Author: Govind P. Deshpande Publisher: ISBN: Category : Drama Languages : en Pages : 780
Book Description
This Is The First Comprehensive Anthology Of Modern Indian Drama. This Volume Includes 15 Plays By Sriranga, Badal Sircar, Girish Karnad, Satish Alekar, Utpal Dutt And Others.
Author: Nandi Bhatia Publisher: Oxford India Paperbacks ISBN: 9780198075066 Category : Drama Languages : en Pages : 0
Book Description
Since the late nineteenth century, theatre has played a significant role in shaping social and political awareness in India. It has served to raise concerns in post-Independence India as well. Modern Indian Theatre: A Reader brings together writings that speak to the historical contexts from which theatrical practices emerged-colonization, socio-cultural suppression and appropriation, intercultural transformations brought about by the impact of the colonial forces, and acute critical engagement with socio-political issues brought about by the hopes and failures of Independence. The volume addresses pertinent questions like how drama influences social change, the response of drama to the emergence and domination of mass media and the proliferation and influence of western media in India, and how mediations of gender, class, and caste influence drama, its language, forms, and aesthetics. The Introduction by Nandi Bhatia provides a comprehensive understanding of the interface between Indian theatre and 'modernity'.
Author: Aparna Bhargava Dharwadker Publisher: University of Iowa Press ISBN: 158729642X Category : Drama Languages : en Pages : 505
Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Author: Mahesh Dattani Publisher: Penguin UK ISBN: 9351182169 Category : Literary Criticism Languages : en Pages : 99
Book Description
‘A playwright of world stature’—Mario Relich, Wasafiri On a Muggy Night in Mumbai is the first contemporary Indian play to openly tackle gay themes of love, partnership, trust and betrayal. Kamlesh—young, gay and clinically depressed—invites his friends home ostensibly for an evening of camaraderie. However, with the arrival of his sister and her fiancé, a series of dramatic confrontations is set into motion, leading to startling revelations and unexpected catharsis. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Author: Erin B. Mee Publisher: Seagull Books Pvt Ltd ISBN: 9781905422760 Category : Literary Criticism Languages : en Pages : 436
Book Description
After Independence, in 1947, in their efforts to create an 'Indian' theatre that was different from the Westernized, colonial theatre, Indian theatre practitioners began returning to their 'roots' in classical dance, religious ritual, martial arts, popular entertainment and aesthetic theory. The Theatre of Roots - as this movement was known - was the first conscious effort at creating a body of work for urban audiences combining modern European theatre with traditional Indian performance while maintaining its distinction from both. By addressing the politics of aesthetics and by challenging the visual practices, performer/spectator relationships, dramaturgical structures and aesthetic goals of colonial performance, the movement offered a strategy for reassessing colonial ideology and culture and for articulating and defining a newly emerging 'India'. Theatre of Roots presents an in-depth analysis of this movement: its innovations, theories, goals, accomplishments, problems and legacies.
Author: Ravi Chaturvedi Publisher: ISBN: 9788131608562 Category : Theater Languages : en Pages : 0
Book Description
Crossover of various disciplines is an inherent phenomenon of Indian theatre and performing arts. With the coming of western influence during the colonial, as well as postcolonial, periods the character of modern Indian theatre has metamorphisized, which is often reflected in the theatre. The larger sections of the Indian theatre scene belong to the experimental theatre, which derives its energy and motivation from the classical and folk/tribal theatre, and is an interdisciplinary theatre. Music, dance, acrobatic movements, and gesticulation of emotions are the integral aspects of such theatre. The idea of artistic crossovers in the performing arts does not solely refer to exchanges between artistic disciplines. Art, as a whole, can be seen as a discipline in an interdisciplinary relationship with other fields, such as education or applied sciences. There are also a lot of negotiations between art and subjects that are already interdisciplinary, such as feminism, spirituality, the environment, and more. The discourses on these subjects inspire many artists to experiment in contemporary Indian theatre by mixing forms. The collection presents a varied panoramic view of these artistic crossovers. [Subject: South Asian Studies, India Studies, Theatre Studies, Cultural Studies]
Author: Mala Renganathan Publisher: Anthem Press ISBN: 1785273957 Category : Drama Languages : en Pages : 198
Book Description
‘Rabindranath Tagore's Drama in the Perspective of Indian Theatre’ maps Tagore’s place in the Indian dramatic/performance traditions by examining unexplored critical perspectives on his drama such as his texts as performance texts; their exploration in multimedia; reflections of Indian culture in his plays; comparison with playwrights; theatrical links to his world of music and performance genres; his plays in the context of cross-cultural, intercultural theatre; the playwright as a poet-performer-composer and their interconnections and his drama on the Indian stage.
Author: Nishan Parlakian Publisher: Columbia University Press ISBN: 9780231502665 Category : Literary Criticism Languages : en Pages : 498
Book Description
Available in English for the first time, Modern Armenian Drama presents seven classic works from the Armenian stage. Spanning over a century (1871–1992), the plays explore such diverse themes science and religion, socioeconomic injustice, women's emancipation, and political reform through the medium of all the major European dramatic genres. Nishan Parlakian and S. Peter Cowe provide a comprehensive introduction to the history of Armenian drama, giving a valuable overview of its importance and development in Armenia, as well as a brief biography for each playwright. A preface to each play helps in placing the work within the context of historical and cultural issues of the time. Like the plays of Ibsen and O'Neill, the plays presented in this anthology are considered modern classics. They have an enduring quality and appeal to audiences who see them today. The editors have collected translations of the best examples of Armenian theater from its renaissance in the mid-nineteenth century to the present.
Author: Maria-Sabina Draga Alexandru Publisher: Hotei Publishing ISBN: 9004292608 Category : Literary Criticism Languages : en Pages : 301
Book Description
This book starts with a consideration of a 1997 issue of the New Yorker that celebrated fifty years of Indian independence, and goes on to explore the development of a pattern of performance and performativity in contemporary Indian fiction in English (Salman Rushdie, Arundhati Roy and Vikram Chandra). Such fiction, which constructs identity through performative acts, is built around a nomadic understanding of the self and implies an evolution of narrative language towards performativity whereby the text itself becomes nomadic. A comparison with theatrical performance (Peter Brook’s Mahabharata and Girish Karnad’s ‘theatre of roots’) serves to support the argument that in both theatre and fiction the concepts of performance and performativity transform classical Indian mythic poetics. In the mythic symbiosis of performance and storytelling in Indian tradition within a cyclical pattern of estrangement from and return to the motherland and/or its traditions, myth becomes a liberating space of consciousness, where rigid categories and boundaries are transcended.
Author: Govind P. Deshpande
Author: Nandi Bhatia
Author: Aparna Bhargava Dharwadker
Author: Mahesh Dattani
Author: Erin B. Mee
Author: Lakshmi Subramanyam
Author: Ravi Chaturvedi
Author: Mala Renganathan
Author: Nishan Parlakian
Author: Maria-Sabina Draga Alexandru