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Author: Simone Wille Publisher: Routledge ISBN: 1317341368 Category : Art Languages : en Pages : 143
Book Description
Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.
Author: Simone Wille Publisher: Routledge ISBN: 1317341368 Category : Art Languages : en Pages : 143
Book Description
Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.
Author: Salima Hashmi Publisher: Penguin UK ISBN: 9351188809 Category : Art Languages : en Pages : 353
Book Description
A superb art book of one of the most arresting art movements in the world today Pakistan’s contemporary art scene is arguably the most exciting in South Asia. Wellknown curator, artist and teacher Salima Hashmi gives us a superb overview in this lavishly designed book, which includes interviews with artists such as Rashid Rana and pieces by writers like Kamila Shamsie and Mohsin Hamid.
Author: Iftikhar Dadi Publisher: Univ of North Carolina Press ISBN: 0807895962 Category : Art Languages : en Pages : 356
Book Description
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author: Sasanka Perera Publisher: Springer ISBN: 3030058522 Category : Social Science Languages : en Pages : 311
Book Description
Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.
Author: Virginia Whiles Publisher: I.B. Tauris ISBN: Category : Art Languages : en Pages : 360
Book Description
'[This book] has originality and insight and throws fresh light on an important aspect of the art world. By letting the categories of artistic production, nationalist identity and subterfuge speak to, inform, and challenge one another, Virginia Whiles has created a rich text which gives both historical depth and contemporary significance on questions of art, commodification and identity.'-Parvathi Raman, Senior Lecturer in Social Anthropology, Department of Anthropology and Sociology, School of Oriental and African Studies, University of London --
Author: Simone Wille Publisher: Routledge ISBN: 131734135X Category : Art Languages : en Pages : 192
Book Description
Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.
Author: Salima Hashmi Publisher: ISBN: Category : Art Languages : en Pages : 168
Book Description
Accompanying the first U.S. museum exhibition devoted to contemporary art from Pakistan, this dynamic catalogue provides a groundbreaking look at recent and current trends in Pakistani art. Hanging Fire covers a fascinating range of subjects and media, from installation and video art to sculpture, drawing, and paintings in the "contemporary miniature" tradition. Essays by distinguished contributors from a variety of fields, including Salima Hashmi, Pakistani-American sociologist and historian Ayesha Jalal, and the celebrated novelist Mohsin Hamid, place contemporary Pakistani art in a cultural, historical, and artistic perspective. The book's title, Hanging Fire, alludes to the contemporary economic, political, and social tensions--both local and global--from which these artists find their creative inspiration. It may also suggest to the viewer to delay judgment, particularly based on assumptions or preconceived notions about contemporary society and artistic expression in Pakistan today. Distributed for the Asia Society Museum Exhibition Schedule: Asia Society and Museum (9/10/09 - 1/3/10)
Author: Akbar Naqvi Publisher: Oxford University Press, USA ISBN: Category : Art Languages : en Pages : 922
Book Description
Celebrating fifty years of Pakistani painting and sculpture, this is the definitive story of the introduction and unfolding of modern art in Pakistan.
Author: Jennifer Harris Publisher: John Wiley & Sons ISBN: 1118768906 Category : Design Languages : en Pages : 528
Book Description
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Author: Simone Wille
Author: Simone Wille
Author: Salima Hashmi
Author: Iftikhar Dadi
Author: Sasanka Perera
Author: Virginia Whiles
Author: Simone Wille
Author: Salima Hashmi
Author: Suljuk Mustansar Tarar
Author: Akbar Naqvi
Author: Jennifer Harris