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Author: Pieter Hovens Publisher: Zkf Publishers ISBN: 9783981162080 Category : Indian art Languages : en Pages : 0
Book Description
North American Indian Art: Masterpieces and Museum Collections from the Netherlands showcases 114 oustanding examples of Native art and heritage from the Canadian subarctic forests to the American Southwest preserved in Dutch museums. Many of these rare material documents collected between the seventeenth and the twenty-first century have never been published before. They are here stunningly presented as individual works of art and placed into their cultural and historical contexts by forty-two leading American, Canadian, and European experts who weave together the historical narrative of each object's acquisition with current Native and scholarly interpretations of their use and meaning. In his introductory essay Pieter Hovens provides a detailed account of the history of Dutch interests in North American Indian cultures, from the seventeenth-century colonial experience in New Netherland through the collecting activities of public institutions and private connoisseurs to academic scholarship and social engagement. All of these interests have contributed to the wealth and range of objects featured here as well as to the public perception of Native Americans in the Netherlands. This book offers for the first time an overview of all institutional collections of Native North American arts and cultures in a single European country. It is the privilege of the Dutch museums to share these heritage collections with the widest audience possible.
Author: Pieter Hovens Publisher: Zkf Publishers ISBN: 9783981162080 Category : Indian art Languages : en Pages : 0
Book Description
North American Indian Art: Masterpieces and Museum Collections from the Netherlands showcases 114 oustanding examples of Native art and heritage from the Canadian subarctic forests to the American Southwest preserved in Dutch museums. Many of these rare material documents collected between the seventeenth and the twenty-first century have never been published before. They are here stunningly presented as individual works of art and placed into their cultural and historical contexts by forty-two leading American, Canadian, and European experts who weave together the historical narrative of each object's acquisition with current Native and scholarly interpretations of their use and meaning. In his introductory essay Pieter Hovens provides a detailed account of the history of Dutch interests in North American Indian cultures, from the seventeenth-century colonial experience in New Netherland through the collecting activities of public institutions and private connoisseurs to academic scholarship and social engagement. All of these interests have contributed to the wealth and range of objects featured here as well as to the public perception of Native Americans in the Netherlands. This book offers for the first time an overview of all institutional collections of Native North American arts and cultures in a single European country. It is the privilege of the Dutch museums to share these heritage collections with the widest audience possible.
Author: Suzanne Deats Publisher: Gibbs Smith ISBN: 1423605594 Category : Art Languages : en Pages : 187
Book Description
Text and photographs detail the lives and art of contemporary Native American artists working in painting, sculpture, pottery, jewelry, and clothing.
Author: Lucy Bradnock Publisher: Yale University Press ISBN: 0300251033 Category : Art Languages : en Pages : 241
Book Description
This groundbreaking account of postwar American art traces the profound influence of Antonin Artaud Proposing an original reassessment of art from the 1950s to the 1970s, No More Masterpieces reveals how artistic practice in postwar America was profoundly shaped by the work of the rebellious French poet and dramatist Antonin Artaud (1896-1948). A generation of artists mobilized Artaud's countercultural ideas to imagine new forms of representation and to redefine the relationship between artist and audience. The book shows how Artaud's radical writings inspired the experimental theatrical work of John Cage, Rachel Rosenthal, and Allan Kaprow; the attack on artistic and social conventions launched by assemblage artists Wallace Berman and Bruce Conner; and the feminist work of Carolee Schneemann and Nancy Spero. Lucy Bradnock traces the dissemination of Artaud's writings in America and demonstrates how his interest in political and cultural disorder, the dangers of authority, and the unreliability of representation found fertile ground in the context of the Cold War, disillusionment with the ideals of Abstract Expressionism, and the early years of identity politics.
Author: Elizabeth Hutchinson Publisher: Duke University Press ISBN: 0822392097 Category : Art Languages : en Pages : 304
Book Description
In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation. Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.
Author: Donna Stein Publisher: ISBN: 9788857244341 Category : Languages : en Pages : 208
Book Description
How a unique alliance between two women in the 1970s led to the acquisition of a treasure trove of modern art now worth billions In the 1970s, American curator Donna Stein served as the art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi's patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection--most of which continues to languish in storage--is considered one of the most significant collections of modern art outside of Europe and the United States. The Empress and Iis a vivid account of Stein's experience at the helm of this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today's art world.
Author: Jane Friedman Publisher: Princeton University Art Museum Monograph Series ISBN: 9780300174403 Category : Art, European Languages : en Pages : 0
Book Description
A beautiful presentation of fifty masterworks of late 19th- to mid-20th-century avant-garde European art from one of America's most distinguished private collections Cézanne and the Modern showcases fifty masterworks of late 19th- to mid-20th-century avant-garde European art from the Henry and Rose Pearlman Collection, one of the most distinguished private collections of modern art in the United States. Among the iconic images represented are Paul Cézanne's Mont Sainte-Victoire, Vincent van Gogh's Tarascon Stagecoach, and Amedeo Modigliani's portrait of Jean Cocteau, as well as an outstanding suite of sixteen watercolors by Cézanne. The volume opens with Henry Pearlman's "Reminiscences of a Collector," a fascinating first-person narrative, newly annotated to identify key individuals and dates mentioned in the text. An essay by art historian Rachael Z. DeLue places Pearlman in the context of mid-20th-century American collecting, and a detailed chronology illuminates Pearlman's collecting practices in relation to noteworthy events in the art world. A series of sixteen brief essays by leading scholars focuses on each of the represented artists and their works, richly illustrated with sumptuous color plates, select details, and numerous comparative images. A comprehensive checklist documenting each of the works--including detailed provenance, exhibition history, bibliographic references, and commentary by a conservator--rounds out this handsome volume, which is published to accompany the first international tour of this important collection.
Author: David W. Penney Publisher: Hugh Lauter Levin Associates ISBN: Category : Art Languages : en Pages : 128
Book Description
In addition to the historic pieces which make up the core of traditional Native American art are works from modern-day masters, the painters and sculptors of the twentieth century.
Author: Bill Holm Publisher: University of Washington Press ISBN: 0295999500 Category : Art Languages : en Pages : 145
Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author: Allan J. Ryan Publisher: University of Washington Press ISBN: 9780295978161 Category : Art criticism Languages : en Pages : 346
Book Description
The Trickster Shift not only presents some of the most stunningly original examples of contemporary Native art but also allows the artists to offer their own insights into the creative process and the nature of Native humour.
Author: Arlene Leis Publisher: Taylor & Francis ISBN: 1000781410 Category : Art Languages : en Pages : 283
Book Description
This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks. This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.
Author: Pieter Hovens
Author: Pieter Hovens
Author: Suzanne Deats
Author: Lucy Bradnock
Author: Elizabeth Hutchinson
Author: Donna Stein
Author: Jane Friedman
Author: David W. Penney
Author: Bill Holm
Author: Allan J. Ryan
Author: Arlene Leis