Author: Robert Rosenblum Publisher: HarperCollins Publishers ISBN: Category : Painting Languages : en Pages : 248
Book Description
Sees a counter-French tradition in modern art arising from cultural and religious developments in Northern Europe and the United States.
Author: Robert Rosenblum Publisher: ISBN: 9780500271131 Category : Painting, Modern Languages : en Pages : 240
Book Description
A view of artistic development which argues that the Paris-orientated orthodoxy of modern art does not allow for achievements which, in the eyes of the author, can be fairly called major. Other work by the author includes The Romantic Child, and The Jeff Koons Handbook.
Author: R. Rosenblum Publisher: Westview Press ISBN: 9780064300575 Category : Art Languages : en Pages : 240
Book Description
Sees a counter-French tradition in modern art arising from cultural and religious developments in Northern Europe and the United States.
Author: Patricia Meyer Spacks Publisher: Taylor & Francis ISBN: 1000653145 Category : Literary Criticism Languages : en Pages : 293
Book Description
Is there such a thing as a female literary imagination – a special brand of insight and intuition that characterises women’s writing? Is there something about a novel, whether by Jane Austen, Charlotte Brontë or Doris Lessing, that tells us that it could only have been written by a woman? Do the subject matter, form and style that women choose throw light on the way they think and feel? In this brilliant and highly readable book, originally published in 1976, Patricia Spacks analyses the female view of the world. Juxtaposing – sometimes in startlingly original combination some eighty books written between the seventeenth century and the present day she uses both literary and psychological analysis to explore patterns that recur again and again in the stories women tell – whether about their own lives or the lives of their fictional characters. She dissects female experience in the twentieth century as viewed by an array of writers ranging from Kate Millet to Virginia Woolf; examines the interplay of social passivity and psychic power that dominates characters such as Maggie Tulliver and Jane Eyre, the altruism that impels Jane Austen’s and Mrs Gaskell’s heroines, the ‘acceptance’ of Virginia Woolf’s Mrs Ramsey, the personal and social conflicts that beset so many of the adolescent girls that figure in both nineteenth-century and contemporary literature; reveals the complex motives that can be bound up in a women’s deliberate choice of the artist’s role, as appears in the writings of Isadora Duncan’s and Dora Carrington, Marie Bashkirtseff and Mary McCartney – and the surprising forms ‘freedom’ can take, as for Beatrice Webb in the East End of London or Isak Dinerson in the wilds of Africa... The voices echo and re-echo across the years in fascinating counter-point. Their range is enormous – rebels and reformers, actresses and painters, Society ladies and unknown girls in small towns, novels, poems, memoirs, diaries and letters, both English and American, and alongside classics such as Wuthering Heights and well-known modern works such as The Bell Jar, Patricia Spacks introduces an intriguing selection of relatively unknown writers, such as Napoleon’s psychoanalyst great-niece Marie Bonaparte, the Victorian arch-fantasist Mary MacLane and the autobiography of a seventeenth-century Duchess. The Female Imagination is much more than a study of women’s writing. It is an inquiry into the nature of female thought, self-expression and experience. As such it should appeal to every educated woman – and to many men too.
Author: Nandita Mukand Publisher: GRIN Verlag ISBN: 3656947236 Category : Art Languages : en Pages : 12
Book Description
Essay from the year 2013 in the subject Art - Miscellaneous, grade: A, , course: BA (Hons) Fine Arts, language: English, abstract: In Robert Rosenblum’s book "Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko", Rosenblum traces a continuing tradition in art from the 18th century to the 1960s, which centres upon the term ‘sublime’. In the past many artists (amongst them Caspar David Friedrich, Turner, Wassily Kandinsky, Mark Rothko, Barnett Newman) and theorists (amongst them Edmund Burke, Immanuel Kant, Jean-Francois Lyotard) have explored the transcendental nature of the sublime in art. Today we live in an age that prides itself on the loss of illusion. Ideas of transcendence in art are often seen as sentimental and viewed with skepticism. The word sublime seems to be stripped down to “the shock of the new” (often centered on horror). This essay explores how the transcendental sublime is situated in contemporary art. The ‘transcendental sublime’ will here refer to how looking at a work of art can enable one to be transported, going beyond the given limits to a place of accessing one’s spiritual side. Art that has used shock and terror to achieve a sense of the sublime will be excluded from this discussion.
Author: Publisher: Getty Publications ISBN: 0892368365 Category : Landscape in art Languages : en Pages : 158
Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Author: Robert Rosenblum
Author: Robert Rosenblum
Author: R. Rosenblum
Author: Robert Rosenblum
Author: Patricia Meyer Spacks
Author: Leo Steinberg
Author: 1927- Rosenblum
Author: Nandita Mukand
Author: 
Author: George Moore