lester Ward, Joseph Schumpeter, and Theodor Adorno, Modern Society as Artifice reaffirms the enduring importance of classical theory to contemporary sociology.

Author: J.F. Martel
Publisher: North Atlantic Books
ISBN: 1583945784
Category : Philosophy
Languages : en
Pages : 209

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Part treatise, part critique, part call to action, Reclaiming Art in the Age of Artifice is a journey into the uncanny realities revealed to us in the great works of art of the past and present. Received opinion holds that art is culturally-determined and relative. We are told that whether a picture, a movement, a text, or sound qualifies as a "work of art" largely depends on social attitudes and convention. Drawing on examples ranging from Paleolithic cave paintings to modern pop music and building on the ideas of James Joyce, Oscar Wilde, Gilles Deleuze, Carl Jung, and others, J.F. Martel argues that art is an inborn human phenomenon that precedes the formation of culture and even society. Art is free of politics and ideology. Paradoxically, that is what makes it a force of liberation wherever it breaks through the trance of humdrum existence. Like the act of dreaming, artistic creation is fundamentally mysterious. It is a gift from beyond the field of the human, and it connects us with realities that, though normally unseen, are crucial components of a living world. While holding this to be true of authentic art, the author acknowledges the presence—overwhelming in our media-saturated age—of a false art that seeks not to liberate but to manipulate and control. Against this anti-artistic aesthetic force, which finds some of its most virulent manifestations in modern advertising, propaganda, and pornography, true art represents an effective line of defense. Martel argues that preserving artistic expression in the face of our contemporary hyper-aestheticism is essential to our own survival. Art is more than mere ornament or entertainment; it is a way, one leading to what is most profound in us. Reclaiming Art in the Age of Artifice places art alongside languages and the biosphere as a thing endangered by the onslaught of predatory capitalism, spectacle culture, and myopic technological progress. The book is essential reading for visual artists, musicians, writers, actors, dancers, filmmakers, and poets. It will also interest anyone who has ever been deeply moved by a work of art, and for all who seek a way out of the web of deception and vampiric diversion that the current world order has woven around us.

Author: Chris Hedges
Publisher: Knopf Canada
ISBN: 0307398587
Category : Social Science
Languages : en
Pages : 242

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Pulitzer prize–winner Chris Hedges charts the dramatic and disturbing rise of a post-literate society that craves fantasy, ecstasy and illusion. Chris Hedges argues that we now live in two societies: One, the minority, functions in a print-based, literate world, that can cope with complexity and can separate illusion from truth. The other, a growing majority, is retreating from a reality-based world into one of false certainty and magic. In this “other society,” serious film and theatre, as well as newspapers and books, are being pushed to the margins. In the tradition of Christopher Lasch’s The Culture of Narcissism and Neil Postman’s Amusing Ourselves to Death, Hedges navigates this culture — attending WWF contests as well as Ivy League graduation ceremonies — exposing an age of terrifying decline and heightened self-delusion.

Author: Marie Lathers
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 162

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Drawing on feminist and psychoanalytic theory, this study exposes the ideological foundations of Villiers de l'Isle-Adam's L'Eve Future, a late 19th-century revision of the Genesis story. Villier's future Eve, who owes her life to man's manipulation of sculptural techniques, photography, and film, symbolizes the complex conjunction of literature, art, technology, and the feminine in the late 19th century. The novel thus charts modernity's restructuring of traditional aesthetics to accommodate the age of mechanical reproduction. The female body becomes the locus of this manifesto of technology, producing a discourse on artificiality and and the feminine which Lathers's study exposes in detail. It also relates this monstrous tale to other versions of woman's fabrication in this and the last century, and interrogates theories of the aesthetic, the technological, and the feminine from Hegel and Baudelaire to Benjamin and Barthes. It is a contribution to current debate centering on the construction of gender and its place in literature and art.

Author: Marisa Bass
Publisher: Princeton University Press
ISBN: 0691177155
Category : Art
Languages : en
Pages : 313

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How the nature illustrations of a Renaissance polymath reflect his turbulent age This pathbreaking and stunningly illustrated book recovers the intersections between natural history, politics, art, and philosophy in the late sixteenth-century Low Countries. Insect Artifice explores the moment when the seismic forces of the Dutch Revolt wreaked havoc on the region’s creative and intellectual community, compelling its members to seek solace in intimate exchanges of art and knowledge. At its center is a neglected treasure of the late Renaissance: the Four Elements manuscripts of Joris Hoefnagel (1542–1600), a learned Netherlandish merchant, miniaturist, and itinerant draftsman who turned to the study of nature in this era of political and spiritual upheaval. Presented here for the first time are more than eighty pages in color facsimile of Hoefnagel’s encyclopedic masterwork, which showcase both the splendor and eccentricity of its meticulously painted animals, insects, and botanical specimens. Marisa Anne Bass unfolds the circumstances that drove the creation of the Four Elements by delving into Hoefnagel’s writings and larger oeuvre, the works of his friends, and the rich world of classical learning and empirical inquiry in which he participated. Bass reveals how Hoefnagel and his colleagues engaged with natural philosophy as a means to reflect on their experiences of war and exile, and found refuge from the threats of iconoclasm and inquisition in the manuscript medium itself. This is a book about how destruction and violence can lead to cultural renewal, and about the transformation of Netherlandish identity on the eve of the Dutch Golden Age.

Author: Michael Herzfeld
Publisher: University of Chicago Press
ISBN: 0226329143
Category : Art
Languages : en
Pages : 283

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The Body Impolitic is a critical study of tradition, not merely as an ornament of local and national heritage, but also as a millstone around the necks of those who are condemned to produce it. Michael Herzfeld takes us inside a rich variety of small-town Cretan artisans' workshops to show how apprentices are systematically thwarted into learning by stealth and guile. This harsh training reinforces a stereotype of artisans as rude and uncultured. Moreover, the same stereotypes that marginalize artisans locally also operate to marginalize Cretans within the Greek nation and Greece itself within the international community. What Herzfeld identifies as "the global hierarchy of value" thus frames the nation's ancient monuments and traditional handicrafts as evidence of incurable "backwardness." Herzfeld's sensitive observations offer an intimately grounded way of understanding the effects of globalization and of one of its most visible offshoots, the heritage industry, on the lives of ordinary people in many parts of the world today.

Author: Nancy Hillis
Publisher: Artist's Journey Press
ISBN: 9780999750438
Category :
Languages : en
Pages : 144

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Book Description
If you yearn to say yes to your deepest expression in your art and life, this self-help book is for you. Dr. Hillis guides you past resistance on your artist's journey so you can finally trust yourself, develop confidence and cultivate deep exploration and experimentation in your art. Bonus resource library with videos lessons and book club guide.

Author: Jean Baudrillard
Publisher: University of Michigan Press
ISBN: 9780472065219
Category : Art
Languages : en
Pages : 174

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Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.

Author: B.I. Coleman
Publisher: Routledge
ISBN: 1135677239
Category : History
Languages : en
Pages : 260

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In nineteenth-century Britain, ahead of the rest of the world in economic development, many towns and cities grew to a size that only London had attained before. This volume focuses on the intellectual and controversial response of the period's leading men and women to the key issues of urbanization and its surrounding social problems. The extracts selected date from 1785 to 1909, and are drawn from the writings, reports and speeches of admirers of city life and its most passionate critics, optimists and alarmists, advocates of back-to-the-land panaceas, and reformers who aspired to control and reform cities. Contemporaries quoted include Dickens, Cobbett, Carlyle, Disraeli, Engels, Mrs Gaskell, Ruskin, Joseph Chamberlain, William Morris, Charles Booth, H.G. Wells and Seebohm Rowntree. In a valuable introduction the editor indicates the main preoccupations of the debate abotu the city, proposes a periodization for it, adn shows its connections with other controversies and issues, as Victorian Britain found itself entering an 'age of great cities'. This book was first published in 1973.