Author: Thomas Simpson (M.A.)Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 208
Book Description
Modern Etchings and Their Collectors
Author: Thomas Simpson (M.A.)Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 208
Book Description
Modern Etchings, Mezzotints and Dry-points
Author: Charles HolmePublisher: London : New York ; "The Studio" Limited
ISBN:
Category : Dry-point
Languages : en
Pages : 312
Book Description
Catalogue of the First Portion of the Important Collection of Modern Etchings and Engravings, Lithographs and Drawings, the Property of Monsieur Philippe Burty, of Paris. ...
Author: Modern Etchings, Lithographs, Drawings & Paintings
Author: American Art Association, Anderson Galleries (Firm)Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 100
Book Description
Catalogue of Modern Etchings and Drawings Coloured Prints Illustrative of Coaching
Author: Sotheby, Wilkinson & HodgePublisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 12
Book Description
Catalogue of Ancient and Modern Pictures, from Different Private Collections
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3385304679
Category : Fiction
Languages : en
Pages : 105
Book Description
Reprint of the original, first published in 1883.
Works on Paper
Author: Richard DiebenkornPublisher:
ISBN:
Category : Art
Languages : en
Pages : 298
Book Description
A collection of the artist's works, focusing on his Ocean Park series. Includes a short introduction.
Giorgio Morandi: Late Paintings
Author: Giorgio MorandiPublisher: David Zwirner Books
ISBN: 1941701566
Category : Art
Languages : en
Pages : 97
Book Description
One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi’s paintings from this period at David Zwirner, New York—which, according to The New York Times, represent “lucid perfection, at once cerebral and impassioned.” It marked the first major presentation of the artist’s late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi’s work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi’s paintings and their influence on contemporary art.
The Early Modern Painter-etcher
Author: Arthur Ross GalleryPublisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 208
Book Description
Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.
Author: