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Mixed Political Wares as Seen in Vanity Fair

Mixed Political Wares as Seen in Vanity Fair PDF Author: GARY. BRENNAN
Publisher:
ISBN: 9781839754845
Category :
Languages : en
Pages : 120

Book Description
Vanity Fair was a weekly show of Political, Social and Literary Wares which was cutting-edge and unique. Over time it became the most successful society magazine in the history of English journalism and with its combination of witty epigrams, portrait caricature and colour lithography, it provided a new interest for the English magazine genre. The colour caricatures were not initially used by its founding editor Thomas Gibson Bowles until Issue 13, when he thought a caricature might boost the fortunes of his new magazine. Benjamin Disraeli was the first, followed by his close rival William Gladstone. Vanity Fair stood ready to attack all who threatened the established social structure, controlled by the ruling elites. It was outspoken in its condemnation of the political parties, and during its 46 year existence, politicians were to account for a third of the 2352 caricatures published in the journal from 1869 to 1914. Unlike the rest of Vanity Fair, these caricatures have lived on and prospered, many falling into the hands of private collectors. This particular collection of 'mixed political wares' includes some of the key players and also rans, whose professional dealings, successful or otherwise, did not escape the scrutiny of the prophesising Jehu Junior.

Mixed Political Wares as Seen in Vanity Fair

Mixed Political Wares as Seen in Vanity Fair PDF Author: GARY. BRENNAN
Publisher:
ISBN: 9781839754845
Category :
Languages : en
Pages : 120

Book Description
Vanity Fair was a weekly show of Political, Social and Literary Wares which was cutting-edge and unique. Over time it became the most successful society magazine in the history of English journalism and with its combination of witty epigrams, portrait caricature and colour lithography, it provided a new interest for the English magazine genre. The colour caricatures were not initially used by its founding editor Thomas Gibson Bowles until Issue 13, when he thought a caricature might boost the fortunes of his new magazine. Benjamin Disraeli was the first, followed by his close rival William Gladstone. Vanity Fair stood ready to attack all who threatened the established social structure, controlled by the ruling elites. It was outspoken in its condemnation of the political parties, and during its 46 year existence, politicians were to account for a third of the 2352 caricatures published in the journal from 1869 to 1914. Unlike the rest of Vanity Fair, these caricatures have lived on and prospered, many falling into the hands of private collectors. This particular collection of 'mixed political wares' includes some of the key players and also rans, whose professional dealings, successful or otherwise, did not escape the scrutiny of the prophesising Jehu Junior.

Vanity Fair

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Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 366

Book Description


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In Author: Roy T. Matthews
Publisher: Univ of California Press
ISBN: 9780520043008
Category : Language Arts & Disciplines
Languages : en
Pages : 288

Book Description
Gathers caricatures and portraits depicting royalty, politicians, artists, lawyers, journalists, and sportsmen of Victorian England and includes notes on each subject's life

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Publisher:
ISBN:
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Languages : en
Pages : 48

Book Description


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Publisher: Taylor & Francis
ISBN: 1134269056
Category : History
Languages : en
Pages : 698

Book Description
a valuable source of social commentary at a time of great change wide ranging - from women's issues to colonisation Gordon is well known - Emeritus Professor at the University of London Institute of Education

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Publisher: Routledge
ISBN: 1135887349
Category : Business & Economics
Languages : en
Pages : 680

Book Description
Now available in a significantly updated third edition to address new issues such as the Internet and globalization, Social Communication in Advertising remains the most comprehensive historical study of advertising and its function within contemporary society. It traces advertising's influence within three key social domains: the new commodities industry, popular culture, and the mass media that manages the constellation of images that unifies all three. The third edition includes: * discussion of new technologies and issues, from the Internet to globalization * updated and expanded examples and illustrations * revisions throughout to address recent developments in advertising scholarship and the latest trends in advertising practice

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