Author: Richard PygottPublisher:
ISBN:
Category : Masses, Unaccompanied
Languages : la
Pages : 0
Book Description
Missa Veni sancte spiritus
Author: Richard PygottPublisher:
ISBN:
Category : Masses, Unaccompanied
Languages : la
Pages : 0
Book Description
Missa dum complerentur, Veni Sancte Spiritus and other music for Whitsuntide
Author: Giovanni Pierluigi da PalestrinaPublisher:
ISBN:
Category :
Languages : la
Pages :
Book Description
Missa Veni Creator Spiritus
Author: The Polyphonic Mass in Early Lutheran Central Europe
Author: DR. ALANNA. ROPCHOCK TIERNOPublisher: Boydell & Brewer
ISBN: 1783277920
Category : History
Languages : en
Pages : 213
Book Description
Investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. The five-movement polyphonic Mass Ordinary emerged from the cultural and liturgical practices of medieval Roman Catholicism and became the pre-eminent large-scale musical genre of early modern Europe. By the end of the sixteenth century, the polyphonic mass remained a core musical genre among Catholics despite gaining widespread popularity within a new institution fundamentally opposed to the Catholic Church and best known for its cultivation of vernacular liturgical music: the Lutheran church. This book investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. Through careful source analysis, this study presents examples of polyphonic masses composed in both Lutheran and Catholic contexts that contradict the conventional conception of the Mass Ordinary as a fixed five-movement cycle with unaltered Latin texts. The book draws on sixteenth-century liturgical documents such as Lutheran church orders and hundreds of primary printed and manuscript sources of polyphonic masses; some of these items are well-known in Renaissance musicology source studies while others have received little to no scholarly attention. The book's findings invite reconsideration of how the Mass Ordinary genre is defined, allow for a discussion whether the polyphonic mass should be considered a bi-confessional genre, and present a cohesive examination of early modern liturgical music in the Germanic and western Slavic regions. It offers interesting reading to scholars and students of European Renaissance and religious music, as well as Reformation studies more generally.
Veni Sancte Spiritus
Author: Publisher: Heritage Music Press
ISBN: 9780787756239
Category : Music
Languages : en
Pages : 28
Book Description
This time-honored choral classic from the pen of a very young Mozart is now available in a fresh, new, authentic, and complete arrangement for women's choir. Carefully crafted vocal lines combine with a vibrant, yet highly playable piano part and much rejoicing to brighten the spirit and gladden the heart!
The Ecclesiologist
Author: A Treasury of Early Music
Author: Carl ParrishPublisher: Courier Corporation
ISBN: 0486171450
Category : Music
Languages : en
Pages : 354
Book Description
Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
The Cyclic Mass
Author: James CookPublisher: Routledge
ISBN: 135104236X
Category : Music
Languages : en
Pages : 151
Book Description
England in the fifteenth century was the cradle of much that would have a profound impact on European music for the next several hundred years. Perhaps the greatest such development was the cyclic cantus firmus Mass, and scholarly attention has therefore often been drawn to identifying potentially English examples within the many anonymous Mass cycles that survive in continental sources. Nonetheless, to understand English music in this period is to understand it within a changing nexus of two-way cultural exchange with the continent, and the genre of the Mass cycle is very much at the forefront of this. Indeed, the question of ‘what is English’ cannot truly be answered without also answering the question of ‘what is continental’. This book seeks, initially, to answer both of these questions. Perhaps more importantly, it argues that a number of the works that have induced the most scholarly debate are best seen through the lens of intensive and long-term cultural exchange and that the great binary divide of provenance can, in many cases, productively be broken down. A great many of these works, though often written on the continent, can, it seems, only be understood in relation to English practice – a practice which has had, and will continue to have, major importance in the ongoing history of European Art Music.
Giovanni Pierluigi da Palestrina
Author: Clara MarvinPublisher: Routledge
ISBN: 1135617619
Category : Music
Languages : en
Pages : 504
Book Description
First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.
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