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Author: Alfred Blatter Publisher: Cengage Learning ISBN: 9780534251871 Category : Arrangement (Music) Languages : en Pages : 0
Book Description
The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.
Author: Alfred Blatter Publisher: Cengage Learning ISBN: 9780534251871 Category : Arrangement (Music) Languages : en Pages : 0
Book Description
The second edition features a new discussion of the bugle, information on percussion instruments of American and African origin, an extensively rewritten section on the organ, and the addition of Spanish terms to the existing English, French, German, and Italian. Appendixes on MIDI, guitar fingering, and guitar chords are new to the second edition, and the material on electronic instruments and electronic sound modification has been revised and expanded. The revision also includes nearly 100 new musical examples.
Author: R.J. Miller Publisher: Routledge ISBN: 1317806247 Category : Music Languages : en Pages : 786
Book Description
Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles. Features Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument. Pedagogical features In the Profession: Professional courtesies, considerations and expectations. Building the Score: Step-by-step construction of an orchestration. Scoring Examples: Multiple scoring examples for each instrument. Exercises: Analyzing, problem solving, and creating orchestration solutions. Critical Thinking: Alternate approaches and solutions.
Author: Henri Kling Publisher: Andesite Press ISBN: 9781297810527 Category : Languages : en Pages : 362
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Nikolay Rimsky-Korsakov Publisher: e-artnow ISBN: Category : Music Languages : en Pages : 430
Book Description
Principles of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.
Author: Henri Kling Publisher: Palala Press ISBN: 9781347524923 Category : Languages : en Pages : 360
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: H. Kling Publisher: Createspace Independent Publishing Platform ISBN: 9781534610958 Category : Languages : en Pages : 328
Book Description
An excerpt from the INTRODUCTORY REMARKS ON INSTRUMENTATION. Instrumentation consists of the art of combining the instruments in such a way that they will assist and enrich the melody, besides lending strength, volume, and tonal coloring to the harmony. It furthermore brings about a clear and systematic grouping of the various instruments, with particular attention that the different tonal-colors are most effectively contrasted and blended, in order that a composition will be transmitted to the ear in an equally clear, concise, and pleasing manner. This art requires great skill and experience, and even greater taste, on the part of the composer; it is a science, the methods of which are well-known and teachable, but which, above all, is principally dependent upon the imaginative powers of the writer. The score of an instrumental composition offers endless variety and diversity; its contents may present themselves alternately in a terrible, tremendously-strong, soft, playful, clumsy and light, brilliant or dull, dramatic or romantic, impulsive or quiet, sad or frivolous way, exactly according to the idea the composer wishes to express. Every instrument possesses its particular tonal-color, peculiar to itself; sometimes more than one coloring can be obtained, according to the different registers employed. If the instruments are grouped in different ways an endless variety of combinations can be obtained; but to begin with, it is highly necessary and of greatest importance to study the tonal-range and the different registers of every instrument in order to know exactly what will sound good or bad, whether this or that passage can be executed upon an instrument, in short, we must understand to write in such an appropriate manner, that the beautiful and particular characteristics of every individual instrument will appear to best advantage....
Author: Alfred Blatter
Author: Henri Kling
Author: Alfred Blatter
Author: R.J. Miller
Author: Hector Berlioz
Author: Henri Kling
Author: Nikolay Rimsky-Korsakov
Author: Henri Kling
Author: H. Kling
Author: Hector Berlioz
Author: Louis Adolphe Coerne