Author: Jackie Higgins
Publisher: Prestel Publishing
ISBN: 9783791348513
Category : Composition (Photography)
Languages : en
Pages : 0
Book Description
This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.
Why it Does Not Have to be in Focus
Author: Jackie Higgins
Publisher: Prestel Publishing
ISBN: 9783791348513
Category : Composition (Photography)
Languages : en
Pages : 0
Book Description
This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.
Publisher: Prestel Publishing
ISBN: 9783791348513
Category : Composition (Photography)
Languages : en
Pages : 0
Book Description
This lively, informed defense of modern photography focuses on not focusing--and other unconventional methods that have been successfully employed by acclaimed photographers. From portraits to documentary images and from abstractions to landscapes, the author identifies 100 important images that are emblematic of innovation in modern photography, revealing the frequently complex processes involved in their composition. In so doing, she offers a provocative reminder of what makes a great photograph.
Anne Brigman
Author:
Publisher: Rizzoli Publications
ISBN: 0847869296
Category : Photography
Languages : en
Pages : 0
Book Description
A look at one of the first feminist artists, Pictorialist photographer Anne Brigman, best known for her iconic landscape photographs made in the early 1900s depicting female nudes outdoors in rugged northern California. This main volume of a previously published slipcased edition is the catalogue of the major retrospective exhibition that took place in 2018 at the Nevada Museum of Art, and remains the first comprehensive book to chronicle the photography of Anne W. Brigman (1869-1950), one of the most important of all American women photographers. This monumental publication rediscovers and celebrates the work of Brigman, whose photography was considered radical for its time. For Brigman to objectify her own nude body as the subject of her photographs in the turn of the 20th century was groundbreaking; to do so outdoors in a near-desolate wilderness setting was revolutionary. Brigman's significance spanned both coasts: in northern California, where she lived, she was known as a poet, a critic, and a member of the Pictorialist photography movement, whose practitioners employed various methods of manipulation to achieve images that were considered beautiful and romantic. On the east coast, her work was promoted by Alfred Stieglitz, who published her photographs in Camera Work and elected her as a Fellow of the prestigious Photo-Secession. The beautifully produced large-format book is devoted to Brigman's entire career, covering such topics as Brigman's work within the contexts of the California Arts & Crafts movement and New York Modernism; her relationship to High Sierra mountaineering and early 20th-century poetry; and the relevance of her work to contemporary conversations regarding gendered landscapes of the American frontier.
Publisher: Rizzoli Publications
ISBN: 0847869296
Category : Photography
Languages : en
Pages : 0
Book Description
A look at one of the first feminist artists, Pictorialist photographer Anne Brigman, best known for her iconic landscape photographs made in the early 1900s depicting female nudes outdoors in rugged northern California. This main volume of a previously published slipcased edition is the catalogue of the major retrospective exhibition that took place in 2018 at the Nevada Museum of Art, and remains the first comprehensive book to chronicle the photography of Anne W. Brigman (1869-1950), one of the most important of all American women photographers. This monumental publication rediscovers and celebrates the work of Brigman, whose photography was considered radical for its time. For Brigman to objectify her own nude body as the subject of her photographs in the turn of the 20th century was groundbreaking; to do so outdoors in a near-desolate wilderness setting was revolutionary. Brigman's significance spanned both coasts: in northern California, where she lived, she was known as a poet, a critic, and a member of the Pictorialist photography movement, whose practitioners employed various methods of manipulation to achieve images that were considered beautiful and romantic. On the east coast, her work was promoted by Alfred Stieglitz, who published her photographs in Camera Work and elected her as a Fellow of the prestigious Photo-Secession. The beautifully produced large-format book is devoted to Brigman's entire career, covering such topics as Brigman's work within the contexts of the California Arts & Crafts movement and New York Modernism; her relationship to High Sierra mountaineering and early 20th-century poetry; and the relevance of her work to contemporary conversations regarding gendered landscapes of the American frontier.
Object:photo
Author: Mitra Abbaspour
Publisher: Museum of Modern Art, New York
ISBN: 9780870709418
Category : Photography
Languages : en
Pages : 400
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Publisher: Museum of Modern Art, New York
ISBN: 9780870709418
Category : Photography
Languages : en
Pages : 400
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
American Modern
Author: Sharon Corwin
Publisher: Univ of California Press
ISBN: 0520265629
Category : Art
Languages : en
Pages : 212
Book Description
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
Publisher: Univ of California Press
ISBN: 0520265629
Category : Art
Languages : en
Pages : 212
Book Description
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
First Doubt
Author: Joshua Chuang
Publisher:
ISBN: 9780300141337
Category : Chasanoff, Allan - Photograph collections - Exhibitions
Languages : en
Pages : 0
Book Description
Many photographers have been intrigued with the baffling distortions--both subtle and disquieting--that can occur when the camera "captures" the real world. Not always intentional, some images dazzle with impossible juxtapositions or disorienting spatial orders, while others confound the viewer's belief in the documentary promise of photography. Drawn from the highly respected collection of Allan Chasanoff, the photographs in this intriguing volume confront viewers with the challenge of doubt and confusion in so-called "straight" pictures. Featured are perceptually provocative images by Manuel Alvarez Bravo, Clarence John Laughlin, Imogen Cunningham, and Lee Friedlander, among others. The book's essays raise awareness of the interpretive nature of the lens and the interpolative nature of the medium. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (October 7, 2008 - January 4, 2009)
Publisher:
ISBN: 9780300141337
Category : Chasanoff, Allan - Photograph collections - Exhibitions
Languages : en
Pages : 0
Book Description
Many photographers have been intrigued with the baffling distortions--both subtle and disquieting--that can occur when the camera "captures" the real world. Not always intentional, some images dazzle with impossible juxtapositions or disorienting spatial orders, while others confound the viewer's belief in the documentary promise of photography. Drawn from the highly respected collection of Allan Chasanoff, the photographs in this intriguing volume confront viewers with the challenge of doubt and confusion in so-called "straight" pictures. Featured are perceptually provocative images by Manuel Alvarez Bravo, Clarence John Laughlin, Imogen Cunningham, and Lee Friedlander, among others. The book's essays raise awareness of the interpretive nature of the lens and the interpolative nature of the medium. Distributed for the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery (October 7, 2008 - January 4, 2009)
Looking at Photographs
Author: Museum of Modern Art (New York, N.Y.)
Publisher: Bulfinch Press
ISBN: 9780821226230
Category : Photography
Languages : en
Pages : 216
Book Description
Features new duotone reproductions of one hundred landmark photographs from the collection of The Museum of Modern Art that chronicle the historical evolution of the photographic arts in works by Adams, Weston, Stieglitz, Steichen, and other notable photographers. Reprint. 10,000 first printing.
Publisher: Bulfinch Press
ISBN: 9780821226230
Category : Photography
Languages : en
Pages : 216
Book Description
Features new duotone reproductions of one hundred landmark photographs from the collection of The Museum of Modern Art that chronicle the historical evolution of the photographic arts in works by Adams, Weston, Stieglitz, Steichen, and other notable photographers. Reprint. 10,000 first printing.
Modern Look
Author: Mason Klein
Publisher: Yale University Press
ISBN: 0300247192
Category : Photography
Languages : en
Pages : 193
Book Description
A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European émigrés, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper’s Bazaar and Vogue—whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers—emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.
Publisher: Yale University Press
ISBN: 0300247192
Category : Photography
Languages : en
Pages : 193
Book Description
A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European émigrés, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper’s Bazaar and Vogue—whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers—emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.
Photography in the Modern Era
Author: Christopher Phillips
Publisher: Aperture
ISBN: 9780893814076
Category : Documentary photography
Languages : en
Pages : 0
Book Description
A collection of European writings on photography, drawn from the first four decades of the 20th century. The selections highlight photography particularly in Italy, the Soviet Union, Germany, and France as a catalytic element in the avant-garde movements of the time, emblematic of a process of cultu
Publisher: Aperture
ISBN: 9780893814076
Category : Documentary photography
Languages : en
Pages : 0
Book Description
A collection of European writings on photography, drawn from the first four decades of the 20th century. The selections highlight photography particularly in Italy, the Soviet Union, Germany, and France as a catalytic element in the avant-garde movements of the time, emblematic of a process of cultu
The History of Photography
Author: Helmut Gernsheim
Publisher: London : Thames & Hudson
ISBN: 9780500010600
Category : Photography
Languages : en
Pages : 599
Book Description
Publisher: London : Thames & Hudson
ISBN: 9780500010600
Category : Photography
Languages : en
Pages : 599
Book Description
Photography, Modern Architecture, and Design
Author: Vitra Design Museum
Publisher: EPFL Press
ISBN: 9782940222070
Category : Photography
Languages : en
Pages : 232
Book Description
Examining the photographic collection that Alberto Sartoris donated to the Swiss federal government, this text throws light on a poorly understood aspect of 20th century architecture, namely the mechanisms behind the creation and diffusion of the 'image of modern architecture'.
Publisher: EPFL Press
ISBN: 9782940222070
Category : Photography
Languages : en
Pages : 232
Book Description
Examining the photographic collection that Alberto Sartoris donated to the Swiss federal government, this text throws light on a poorly understood aspect of 20th century architecture, namely the mechanisms behind the creation and diffusion of the 'image of modern architecture'.