Modern Dance & Ballet on Film & Video PDF Download

Author: Susan Braun
Publisher: Dance Films Assn
ISBN: 9780317415889
Category : Performing Arts
Languages : en
Pages : 174

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Book Description

Author: Judy Mitoma
Publisher: Routledge
ISBN: 1135376441
Category : Music
Languages : en
Pages : 369

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Book Description
Virtually everyone working in dance today uses electronic media technology. Envisioning Dance on Film and Video chronicles this 100-year history and gives readers new insight on how dance creatively exploits the art and craft of film and video. In fifty-three essays, choreographers, filmmakers, critics and collaborating artists explore all aspects of the process of rendering a three-dimensional art form in two-dimensional electronic media. Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).

Author: Louise Spain
Publisher:
ISBN: 9780810833036
Category : Performing Arts
Languages : en
Pages : 288

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Book Description
The most comprehensive resource available on dance films and videos in current distribution in the United States. An essential tool for any dance and/or film reference collection.

Author: John E. Mueller
Publisher: Princeton, N.J. : Princeton Book Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 108

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Book Description

Author: Dance Films Association
Publisher: Dance Horizons
ISBN: 9780871271716
Category : Performing Arts
Languages : en
Pages : 250

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Book Description

Author: Telory D. Arendell
Publisher: Springer
ISBN: 1137596104
Category : Performing Arts
Languages : en
Pages : 268

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Book Description
Dance’s Duet with the Camera: Motion Pictures is a collection of essays written by various authors on the relationship between live dance and film. Chapters cover a range of topics that explore dance film, contemporary dance with film on stage, dance as an ideal medium to be captured by 3D images and videodance as kin to site-specific choreography. This book explores the ways in which early practitioners such as Loïe Fuller and Maya Deren began a conversation between media that has continued to evolve and yet still retains certain unanswered questions. Methodology for this conversation includes dance historical approaches as well as mechanical considerations. The camera is a partner, a disembodied portion of self that looks in order to reflect on, to mirror, or to presage movement. This conversation includes issues of sexuality, race, and mixed ability. Bodies and lenses share equal billing.

Author: Jack Anderson
Publisher: Princeton, N.J. : Princeton Book Company
ISBN: 9780916622435
Category : Ballet
Languages : en
Pages : 243

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Book Description
Traces the history of dance from the ancient world to the present and discusses the contributions of influential dancers and choreographers.

Author: Agnes de Mille
Publisher: New York Review of Books
ISBN: 1590179080
Category : Biography & Autobiography
Languages : en
Pages : 369

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Book Description
Born into a family of successful playwrights and producers, Agnes de Mille was determined to be an actress. Then one day she witnessed the Russian ballet dancer Anna Pavlova, and her life was altered forever. Hypnotized by Pavlova’s beauty, in that moment de Mille dedicated herself to dance. Her memoir records with lighthearted humor and wisdom not only the difficulties she faced—the resistance of her parents, the sacrifices of her training—but also the frontier atmosphere of early Hollywood and New York and London during the Depression. “This is the story of an American dancer,” writes de Mille, “a spoiled egocentric wealthy girl, who learned with difficulty to become a worker, to set and meet standards, to brace a Victorian sensibility to contemporary roughhousing, and who, with happy good fortune, participated by the side of great colleagues in a renaissance of the most ancient and magical of all the arts.”

Author: Erin Brannigan
Publisher: Oxford University Press
ISBN: 0199887888
Category : Performing Arts
Languages : en
Pages : 242

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Book Description
Dancefilm: Choreography and the Moving Image examines the choreographic in cinema - the way choreographic elements inform cinematic operations in dancefilm. It traces the history of the form from some of its earliest manifestations in the silent film era, through the historic avant-garde, musicals and music videos to contemporary experimental short dancefilms. In so doing it also examines some of the most significant collaborations between dancers, choreographers, and filmmakers. The book also sets out to examine and rethink the parameters of dancefilm and thereby re-conceive the relations between dance and cinema. Dancefilm is understood as a modality that challenges familiar models of cinematic motion through its relation to the body, movement and time, instigating new categories of filmic performance and creating spectatorial experiences that are grounded in the somatic. Drawing on debates in both film theory (in particular ideas of gesture, the close up, and affect) and dance theory (concepts such as radical phrasing, the gestural anacrusis and somatic intelligence) and bringing these two fields into dialogue, the book argues that the combination of dance and film produces cine-choreographic practices that are specific to the dancefilm form. The book thus presents new models of cinematic movement that are both historically informed and thoroughly interdisciplinary.

Author: Anne Searcy
Publisher: Oxford University Press, USA
ISBN: 0190945109
Category : Performing Arts
Languages : en
Pages : 199

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Book Description
"During the Cold War, the governments of the United States and the Soviet Union developed cultural exchange programs, in which they sent performing artists abroad in order to generate goodwill for their countries. Ballet companies were frequently called on to serve in these programs, particularly in the direct Soviet-American exchange. This book analyzes four of the early ballet exchange tours, demonstrating how this series of encounters changed both geopolitical relations and the history of dance. The ballet tours were enormously popular. Performances functioned as an important symbolic meeting point for Soviet and American officials, creating goodwill and normalizing relations between the two countries in an era when nuclear conflict was a real threat. At the same time, Soviet and American audiences did not understand ballet in the same way. As American companies toured in the Soviet Union and vice-versa, audiences saw the performances through the lens of their own local aesthetics. Ballet in the Cold War introduces the concept of transliteration to understand this process, showing how much power viewers wielded in the exchange and explaining how the dynamics of the Cold War continue to shape ballet today"--