Modern Feminisms PDF Download

Author: Maggie Humm
Publisher: Columbia University Press
ISBN: 9780231080736
Category : Education
Languages : en
Pages : 444

View

Book Description
Contributors include Simone de Beauvoir, Catharine A. MacKinnon, Audre Lorde, Adrienne Rich, Betty Friedan, Gayle Rubin, Laura Mulvey, Elaine Showalter, and Julia Kristeva.

Author: Nancy F. Cott
Publisher: Yale University Press
ISBN: 9780300042283
Category : Social Science
Languages : en
Pages : 394

View

Book Description
"The time has come to define feminism; it is no longer possible to ignore it." The Century Magazine, 1914 In this landmark addition to scholarship, Nancy F. Cott, author of The Bonds of Womanhood, offers a new interpretation of American feminism during the early decades of this century--a period traditionally viewed as on in which women won the right to vote and then lost interest in feminist issues. Cott argues instead that his period was a time of crisis and transition from the nineteenth-century "woman movement' to the beginning of modern feminism. Many of the issues that are central to women today, says Cott, were firmly articulated in the early decades of this century. For example, the problem of defining sexual equality so as to recognize sexual difference between men and women, the ambiguous potential of a movement seeking individual freedoms for women by mobilizing sex solidarity, and the tensions involved in attaining full expression in work and love are all enduring elements of feminism seized upon by women of the 1910s and 1920s. First discussing how feminism was indebted to its predecessors, Cott shows that increasing heterogeneity and diverse loyalties among women in the early twentieth century contradicted the premise of the nineteenth-century "cause of woman" (the singular noun symbolizing the unity of the female sex). From this crisis emerged feminism, championing individual variability and refuting the premise that a singular "woman" existed. Cott focuses on the suffrage-campaign milieu in which feminism arose, giving particular attention to the character and role of the National Woman's Party from its militant suffrage days to its advocacy of the equal right amendment in the 1920s. Against prevailing interpretations of the decline of women's political activities after 1920, Cott counterposes the swelling numbers in women's voluntary associations and their political efforts. She also analyzes the pitfalls that awaited women who tried for effectiveness in the male-dominated political parties. She sets the controversy over the equal rights amendment in new context, discussing the full dimensions of the conflict as not merely over personalities, tactics, or class loyalties, but as a signal example of the modern problem of capturing sexual equality and sexual difference in law. The book explores the irony-strewn path of women who as aspiring professionals and political actors attempted to put into practice the feminist intent to replace the abstraction "woman" with, instead, "the human sex." This history--the story of women who first claimed the name feminists--builds an essential bridge between the presuffrage period and today.

Author: Maura Reilly
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312

View

Book Description
This publication brings together works by over eighty contemporary women artists from over fifty countries, among them Catherine Opie, Miwa Yanagi, Pilar Albarracín, Shahzia Sikander and Yin Xiuzhen. Contributions by a multinational team of authors focus particular attention on socio-cultural, racial and gender identities. Includes essays by Maura Reilly, Linda Nochlin, N'gone Fall, Geeta Kapur, Michiko Kasahara, Joan Kee, Virginia Pérez-Ratton, Elisabeth Lebovici, Charlotta Kotík. Published on occasion of the exhibition 'Global Feminisms', organized by the Brooklyn Museum, March 23-July 1, 2007.

Author: Mona Charen
Publisher: National Geographic Books
ISBN: 0451498399
Category : Political Science
Languages : en
Pages : 0

View

Book Description
Author of the New York Times bestseller Useful Idiots and popular columnist Mona Charen takes a close, reasoned look at the aggressive feminist agenda undermining the success and happiness of men and women across the country In this smart, deeply necessary critique, Mona Charen unpacks the ways feminism fails us at home, in the workplace, and in our personal relationships--by promising that we can have it all, do it all, and be it all. Here, she upends the feminist agenda and the liberal conversation surrounding women's issues by asking tough and crucial questions, such as: Did women's full equality require the total destruction of the nuclear family? Did it require a sexual revolution that would dismantle traditions of modesty, courtship, and fidelity that had characterized relations between the sexes for centuries? Did it cause the broken dating culture and the rape crisis on our college campuses? Did it require war between the sexes that would deem men the "enemy" of women? Have the strides of feminism made women happier in their home and work life. (The answer is No.) Sex Matters tracks the price we have paid for denying sex differences and stoking the war of the sexes--family breakdown, declining female happiness, aimlessness among men, and increasing inequality. Marshaling copious social science research as well as her own experience as a professional as well as a wife and mother, Mona Charen calls for a sexual ceasefire for the sake of women, men, and children.

Author: Giovanna Parmigiani
Publisher: Indiana University Press
ISBN: 0253043409
Category : Social Science
Languages : en
Pages : 230

View

Book Description
Can the way a word is used give legitimacy to a political movement? Feminism, Violence, and Representation in Modern Italy traces the use of the word "femminicidio" (or "femicide") as a tool to mobilize Italian feminists, particularly the Union of Women in Italy (UDI). Based on nearly two years of fieldwork among feminist activists, Giovanna Parmigiani takes a broad look at the many ways in which violence inflects the lives of women in Italy. From unchallenged gendered grammar rules to the representation of women as victims, Parmigiani examines the devaluing of women's contribution to their communities through the words and experiences of the women she interviews. She describes the first uses of the word "femminicidio" as a political term used by and within feminist circles and traces its spread to ultimate legitimization and national relevance. The word redefined women as a political subject by building an imagined community of potentially violated women. In doing so, it challenged Italians to consider the status of women in Italian society, and to make this status a matter of public debate. It also problematized the connection between women and tropes of women as objects of suffering and victimhood. Parmigiani considers this exchange within the context of Italian Catholic heritage, a precarious economy, and long-held notions of honor and shame. Parmigiani provides a careful and searing consideration of the ways in which representations of violence and the politics of this representation are shaping the future of women in Italy and beyond.

Author: Susan A. Glenn
Publisher: Harvard University Press
ISBN: 0674037669
Category : Performing Arts
Languages : en
Pages : 336

View

Book Description
When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.

Author: Hanna Rosin
Publisher: Penguin
ISBN: 1101596929
Category : Social Science
Languages : en
Pages : 322

View

Book Description
Essential reading for our times, as women are pulling together to demand their rights— A landmark portrait of women, men, and power in a transformed world. “Anchored by data and aromatized by anecdotes, [Rosin] concludes that women are gaining the upper hand." –The Washington Post Men have been the dominant sex since, well, the dawn of mankind. But Hanna Rosin was the first to notice that this long-held truth is, astonishingly, no longer true. Today, by almost every measure, women are no longer gaining on men: They have pulled decisively ahead. And “the end of men”—the title of Rosin’s Atlantic cover story on the subject—has entered the lexicon as dramatically as Betty Friedan’s “feminine mystique,” Simone de Beauvoir’s “second sex,” Susan Faludi’s “backlash,” and Naomi Wolf’s “beauty myth” once did. In this landmark book, Rosin reveals how our current state of affairs is radically shifting the power dynamics between men and women at every level of society, with profound implications for marriage, sex, children, work, and more. With wide-ranging curiosity and insight unhampered by assumptions or ideology, Rosin shows how the radically different ways men and women today earn, learn, spend, couple up—even kill—has turned the big picture upside down. And in The End of Men she helps us see how, regardless of gender, we can adapt to the new reality and channel it for a better future.

Author: Imelda Whelehan
Publisher: NYU Press
ISBN: 0814792995
Category : Social Science
Languages : en
Pages : 279

View

Book Description
Outlines the main features of major strands in contemporary second wave feminist thought, and debates the place of feminism in social, political, and personal life during the 1990s. After a retrospective of feminist thought from the 1960s through the mid-1980s, chapters present the origins of aspects of second wave feminism such as liberal, socialist, radical, lesbian, and black feminism, and discuss feminist debates in the 1980s and 1990s, men in feminism, the media and feminist superstars, and theoretical developments. Annotation copyright by Book News, Inc., Portland, OR

Author: Jessa Crispin
Publisher: Melville House
ISBN: 1612196020
Category : Social Science
Languages : en
Pages : 177

View

Book Description
Outspoken critic Jessa Crispin delivers a searing rejection of contemporary feminism . . . and a bracing manifesto for revolution. Are you a feminist? Do you believe women are human beings and that they deserve to be treated as such? That women deserve all the same rights and liberties bestowed upon men? If so, then you are a feminist . . . or so the feminists keep insisting. But somewhere along the way, the movement for female liberation sacrificed meaning for acceptance, and left us with a banal, polite, ineffectual pose that barely challenges the status quo. In this bracing, fiercely intelligent manifesto, Jessa Crispin demands more. Why I Am Not A Feminist is a radical, fearless call for revolution. It accuses the feminist movement of obliviousness, irrelevance, and cowardice—and demands nothing less than the total dismantling of a system of oppression. Praise for Jessa Crispin, and The Dead Ladies Project "I'd follow Jessa Crispin to the ends of the earth." --Kathryn Davis, author of Duplex "Read with caution . . . Crispin is funny, sexy, self-lacerating, and politically attuned, with unique slants on literary criticism, travel writing, and female journeys. No one crosses genres, borders, and proprieties with more panache." --Laura Kipnis, author of Men: Notes from an Ongoing Investigation "Very, very funny. . . . The whole book is packed with delightfully offbeat prose . . . as raw as it is sophisticated, as quirky as it is intense." --The Chicago Tribune

Author: Ingeborg W. Owesen
Publisher: Routledge
ISBN: 1000382923
Category : Social Science
Languages : en
Pages : 132

View

Book Description
Within much contemporary feminist theory there is a tendency to forget or ignore its own historicity and consider itself as primarily oriented towards the present. This book explores the historical roots of some of feminism’s central concepts and debates, examining the philosophical conditions for feminist thought and taking as its point of departure the dynamic relationship between feminist thought and the history of philosophy. With close attention to the genealogy of key concepts such as equality, sex/gender and difference, alongside discussions of contemporary gender equality policy and contextual understandings of central figures including Wollstonecraft, Beauvoir and Irigaray, The Genealogy of Modern Feminist Thinking provides an analysis of feminism from its origins in the Early Modern period to its contemporary, post-modern forms. Shedding light on feminism as a product of Modernity and establishing it as part of the canon of European intellectual development, this book thus corrects the picture of feminism as a phenomenon that lacks historical continuity, revealing a history characterized by breaks, setbacks and forgetting, in which the forgetting itself forms part of a rich genealogy. As such, it will be of interest to philosophers, sociologists, political theorists and intellectual historians alike.