Twentieth-century Italian Art PDF Download

Author: James Thrall Soby
Publisher: Arno Press
ISBN:
Category : Art
Languages : en
Pages : 170

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Author: Anthony White
Publisher: Routledge
ISBN: 0429515448
Category : Art
Languages : en
Pages : 263

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Book Description
This book examines the work of several modern artists, including Fortunato Depero, Scipione, and Mario Radice, who were working in Italy during the time of Benito Mussolini’s rise and fall. It provides a new history of the relationship between modern art and fascism. The study begins from the premise that Italian artists belonging to avant-garde art movements, such as futurism, expressionism, and abstraction, could produce works that were perfectly amenable to the ideologies of Mussolini’s regime. A particular focus of the book is the precise relationship between ideas of history and modernity encountered in the art and politics of the time and how compatible these truly were.

Author: Maria H. Loh
Publisher: Getty Publications
ISBN: 9780892368730
Category : Imitation in art
Languages : en
Pages : 220

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Book Description
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.

Author: Ashton Rollins Willard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 668

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Author: Professor Erin J Campbell
Publisher: Ashgate Publishing, Ltd.
ISBN: 147244213X
Category : Art
Languages : en
Pages : 201

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Book Description
Drawing on a wide range of visual and historical sources, this study examines the remarkable flowering, largely overlooked in portraiture scholarship, of portraits of old women in Northern Italy and especially Bologna during the second half of the sixteenth century. Erin Campbell argues that these images of unidentified women provide an opportunity to present new conceptual frameworks, and question our assumptions about old age, portraiture, and the domestic interior.

Author: Italy America Society (New York, N.Y.)
Publisher:
ISBN:
Category : Art, Italian
Languages : en
Pages : 88

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Author: Ashton Rollins Willard
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Ashton Rollins Willard
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 713

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Author: Robert Brennan
Publisher: Harvey Miller
ISBN: 9781912554003
Category : Art, Modern
Languages : en
Pages : 366

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Book Description
"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.

Author: Museum of Modern Art (New York, N.Y.)
Publisher: New York Graphic Society Books
ISBN:
Category : Design
Languages : en
Pages : 444

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Book Description
"During the last decade, the emergence of Italy as the dominant force in design has had a profound influence in Europe and the Americas. The phenomenon is important not only because of the high quality and diversity of the forms produced, but also because it has generated a lively debate on the sociocultural implications of product design, raising questions of vital concern to designers throughout the world. For many designers, the aesthetic quality of individual objects intended for private consumption have become irrelevant in the face of such pressing problems as poverty, urban decay, and the pollution of the environment now encountered in all industrialized countries. Consequently, they are increasingly shifting he focus of their attention from the well-designed object to man's total environment, seeing the designer's function as one that can mold patterns of behavior by creating new settings for freer, more adaptable lifestyles. Some, however, despairing of effecting social change through design, regard their task as essentially a political one. They therefore abstain from the physical designing of either objects or environments and channel their energies into the staging of events and the issuing of polemical statements. Their approach thus parallels that of many artists in other mediums who view their art in primarily conceptual terms. This publication, issued in conjunction with a major exhibition at The Museum of Modern Art, is the first to deal comprehensively with these challenging developments. Over 150 objects of Italian design of the past ten years have been selected for the show and are all reproduced in color and black-and-white, as are the dozen environments by well-known Italian designers specially commissioned for the occasion, and the two awarded prizes in a concurrent competition for young designers under thirty-five sponsored by the Museum. Each environment is accompanied by a statement in which the individual or group responsible for the project clarifies his position regarding the present and future role of design. In addition to essays by Emilio Ambasz, Curator of Design at the Museum of Modern Art and director of the exhibition, the book contains contributions by a number of outstanding Italian critics and art historians. Together, these comprise the first historical survey of contemporary Italian design and a critical analysis of its intellectual and formal positions within the context of international design today." -- Publisher's description