Modern French Art PDF Download

Author: Earl Shinn
Publisher: BoD – Books on Demand
ISBN: 338544845X
Category : Fiction
Languages : en
Pages : 178

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Book Description
Reprint of the original, first published in 1881.

Author: Barnes Foundation
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 135

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Book Description

Author: Liza Oliver
Publisher:
ISBN: 9789463728515
Category : Art
Languages : en
Pages : 0

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Book Description
This book focuses on the integration of the Coromandel textile industries with French colonies in India from the founding of the French East India Company in 1664 to its debilitating defeat by the British during the Seven Years War.

Author: Henri Paul Pellaprat
Publisher:
ISBN:
Category : Cookery
Languages : en
Pages : 1042

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Book Description
Abstract: The variety and richness of the produce of France, combined with centuries of practice, have contributed to the high art of French cuisine. This art includes not just cooking methods, but serving, menu selection, wine, presentation, utensils, materials and sources of food. The recipes cover everything from the use of leftovers to elegant banquets, from simple to complicated, all under the aegis of a master of the "Cordon Bleu de Paris" cooking school. The emphasis is on a comprehensive approach to managing a kitchen and entertaining. A glossary helps define the terms used and illustrations provide inspiration and guidance.

Author: Steven Heller
Publisher: Chronicle Books (CA)
ISBN:
Category : Art
Languages : en
Pages : 144

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Book Description
This strikingly designed volume presents French Modern commercial graphic design in all its glory. Every aspect of French life in the lively and turbulent decades of the '20s and '30s is displayed in this rich compendium of highly stylized design concepts, including magazines, posters, brochures, and retail packages. From exhibition affiches proclaiming the dawn of a new cultural era and symbolic advertisements celebrating the marriage of man and machine to seductive perfume packages and exquisitely chic cocktail paraphernalia, this stunning survey offers a wealth of original artifacts - some never before seen in the United States - making it an essential reference for industrial designers, graphic artists, and anyone with an interest in the history of fine design and advertising.

Author: T.J. Clark
Publisher: Knopf
ISBN: 0525520511
Category : Art
Languages : en
Pages : 636

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Book Description
From T.J. Clark comes this provocative study of the origins of modern art in the painting of Parisian life by Edouard Manet and his followers. The Paris of the 1860s and 1870s was a brand-new city, recently adorned with boulevards, cafés, parks, Great Exhibitions, and suburban pleasure grounds—the birthplace of the habits of commerce and leisure that we ourselves know as "modern life." A new kind of culture quickly developed in this remade metropolis, sights and spectacles avidly appropriated by a new kind of "consumer": clerks and shopgirls, neither working class nor bourgeois, inventing their own social position in a system profoundly altered by their very existence. Emancipated and rootless, these men and women flocked to the bars and nightclubs of Paris, went boating on the Seine at Argenteuil, strolled the island of La Grande-Jatte—enacting a charade of community that was to be captured and scrutinized by Manet, Degas, and Seurat. It is Clark's cogently argued (and profusely illustrated) thesis that modern art emerged from these painters' attempts to represent this new city and its inhabitants. Concentrating on three of Manet's greatest works and Seurat's masterpiece, Clark traces the appearance and development of the artists' favorite themes and subjects, and the technical innovations that they employed to depict a way of life which, under its liberated, pleasure-seeking surface, was often awkward and anxious. Through their paintings, Manet and the Impressionists ask us, and force us to ask ourselves: Is the freedom offered by modernity a myth? Is modern life heroic or monotonous, glittering or tawdry, spectacular or dull? The Painting of Modern Life illuminates for us the ways, both forceful and subtle, in which Manet and his followers raised these questions and doubts, which are as valid for our time as for the age they portrayed.

Author: Magdalena Dabrowski
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 148

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Book Description
Published on the occasion of the exhibition of the same name held at the Museum of Modern Art, New York, October 27,1999 - March 14, 2000. French landscape is a part of larger exchbition, ModernStarts which is in turn part of a cycle of exchibitions entitled MoMa 2000.

Author: Earl Shinn
Publisher:
ISBN:
Category : Art, French
Languages : en
Pages : 180

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Book Description

Author: Johnnie Gratton
Publisher: Berghahn Books
ISBN: 1789204054
Category : Social Science
Languages : en
Pages : 240

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Book Description
The idea of the ‘project’ crosses generic, disciplinary and cultural frontiers. At a time when writers and artists are increasingly describing their practices as ‘projects’, remarkably little critical attention has been paid to the actual idea of the ‘project’. This collection of essays responds to an urgent need by suggesting a framework for evaluating the notion of the project in the light of various modernist and postmodernist cultural practices, drawn mainly but not exclusively from the French-speaking domain. The overview offered by this volume promises to makes an original and thought-provoking contribution to contemporary literary, artistic and cultural criticism.

Author: Greg M. Thomas
Publisher:
ISBN: 9780300112856
Category : Art and society
Languages : en
Pages : 0

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Book Description
Images of children and families abound in the works of the French Impressionists, from Claude Monet's portraits of his young sons to Mary Cassatt's endearing images of mother and child. In Impressionist Children, Greg M. Thomas offers new perspectives on some of the most famous paintings in art history, explaining how they reflect the dominant social, cultural, and political aspects of Parisian middle-class life in the late 1800s. Drawing on letters, children's books, tourist guidebooks, and 19th-century texts on child development, parenting, and education, Thomas skillfully demonstrates how childhood became a crucial theme for its embodiment of adult ideas about childhood, the family, sexuality, work and leisure, national culture, and, above all, the formation and reproduction of bourgeois identity. He discusses paintings, prints, drawings, and sculptures by Impressionist artists and investigates the influence of popular visual culture--fashion, toys, studio photography, and illustrations in books, magazines, and park guides--on the Impressionists' conceptualization of childhood and family relations.