Mister Bosphorus and the Muses; Or, A Short History of Poetry in Britain: Variety Entertainment in Four Acts. Music by Several Popular Composers .. Decorated with Designs Engraved on Wood by Paul Nash PDF Download

Author: Ford Madox Ford
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Ford Madox Ford
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 140

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Publisher: BRILL
ISBN: 9004484574
Category : Social Science
Languages : en
Pages : 253

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History and Representation in Ford Madox Ford’s Writings explores the idea of history across various genres: fiction, autobiography, books about places and cultures, criticism, and poetry. ‘I wanted the Novelist in fact to appear in his really proud position as historian of his own time’, wrote Ford. The twenty leading specialists assembled for this volume consider his writing about twentieth-century events, especially the First World War; and also his representations of the past, particularly in his fine trilogy about Henry VIII and Katharine Howard, The Fifth Queen. Ford’s provocative dealings with the relationship between fiction and history is shown to anticipate postmodern thinking about historiography and narrative. The collection includes essays by two acclaimed novelists, Nicholas Delbanco and Alan Judd, assessing Ford’s grasp of literary history, and his place in it.

Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1900

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Volumes for 1898-1968 include a directory of publishers.

Author: Sampson Low
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 424

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Vols. for 1898-1968 include a directory of publishers.

Author:
Publisher: BRILL
ISBN: 9004328378
Category : Literary Criticism
Languages : en
Pages : 253

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The controversial British writer Ford Madox Ford (1873–1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme, issue, or work; and relates aspects of Ford’s writing, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’, Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’, and which was adapted by Tom Stoppard for the acclaimed 2012 BBC/HBO television series, starring Benedict Cumberbatch and Rebecca Hall. The twelve essays in this volume, Ford Madox Ford’s Cosmopolis, focus directly on the internationalism so important to Ford, and bring out three main ideas. First, his lifelong commitment to an international vision of literature and culture. Second, ‘Cosmopolis’ also refers to Ford’s experiences of the particular cosmopolitan cities he lived in: London, Paris, New York. Third, the idea that his lifelong experience of Paris in particular informed and shaped his writing. Ford’s Cosmopolis is thus not only an ideal city or state open to such cosmopolitan exchange. It is also a mode of writing which invents forms and styles to render the experience of such hybridity, diversity, fluidity, and tolerance. Contributors are: Alexandra Becquet, Helen Chambers, Martina Ciceri, Laurence Davies, Claire Davison, Annalisa Federici, Georges Létissier, Caroline Patey, Andrea Rummel, Max Saunders, Rob Spence, Martin Stannard, George Wickes, Joseph Wiesenfarth.

Author:
Publisher: BRILL
ISBN: 9401201668
Category : Social Science
Languages : en
Pages : 256

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Book Description
The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. The book series, International Ford Madox Ford Studies, has been founded to reflect the recent resurgence of interest in Ford’s life and work. Each volume will normally be based upon a particular theme or issue. Each will relate aspects of Ford’s work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade’s End, which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’. However, critics of Edwardian and Modernist literature have been increasingly turning to Ford’s brilliant 1905 experiment in Impressionism, The Soul of London, as an exemplary text. Ford Madox Ford and the City assembles fourteen pioneering essays, by new as well as established European and American scholars, exploring Ford’s representations of real and ideal cities, across the full range of his work, from his earliest verse, to his post-war prose and poetry of the 1920s and 1930s. The volume is divided into three sections. The first focuses on his changing views of London, with The Soul of London taking pride of place. The second concentrates on the other great cities Ford lived and worked in – Paris and New York – as well as considering the role of the virtual or fantasy city. Besides reflecting new developments in research on Ford, the collection represents a significant contribution to studies in Modernism, literature and the city, Englishness and nationality. It concludes with three masterly essays by Ford himself – two of them published here for the first time – on cities he visited during his travels through America in the 1930s: Boston, Denver and Nashville.

Author: Sarah Davison
Publisher: Oxford University Press
ISBN: 019266591X
Category : Literary Criticism
Languages : en
Pages : 305

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Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It argues that parody is central to the whole modernist project, even to supposedly earnest movements such as Imagism, and not just to the extreme avant-garde antics of Dada. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, define themselves as post-Victorians, and respond to sources of inspiration while composing. It offered a ready method to laugh at folly, amuse friends, criticize opponents, spike enemies, and transgress conventions. Being double-coded, parody proved a powerful weapon in the culture wars, enabling modernists to present and simultaneously challenge prevailing ideologies in all their historically determined complexity. Its fundamentally dialogic and palimpsestual form exposed the limitations of naïve mimesis, insisting that literature is always language in unstable play, while simultaneously foregrounding the relational structures that underwrote the modernists' paradoxical claims to originality and modernity. As a principle of continual genesis-and a spur to the production of yet more forcefully experimental art-parody therefore became the modernists' primary reflex as they negotiated their position in literary culture and made it new.

Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 116

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Author: Sara Haslam
Publisher: Routledge
ISBN: 1317043383
Category : Literary Collections
Languages : en
Pages : 928

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Taking account of Ford Madox Ford’s entire literary output, this companion brings together prominent Ford specialists to offer an overview of existing Ford scholarship and to suggest new directions in Ford studies. The Routledge Research Companion to Ford Madox Ford is split into five parts, exploring the scholarly foundations of Ford Madox Ford studies, Ford's literary identity, Ford and place, specific case studies and themes and critical approaches. Within these five parts, the contributors cover areas relevant to Ford’s fiction, nonfiction and poetry, including reception history, life-writing, literary histories, gender and comedy. The Routledge Research Companion to Ford Madox Ford is an invaluable resource for students and scholars in Ford Studies, in modernism, and in the literary world that Ford helped shape in the early years of the twentieth century.