Author: Cecil Beaton
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 146
Book Description
Sketches of various contemporary women of note, with portraits.
The Book of Beauty
Author: Cecil Beaton
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 146
Book Description
Sketches of various contemporary women of note, with portraits.
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 146
Book Description
Sketches of various contemporary women of note, with portraits.
Impressionism in Britain
Author: Kenneth McConkey
Publisher: Yale University Press
ISBN: 9780300063349
Category : Art
Languages : en
Pages : 232
Book Description
Late in his career, Claude Monet returned to London to paint the fog that had entranced him years before. The resulting sequence of pictures represents some of the fascination that French painters felt for Britain. Similarly, many British collectors and young painters embraced and were influenced by the work of the French Impressionists. This book describes the activities of the French Impressionist painters on their visits to Britain, considers the dissemination of Impressionist painting through British dealers and collectors, explores the response of artists from Britain and Ireland to the Impressionist movement, and sets all of these against the backdrop of late Victorian and Edwardian Britain. McConkey and Robins describe the work of Monet, Pissarro, Sisley, and other Impressionists working in London, showing how this art influenced the community of young British painters disenchanted with British art schools and art exhibiting standards. The authors investigate the role played by two innovative painters who were American expatriates, James McNeill Whistler and John Singer Sargent. And they explain how such artists as William Orpen, George Clausen, Stanhope Forbes, Henry La Thangue, Walter Sickert, and Philip Wilson Steer sought out new and radical approaches to picture making, formed new secessionist art societies, and articulated new concepts of the role of art, rejecting historical pageants and fashionable aestheticism and focusing on modern rural and urban conditions. The book is the catalogue of an exhibition that will be at the Barbican Art Gallery in London from January to March 1995, and then move to Dublin.
Publisher: Yale University Press
ISBN: 9780300063349
Category : Art
Languages : en
Pages : 232
Book Description
Late in his career, Claude Monet returned to London to paint the fog that had entranced him years before. The resulting sequence of pictures represents some of the fascination that French painters felt for Britain. Similarly, many British collectors and young painters embraced and were influenced by the work of the French Impressionists. This book describes the activities of the French Impressionist painters on their visits to Britain, considers the dissemination of Impressionist painting through British dealers and collectors, explores the response of artists from Britain and Ireland to the Impressionist movement, and sets all of these against the backdrop of late Victorian and Edwardian Britain. McConkey and Robins describe the work of Monet, Pissarro, Sisley, and other Impressionists working in London, showing how this art influenced the community of young British painters disenchanted with British art schools and art exhibiting standards. The authors investigate the role played by two innovative painters who were American expatriates, James McNeill Whistler and John Singer Sargent. And they explain how such artists as William Orpen, George Clausen, Stanhope Forbes, Henry La Thangue, Walter Sickert, and Philip Wilson Steer sought out new and radical approaches to picture making, formed new secessionist art societies, and articulated new concepts of the role of art, rejecting historical pageants and fashionable aestheticism and focusing on modern rural and urban conditions. The book is the catalogue of an exhibition that will be at the Barbican Art Gallery in London from January to March 1995, and then move to Dublin.
The Life of Eric Gill
Author: Robert Speaight
Publisher: London, Methuen
ISBN:
Category : Artists
Languages : en
Pages : 380
Book Description
Publisher: London, Methuen
ISBN:
Category : Artists
Languages : en
Pages : 380
Book Description
Anne Estelle Rice (1879-1959): Paintings
Author: Anne Estelle Rice
Publisher:
ISBN:
Category : Painters, English
Languages : en
Pages : 58
Book Description
Publisher:
ISBN:
Category : Painters, English
Languages : en
Pages : 58
Book Description
Glyn Philpot, 1884-1937
Author: Robin Gibson
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
Publisher: Mitchell Beazley
ISBN:
Category : Art
Languages : en
Pages : 156
Book Description
British Impressionism
Author: Kenneth McConkey
Publisher: Phaidon Press
ISBN: 9780714829562
Category : Art
Languages : en
Pages : 0
Book Description
A comprehensive survey of the distinctly British version of Impressionism.
Publisher: Phaidon Press
ISBN: 9780714829562
Category : Art
Languages : en
Pages : 0
Book Description
A comprehensive survey of the distinctly British version of Impressionism.
Zanzibar
Author: Irma Stern
Publisher:
ISBN:
Category : Artists' illustrated books
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Artists' illustrated books
Languages : en
Pages : 112
Book Description
A Forger's Tale
Author: Shaun Greenhalgh
Publisher: Allen & Unwin
ISBN: 1952535247
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
The extraordinary story of one of the greatest living art forgers, who fooled the world's art experts whilst working from a shed in the garden of his parents' house in Bolton, England. In 2007, Bolton Crown Court in the United Kingdom sentenced Shaun Greenhalgh to four years and eight months in prison for the crime of producing artistic forgeries. Working out of a shed in his parents' garden, Greenhalgh had successfully fooled some of the world's greatest museums. During the court case, the breadth of his forgeries shocked the art world and tantalised the media. What no one realised was how much more of the story there was to tell. Written in prison, A Forger's Tale details Shaun's notorious career and the extraordinary circumstances that led to it. From Leonardo drawings to L.S. Lowry paintings, from busts of American presidents to Anglo-Saxon brooches, from cutting-edge Modernism to the ancient art of the Stone Age, Greenhalgh could--and did--copy it all. Told with great wit and charm, this is the definitive account of Britain's most successful and infamous forger, a man whose love for art saturates every page of this extraordinary memoir.
Publisher: Allen & Unwin
ISBN: 1952535247
Category : Biography & Autobiography
Languages : en
Pages : 401
Book Description
The extraordinary story of one of the greatest living art forgers, who fooled the world's art experts whilst working from a shed in the garden of his parents' house in Bolton, England. In 2007, Bolton Crown Court in the United Kingdom sentenced Shaun Greenhalgh to four years and eight months in prison for the crime of producing artistic forgeries. Working out of a shed in his parents' garden, Greenhalgh had successfully fooled some of the world's greatest museums. During the court case, the breadth of his forgeries shocked the art world and tantalised the media. What no one realised was how much more of the story there was to tell. Written in prison, A Forger's Tale details Shaun's notorious career and the extraordinary circumstances that led to it. From Leonardo drawings to L.S. Lowry paintings, from busts of American presidents to Anglo-Saxon brooches, from cutting-edge Modernism to the ancient art of the Stone Age, Greenhalgh could--and did--copy it all. Told with great wit and charm, this is the definitive account of Britain's most successful and infamous forger, a man whose love for art saturates every page of this extraordinary memoir.
The Art of Jack B. Yeats
Author: T. G. Rosenthal
Publisher:
ISBN: 9780233051109
Category : Art, Irish
Languages : en
Pages : 0
Book Description
Jack B. Yeats is probably the greatest painter Ireland has ever produced, although he is often overshadowed somewhat by his more famous brother, the poet W. B. Yeats. First published to great acclaim in 1993, this is one of very few popular books on Yeat's work. With more than 100 colour plates and 175 black and white illustrations, it is an authoritative and glorious appreciation of Yeats's vast and varied output.
Publisher:
ISBN: 9780233051109
Category : Art, Irish
Languages : en
Pages : 0
Book Description
Jack B. Yeats is probably the greatest painter Ireland has ever produced, although he is often overshadowed somewhat by his more famous brother, the poet W. B. Yeats. First published to great acclaim in 1993, this is one of very few popular books on Yeat's work. With more than 100 colour plates and 175 black and white illustrations, it is an authoritative and glorious appreciation of Yeats's vast and varied output.
鯉躍龍門
Author: Teresa Canepa
Publisher: Ad Ilissvm
ISBN: 9781912168163
Category : Porcelain, Chinese
Languages : en
Pages : 0
Book Description
This book celebrates the most important collection of 17th-century Chinese porcelain in the world, assembled by the distinguished British diplomat Sir Michael Butler. His passion for porcelain is clearly reflected in the over eight hundred pieces he collected and lived with at his home and private museum in Dorset. The pots (as Sir Michael called them), many of extreme rarity or exquisite quality, give testimony to the incredible depth of knowledge he acquired over five decades and his outstanding contribution to research and education in this previously neglected field of study. This lavish and comprehensive collection covers most types of porcelain produced at Jingdezhen, in Jiangxi province, during the 17th century. The variety of the pieces carefully acquired by Sir Michael reflects the great innovative spirit of the highly skilled Jingdezhen potters and painters at a time when they were released from the controls of Imperial patronage, between the end of the reign of the Ming Emperor Wanli in 1620 and the re-establishment of the Imperial kilns by the Qing Emperor Kangxi in 1683. It is a study collection of porcelain unrivalled in its breath and rarity that demonstrates the stylistic and qualitative evolution which occurred in Chinese porcelain production during the 17th century. An introduction written by Katharine Butler tells the fascinating story of the circumstances that encouraged her father to acquire, collect and passionately study Chinese porcelain of the 17th century; how he found rare pieces with dates, interesting inscriptions, seal marksor narrative scenes; and how the collection and his scholarly publications came to be internationally renowned. The core of the book is composed of nine sections presenting the main categories of porcelains in the collection: Late Ming, High Transitional, Shunzhi, Early Kangxi, Mid-Late Kangxi, Monochromes and Famille Verte, as well as disputed pieces. Some of the highlights are the extremely rare High Transitional pieces painted only in overglaze enamels dating to the Chongzhen reign, c.1640-43; the first piece acquired by Sir Michael, a green enamel winepot, dating to the early Kangxi reign, c.1665-70; a group of rare dated Zhonghe Tang pieces painted in underglaze blue and red, and an early Kangxi basin finely painted in underglaze blue and red with a Master of the Rocks landscape, dating to c.1670-75. Leaping the Dragon Gate refers to the symbolic metamorphosis from a humble carp to a mighty dragon - the most powerful of the Four Divine Creatures - that a student would undergo on succeeding in the Jinshi or Imperial civil service examinations. Passing these examinations required years, sometimes decades, of enormous effort to acquire the requisite educational merit and success was very rare. It is a worthy metaphor for Sir Michael's scholarly achievement. This 384-page book with over 600 colour illustrations is a catalogue raisonné of almost his entire 17th century porcelain collection, including many previously unpublished pieces. In the spirit of keeping the family legacy of acquisition and scholarship alive, the authors have included a few important, recently purchased pieces and also have revised and expanded the list of all known dated pieces of 17th Century Chinese porcelain in the world that Sir Michael compiled in his 1992 USA exhibition catalogue.
Publisher: Ad Ilissvm
ISBN: 9781912168163
Category : Porcelain, Chinese
Languages : en
Pages : 0
Book Description
This book celebrates the most important collection of 17th-century Chinese porcelain in the world, assembled by the distinguished British diplomat Sir Michael Butler. His passion for porcelain is clearly reflected in the over eight hundred pieces he collected and lived with at his home and private museum in Dorset. The pots (as Sir Michael called them), many of extreme rarity or exquisite quality, give testimony to the incredible depth of knowledge he acquired over five decades and his outstanding contribution to research and education in this previously neglected field of study. This lavish and comprehensive collection covers most types of porcelain produced at Jingdezhen, in Jiangxi province, during the 17th century. The variety of the pieces carefully acquired by Sir Michael reflects the great innovative spirit of the highly skilled Jingdezhen potters and painters at a time when they were released from the controls of Imperial patronage, between the end of the reign of the Ming Emperor Wanli in 1620 and the re-establishment of the Imperial kilns by the Qing Emperor Kangxi in 1683. It is a study collection of porcelain unrivalled in its breath and rarity that demonstrates the stylistic and qualitative evolution which occurred in Chinese porcelain production during the 17th century. An introduction written by Katharine Butler tells the fascinating story of the circumstances that encouraged her father to acquire, collect and passionately study Chinese porcelain of the 17th century; how he found rare pieces with dates, interesting inscriptions, seal marksor narrative scenes; and how the collection and his scholarly publications came to be internationally renowned. The core of the book is composed of nine sections presenting the main categories of porcelains in the collection: Late Ming, High Transitional, Shunzhi, Early Kangxi, Mid-Late Kangxi, Monochromes and Famille Verte, as well as disputed pieces. Some of the highlights are the extremely rare High Transitional pieces painted only in overglaze enamels dating to the Chongzhen reign, c.1640-43; the first piece acquired by Sir Michael, a green enamel winepot, dating to the early Kangxi reign, c.1665-70; a group of rare dated Zhonghe Tang pieces painted in underglaze blue and red, and an early Kangxi basin finely painted in underglaze blue and red with a Master of the Rocks landscape, dating to c.1670-75. Leaping the Dragon Gate refers to the symbolic metamorphosis from a humble carp to a mighty dragon - the most powerful of the Four Divine Creatures - that a student would undergo on succeeding in the Jinshi or Imperial civil service examinations. Passing these examinations required years, sometimes decades, of enormous effort to acquire the requisite educational merit and success was very rare. It is a worthy metaphor for Sir Michael's scholarly achievement. This 384-page book with over 600 colour illustrations is a catalogue raisonné of almost his entire 17th century porcelain collection, including many previously unpublished pieces. In the spirit of keeping the family legacy of acquisition and scholarship alive, the authors have included a few important, recently purchased pieces and also have revised and expanded the list of all known dated pieces of 17th Century Chinese porcelain in the world that Sir Michael compiled in his 1992 USA exhibition catalogue.