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Missa, tono: Veni Creator

Missa, tono: Veni Creator PDF Author:
Publisher:
ISBN:
Category :
Languages : la
Pages : 7

Book Description


Missa, tono: Veni Creator

Missa, tono: Veni Creator PDF Author:
Publisher:
ISBN:
Category :
Languages : la
Pages : 7

Book Description


Missa "Veni Creator Spiritus"

Missa Author: Giuseppe Antonio Bernabei
Publisher:
ISBN:
Category :
Languages : la
Pages : 10

Book Description


The Catholic Choirmaster

The Catholic Choirmaster PDF Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 680

Book Description


Anthology of music

Anthology of music PDF Author: Karl Gustav Fellerer
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 122

Book Description


From Serra to Sancho

From Serra to Sancho PDF Author: Craig H. Russell
Publisher: Oxford University Press
ISBN: 0199916160
Category : Music
Languages : en
Pages : 478

Book Description
Music in the California missions was a pluralistic combination of voices and instruments, of liturgy and spectacle, of styles and functions - and even of cultures - in a new blend that was non-existent before the Franciscan friars' arrival in 1769. This book explores aesthetic, stylistic, historical, cultural, theoretical, liturgical, and biographical aspects of this repertoire. It contains a "Catalogue of Mission Manuscripts," 150+ facsimiles, translations of primary documents, and performance-ready music reconstructions.

History of the Mass

History of the Mass PDF Author: Joseph Schmidt-Görg
Publisher:
ISBN:
Category : Mass (Music)
Languages : en
Pages : 130

Book Description


Sacred Choral Music in Print

Sacred Choral Music in Print PDF Author:
Publisher:
ISBN:
Category : Choral music
Languages : en
Pages : 328

Book Description


Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina PDF Author: Clara Marvin
Publisher: Routledge
ISBN: 1135617619
Category : Music
Languages : en
Pages : 504

Book Description
First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.

Sacred Choral Music in Print

Sacred Choral Music in Print PDF Author: F. Mark Daugherty
Publisher: Philadelphia : Musicdata
ISBN:
Category : Music
Languages : en
Pages : 328

Book Description
Arranger index (c1987) provides an additional means of access by the name of the arranger or editor; 1988 supplement contains the sacred choral entries included in the 1986 Music-in-print annual supplement as well as new music published since 1985; 1992 supplment contains listings of music published since 1987 as well as earlier material of publishers not previously in the series; 1996 supplement contains listings of music published since 1991 as well as earlier material not previously in the series.

Canons and Canonic Techniques, 14th-16th Centuries

Canons and Canonic Techniques, 14th-16th Centuries PDF Author: Katelijne Schiltz
Publisher: Peeters Publishers
ISBN: 9789042916814
Category : Art
Languages : en
Pages : 546

Book Description
Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present. This book was awarded the Special Citation by the Society for Music Theory in November 2008.