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Author: Matt Otto Publisher: Lulu.com ISBN: 1304908194 Category : Education Languages : en Pages : 54
Book Description
Modern Jazz Vocabulary Vol. 2Is an in depth study of the classic II-V-I progression found commonly in jazz improvisation.The nearly 300 melodic examples incorporate rhythmic groupings, triad pairs, enclosures, chromatics, synthetic scales, chord substitutions and more.
Author: Matt Otto Publisher: Lulu.com ISBN: 1304908194 Category : Education Languages : en Pages : 54
Book Description
Modern Jazz Vocabulary Vol. 2Is an in depth study of the classic II-V-I progression found commonly in jazz improvisation.The nearly 300 melodic examples incorporate rhythmic groupings, triad pairs, enclosures, chromatics, synthetic scales, chord substitutions and more.
Author: Matt Otto Publisher: ISBN: 9781312517271 Category : Art Languages : en Pages : 70
Book Description
Improvising over the minor ii-7, V7, i chord progression can be challenging for both the beginning and advanced jazz musician. This Book contains over 1600 Bars of minor ii-7, V7, i- melodies, licks and patterns in all 12 keys. The material is designed to help one develop an aural, technical and theoretical understanding of this common chord progression in each key. The lines use a variety of rhythmic groupings, chord substitutions, triads, triad pairs, chromatics, approach notes, tensions, chord tones, non chord tones, scales, and both ""inside"" and ""outside"" concepts, all with an emphasis on melody. For more information visit mattotto.org Matt Otto Studied Jazz Performance and Composition at: Indiana University Berklee School of Music The New School for Social Research (BFA) California Institute of the Arts (MFA) He is currently on faculty at the University of Kansas.
Author: George Garzone Publisher: Garlianus Musical Editions ISBN: 1952530024 Category : Music Languages : en Pages : 51
Book Description
This book Chromatic Lines Over Standard Tune Chord Progressions is designed to free the improvisor from the normal sounds that he or she usually plays. All the compositions are based off on the Triadic Chromatic Approach concept, so you will get a clear example of the sound itself from the combination of the Triadic Chromatic Approach and the standard progressions. For all Bb, Eb, C and Bass instruments. You will find in this book compositions and exercises with chromatic lines.
Author: Roberta Piket Publisher: muse eek publishing ISBN: 9781594899522 Category : Music Languages : en Pages : 76
Book Description
This book is the first volume in a series designed to help the student of jazz piano learn and apply jazz scales by mastering each scale and its uses in improvisation. Volume 1 focuses on the major scale, illustrating the scale in all twelve keys with complete fingerings. Chords and left hand voicings, exercises and etudes to help apply the material to improvising, ideas for further study and listening, and detailed instructions and suggestions on how to practice the material are also provided. Volume 1 also includes primers on note-reading, theory basics from intervals through seventh chords, and rhythmic notation.
Author: Bruce E Arnold Publisher: muse eek publishing ISBN: 1594898715 Category : Languages : en Pages :
Book Description
Have you ever wished you could better understand the guitar s fretboard, so that you could: See it as a interconnected map in your minds eye ... Instantly apply that roadmap to great solos improvised not by accident, but totally by YOUR design ... Understand chords and without hesitation, construct both simple and complex chords on the fly starting anywhere on the fretboard ... Can you imagine what such abilities could do for your confidence and your playing? Music Theory Workbook for Guitar Volume One creates just this type of seamless marriage between your visual knowledge of the guitar fretboard and your understanding of the music theory behind what you are playing ... Both guitar fretboard diagrams and traditional music notation are used to help you learn music theory. You can SEE, COMPARE and UNDERSTAND how notes look on your guitar fretboard and on a music staff at the same time. This crucial combination will be your secret weapon to learning music theory quickly and easily AND retaining it with no problems. The unique approach of this book has been used by thousands of guitarists to conquer the intricacies of the guitar fretboard. With time and application, the mystery disappears and you can not only understand music theory but also see it and know how to use it on your guitar. This ability will revolutionize your playing ... With only a few minutes a day working with the Music Theory Workbook for Guitar Volume One, you will master the ability to: * Pick up what others are playing on the guitar by sight more rapidly ... * See all intervals and chords by sight on the guitar ... * Understand music theory and be IN SYNC with your fellow musicians ... * Make music theory a natural process as you see it on your guitar ... * Build a solid foundation for great solos, comping and great composing ... * See, understand and build countless chord combinations, from simple to complex, starting anywhere on your guitar fretboard ... * Understand how the notes on the guitar fretboard relate to notes found on a music staff ... * Understand key signatures ... * Understand the names of all intervals ... You will also have access to the Muse-eek.com member's area where you will find free PDFs to help you learn and apply music theory. You ll have access to additional materials that: * Show all the notes found on the guitar and their related positions on the musical staff ... * Help you further understand the two different ways to figure out the notes found in any chord type ... * Provide exercises to apply music theory to your instrument ... * Further your understanding of the correct method for building intervals, and naming intervals with the correct spelling ... * Explain diatonic chords and their importance in the music you play ... Plus you ll receive videos showing how to apply the information learned in Music Theory Workbook for Guitar Volume One to the guitar fretboard and help files for learning to read music. In addition, all possible alternate answers to the exercises are provided. It's not uncommon to find guitarists who have worked through this book skipping past multiple levels of college based theory, and going into advanced placement. You will have a black belt in music theory in no time and remember it forever because it will be part of you when you play your guitar. The Theory section of this book uses extremely simple language to explain the basics of music theory. The exercises require the student to write out the problem or example using staff notation, and then to find those notes on a guitar fretboard diagram.
Author: Barry Finnerty Publisher: "O'Reilly Media, Inc." ISBN: 1457101343 Category : Music Languages : en Pages : 274
Book Description
All musicians need to thoroughly learn their scales, chords, intervals and various melodic patterns in order to become complete musicians. The question has always been how to approach this universal task. Guitar legend Barry Finnerty (Miles, The Crusaders, Brecker Bros., etc.) provides in this book a rigorous practice regime that will set you well on the road to complete mastery of whatever instrument you play. Endorsed by Randy Brecker, Mark Levine, Dave Liebman, etc.
Author: Roberta Piket Publisher: muse eek publishing ISBN: 9781594899584 Category : Music Languages : en Pages : 60
Book Description
This book is the 2nd volume in a series designed to help the student of jazz piano learn and apply jazz scales by mastering each scale and its uses in improvisation. Each book focuses on a different scale, illustrating the scale in all twelve keys with complete fingerings. Also provided are chords and left hand voicings to match, exercises and etudes to help apply the material to improvising, ideas for further study and listening, and detailed instructions and suggestions on how to practice the material.
Author: Jim Kalbach Publisher: ISBN: Category : Languages : en Pages : 40
Book Description
Your search for the perfect walking line never ends. What makes a killer walking bass line? Of course, harmonic clarity and an impeccable rhythmic feel are essential. But we believe that having a keen melodic sense is what will make your walking style stand out. For more details about our melodic walking bass approach, including principles and examples, see KWB Vol. 1 and our blog: http: //blog.killerwalkingbass.com. In this volume, you'll get just the lines. In KWB Vol. 2, we included more tunes overall and chose songs with challenging chord changes. As with Vol. 1, the lines are conceived to be played behind the soloist. While walking over the head of the tune is important, most of the time you'll be supporting soloists.A vast majority of these lines rely only a quarter notes, a staple of walking bass. However, in Vol. 2 we've added embellishments. For the last tune in the book, "Dolphin Song" (like "Dolphin Dance"), we even provide two choruses without embellishments and then with them. We encourage you to think of how you'll enhance all of these lines on your flair. No tempos are given. Learn each piece slowly at first, but eventually move to a more suitable, standard tempo appropriate for the tune. In some cases, such as with "Expressions" (like "Impressions"), a very fast tempo may hinder your ability to play all of the embellishments. Adjust accordingly. Finally, we've included notes that can only be played on five-string basses or with bass extensions. These are indicated with smaller note heads as alternatives to notes available for four-string basses. We hope this collection helps in your quest to find the perfect walking line! Take your lines to the next level.
Author: Davy Mooney Publisher: Mel Bay Publications ISBN: 161911934X Category : Music Languages : en Pages : 68
Book Description
This method book is designed to help intermediate to advanced jazz students incorporate classic jazz vocabulary into their original improvisations. Using a series of standard and modern chord progressions, guitarist Davy Mooney provides several short passages that are meant to be played exactly as written within an otherwise improvised solo; students are expected to adapt this written material to their own purposes by improvising into and out of it. In an effort to overcome the disconnect between developing a unique sound and learning the language of past jazz masters, the author eloquently analyzes several phrases and chord changes and comments on various aspects of improvisation, referencing the styles and specific recordings of many outstanding jazz artists. This is the method that Mooney used as a student to personalize his own jazz vocabulary and learn to express himself within the context of the jazz tradition. Mooney proves he has both the vocabulary and the chops to deliver generously repeated guitar/bass/drums backup tracks for student use; he then demonstrates the method by providing transcriptions of his own improvisations, incorporating the same phrases and chord progressions required of the student. The firm message conveyed by this book is that, “you can do it too.” Written in standard notation only. Includes access to online audio.
Author: Matt Otto
Author: Matt Otto
Author: Matt Otto
Author: George Garzone
Author: Bruce E. Arnold
Author: Roberta Piket
Author: Bruce E Arnold
Author: Barry Finnerty
Author: Roberta Piket
Author: Jim Kalbach
Author: Davy Mooney