Modern Dance in America--the Bennington Years PDF Download

Author: Sali Ann Kriegsman
Publisher: Macmillan Reference USA
ISBN:
Category : Education
Languages : en
Pages : 384

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Author: Martha Bremser
Publisher: Routledge
ISBN: 1134850182
Category : Performing Arts
Languages : en
Pages : 242

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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Janet Mansfield Soares
Publisher: Wesleyan University Press
ISBN: 0819569747
Category : Literary Criticism
Languages : en
Pages : 455

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Book Description
A lively and intimate portrait of an unsung heroine in American dance Martha Hill (1900–1995) was one of the most influential figures of twentieth century American dance. Her vision and leadership helped to establish dance as a serious area of study at the university level and solidify its position as a legitimate art form. Setting Hill's story in the context of American postwar culture and women's changing status, this riveting biography shows us how Hill led her colleagues in the development of American contemporary dance from the Kellogg School of Physical Education to Bennington College and the American Dance Festival to the Juilliard School at Lincoln Center. She created pivotal opportunities for Martha Graham, Doris Humphrey, Charles Weidman, Hanya Holm, José Limón, Merce Cunningham, and many others. The book provides an intimate look at the struggles and achievements of a woman dedicated to taking dance out of the college gymnasium and into the theatre, drawing on primary sources that were previously unavailable. It is lavishly illustrated with period photographs.

Author: Susan Manning
Publisher: U of Minnesota Press
ISBN: 9780816637362
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
Two traditionally divided strains of American dance, Modern Dance and Negro Dance, are linked through photographs, reviews, film, and oral history, resulting in a unique view of the history of American dance.

Author: M. Huxley
Publisher: Springer
ISBN: 1137439211
Category : Performing Arts
Languages : en
Pages : 197

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Book Description
The Dancer's World 1920-1945 focuses on modern dancers as they saw themselves. Five chapters describe a narrative arc that encompasses Europe and the USA with a focus between 1920 and 1945. A final chapter considers contemporary relevance for dancers, dance artists, choreographers, dance students and scholars alike.

Author: James Steichen
Publisher:
ISBN: 0190607416
Category : Biography & Autobiography
Languages : en
Pages : 313

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Book Description
Challenging the mythologies surrounding the early years of the Balanchine-Kirstein enterprise, this book weaves a new and definitive account of a crucial period in dance history.

Author: Jack Anderson
Publisher: Duke University Press
ISBN: 9780822306832
Category : American Dance Festival
Languages : en
Pages : 348

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Book Description
The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.

Author: José Limón
Publisher: Wesleyan University Press
ISBN: 9780819565051
Category : Biography & Autobiography
Languages : en
Pages : 256

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Book Description
A captivating illustrated autobiography of the early years of a major American choreographer.

Author: Susan Foster
Publisher: Routledge
ISBN: 1136893458
Category : Art
Languages : en
Pages : 293

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Book Description
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of a direct psychophysical connection between the body of a dancer and that of their observer. In this groundbreaking investigation, Susan Foster argues that the connection is in fact highly mediated and influenced by ever-changing sociocultural mores. Foster examines the relationships between three central components in the experience of watching a dance – the choreography, the kinesthetic sensations it puts forward, and the empathetic connection that it proposes to viewers. Tracing the changing definitions of choreography, kinesthesia, and empathy from the 1700s to the present day, she shows how the observation, study, and discussion of dance have changed over time. Understanding this development is key to understanding corporeality and its involvement in the body politic.

Author: Gay Morris
Publisher: Routledge
ISBN: 113480153X
Category : Performing Arts
Languages : en
Pages : 362

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Book Description
Moving Words provides a direct line into the most pressing issues in contemporary dance scholarship, as well as insights into ways in which dance contributes to and creates culture. Instead of representing a single viewpoint, the essays in this volume reflect a range of perspectives and represent the debates swirling within dance. The contributors confront basic questions of definition and interpretation within dance studies, while at the same time examining broader issues, such as the body, gender, class, race, nationalism and cross-cultural exchange. Specific essays address such topics as the black male body in dance, gender and subversions in the dances of Mark Morris, race and nationalism in Martha Graham's 'American Document', and the history of oriental dance.