Modern Art PDF Download

Author: Pam Meecham
Publisher: Psychology Press
ISBN: 9780415172356
Category : Art
Languages : en
Pages : 284

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Book Description
This textbook provides a comprehensive guide to modern and post-modern art. The authors bring together history, theory and the art works themselves to help students understand how and why art has developed during the 20th century.

Author: Pam Meecham
Publisher: Routledge
ISBN: 1317972465
Category : Art
Languages : en
Pages : 392

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Book Description
Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art. This second edition has been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history.

Author: Pam Meecham
Publisher: Routledge
ISBN: 1317972473
Category : Art
Languages : en
Pages : 384

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Book Description
A revised and updated edition of one of the most successful 'Critical Introductions' textbooks New features include marginal notes and colour photos New innovative structure, based on feed-back from teachers, focusing on how modern art has been understood rather than a straight chronological account of movements

Author: Jonathan Harris
Publisher: Routledge
ISBN: 1134582501
Category : Art
Languages : en
Pages : 321

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Book Description
The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlier forms of 'radical' or 'critical' analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change. Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories. Individual chapters include: * Capitalist Modernity, the Nation-State and Visual Representation * Feminism, Art, and Art History * Subjects, Identities and Visual Ideology * Structures and Meanings in Art and Society * The Representation of Sexuality

Author: David Clarke
Publisher: Hong Kong University Press
ISBN: 9888455915
Category : Art
Languages : en
Pages : 248

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Book Description
China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London

Author: Brad Finger
Publisher: Prestel Publishing
ISBN: 9783791347219
Category : Art, Modern
Languages : en
Pages : 0

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Book Description
This story of modern art unfolds like a timeline of watershed events that decisively influenced popular opinion and paved the way for further artistic achievement. Chronologically arranged, each chapter focuses on a particular work or idea that changed modern art as we know it. Through beautiful spreads and with informative text, readers will discover how a painting such as Edouard Manet's Le Dejeuner sur l'Herbe shocked the art establishment with its depiction of nude women alongside fully clothed men. The author explains how the work's striking visual quality and easy brushstrokes helped give birth to the Impressionist movement. This book features a number of similarly pioneering works such as Monet's Impression, Sunrise, Cezanne's Mon Sainte-Victoire, Van Gogh's Wheatfield with Crows, Rodin's Monument to Balzac, Matisse's Woman with a Hat, Picasso's Les Demoiselles d'Avignon, Duchamp's Bicycle Wheel, Ernst's Aquis Submersus, Rivera's La Creacion, Calder's Lobster Trap and Fish Tail, Pollock's Full Fathom Five, Nam June Paik's TV Cello, Smithson's Spiral Jetty, and Chuck Close's Bob. Perfect for perusing or reading from cover to cover, this book illustrates how the world's greatest artists are geniuses at synthesizing the accomplishments of those before them in order to create ground-breaking works for others to follow. 160 colour illustrations

Author: Jonathan P. Harris
Publisher: Psychology Press
ISBN: 041523008X
Category : Art
Languages : en
Pages : 321

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Book Description
In this excellent book, Jonathan Harris explores the fundamental changes which have occurred both in the institutions and practice of art history over the last thirty years.

Author: Pam Meecham
Publisher:
ISBN: 9781118639948
Category :
Languages : en
Pages :

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Book Description

Author: Francis Frascina
Publisher: Routledge
ISBN: 0429978537
Category : Art
Languages : en
Pages : 549

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Book Description
Modern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.

Author: Jeremy F. Lane
Publisher: Pluto Press
ISBN: 9780745315010
Category : Literary Criticism
Languages : en
Pages : 240

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Book Description
This study of the work of the influential French sociologist and anthropologist Pierre Bourdieu places his work firmly in the context of developments both in the French post-war intellectual field an din post-war French society as a whole. Set against the background of rapid change and upheaval that has characterised post-war French society, culture and politics, Bourdieu's work can be seen as offering a peculiarly perceptive analysis of France's problematic transition to an era of late capitalism. Proceeding thematically, this study traces the development of Bourdieu's thought, elucidating the relationship between the anthropological and sociological aspects of his work, examining his debt to Marx, Weber, Durkheim, Husserl, Merleau-Ponty and Bachelard, and highlighting his antagonistic relationship with a series of contemporary intellectual figures and movements - Barthes, Lefebvre, Touraine, Sartre, Fanon, Foucault, Derrida, structuralism and post-structuralism.